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The Man who Wanted to Smell Books, and Other Stories
Elspeth Davie is one of Scotland's finest and most underrated short-story writers. Her prose style is as clear and occasionally unnerving as that of Muriel Spark, yet her work reveals a gentler and more compassionate, but no less penetrating eye for the beauty and the strangeness of the daily human condition. This wide-ranging collection of the very best of Elspeth Davie's short fiction offers an important reassessment of a wonderful writer.
Network-Based Language Teaching: Concepts and Practice
This collection of research in on-line communication for second language learning inlcudes use of electronic mail, real-time writing and the World Wide Web. It analyses the theories underlying computer-assisted learning.
Auld Reekie
For centuries, Edinburgh has inspired affection, admiration and awe amongst visitors and residents alike, and in this widely praised anthology Ralph Lownie draws on an expansive range of sources, including speeches, memoirs, letters, poems, novels and journals, to capture the unique spirit of Scotland's capital. Alongside the set-pieces, familiar names and city landmarks - the Porteous Riots, Burke and Hare, Deacon Brodie, the Castle and Arthur's Seat - are numerous less well-known accounts of the city, which cast fresh light on both the writer and topic: Chesterton, Betjeman, J.B. Priestley, Brontë and Wordsworth, for example, are names not generally associated with the city but are featured here. Auld Reekie showcases Edinburgh in all its beauty and historic worth but doesn't flinch from the less savoury side of its character, including sections on the city in adversity and on its crime record. This varied and absorbing collection will be treasured by all those who love Edinburgh.
Edinburgh Companion to Scottish Women's Writing
By combining historical spread with a thematic structure, this volume explores the ways in which gender has shaped literary output and addresses the changing situations in which Scottish women lived and wrote.
The Point of It All
The atheism of modern thought is based on irrational assumptions...First-century Jews expected a suffering Messiah...Jesus knew it was he...Jesus’ birth and resurrection in history. The point of the parables...The point of Christology...The historical grounds for scepticism about Christian claims concerning Jesus Christ rely on misreadings of the Bible. In a series of original essays, the author issues a formidable challenge to many of the presuppositions of modern theology.
History of Scottish Women's Writing
This is the first comprehensive critical analysis of Scottish women's writing from its recoverable beginnings to the present day. Essays cover individual writers - such as Margaret Oliphant, Nan Shepherd, Muriel Spark and Liz Lochhead - as well as groups of writers or kinds of writing - such as women poets and dramatists, or Gaelic writing and the legacy of the Kailyard. In addition to poetry, drama and fiction, a varied body of non-fiction writing is also covered, including diaries, memoirs, biography and autobiography, didactic and polemic writing, and popular and periodical writing for and by women.
Literature of Scotland
Critics hailed the first edition of The Literature of Scotland as one of the most comprehensive and fascinatingly readable accounts of Scottish literature in all three of the country's languages - Gaelic, Scots and English. In this extensively revised and expanded new edition, Roderick Watson traces the lives and works of Scottish writers in a beautiful and rugged country that has been divided by political and religious conflict but united, too, by a democratic and egalitarian ideal of nationhood. The Literature of Scotland: The Twentieth Century provides a comprehensive account of the richest ever period in Scottish literary history. From The House with the Green Shutters to Trainspotting a...
British Experimental Women’s Fiction, 1945—1975
This book scrutinizes a range of relatively overlooked post-WWII British women writers who sought to demonstrate that narrative prose fiction offered rich possibilities for aesthetic innovation. What unites all the primary authors in this volume is a commitment to challenging the tenets of British mimetic realism as a literary and historical phenomenon. This collection reassesses how British female novelists operated in relation to transnational vanguard networking clusters, debates and tendencies, both political and artistic. The chapters collected in this volume enquire, for example, whether there is something fundamentally different (or politically dissident) about female experimental procedures and perspectives. This book also investigates the processes of canon formation, asking why, in one way or another, these authors have been sidelined or misconstrued by recent scholarship. Ultimately, it seeks to refine a new research archive on mid-century British fiction by female novelists at least as diverse as recent and longer established work in the domain of modernist studies.
