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Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
Post-Structuralist Joyce
This volume is devoted to translations of some of the most significant criticism of James Joyce to have appeared in French journals over the last twenty, years. Joyce has been a great stimulus for new modes of theoretical and critical inquiry in France, which have in turn exerted a profound influence on the intellectual climate both in the UK and in North America. In their shared preoccupations with the mechanisms of textuality and the implications thereof for the writing-and-reading subject, all the contributors to this volume, who include Hélène Cixous, Jacques Aubert, JeanMichel Rabaté, André Topia and Jacques Derrida, form part of the movement away from the structuralism that dominated intellectual discussion in the 1960s to what is now called (though not in France itself), 'post-structuralism'.
