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The Arid Sky
Described as “a literary atomic bomb” (Luisán Gámez), Mexican literary star Emiliano Monge’s English-language debut is the Latin American incarnation of Cormac McCarthy: an artistically daring, gorgeously wrought, and eviscerating novel of biblical violence as told through the story of a man “who, though he did not know it, was the era in which he lived.” Set on a desolate, unnamed mesa, Emiliano Monge’s The Arid Sky distills the essence of a Latin America ruthlessly hollowed out by uncontainable violence. This is an unsparing yet magnificent land, whose only constants are loneliness, hatred, loyalty, and the struggle to return some small measure of meaning to life. Thundering ...
What Goes Unsaid
From one of Mexico’s most important writers, a fictionalised memoir about three men who are driven to escape the confines of their traditional lives and roles. In 1958, Carlos Monge McKey sneaks out of his home in the middle of the night to fake his own death. He does not return for four years. A decade later, his son, Carlos Monge Sánchez, deserts his family too, joining a guerrilla army of Mexican revolutionaries. Their stories are unspooled by grandson and son Emiliano, a writer, who also chooses to escape reality, by creating fictions to run away from the truth. What Goes Unsaid is an extraordinary memoir that delves into the fractured relationships between fathers and sons, grandfathers and grandsons; that disinters the ugly notions of masculinity and machismo that all men carry with them — especially in a patriarchal culture like Mexico. It is the story of three men, who — each in his own way — flee their homes and families in an attempt to free themselves.
Among the Lost
In the desolate wastelands between the sierra and the jungle, under an all-seeing, unforgiving sun, a single day unfolds as relentlessly as those that have gone before. People are trafficked and brutalised, illegal migrants are cheated of their money, their dreams, their very names even as countless others scrabble to cross the border, trying to reach a land they call El Paraíso. In this grim inferno, a fierce love has blossomed — one that was born in pain and cruelty, and one that will live or die on this day. Estela and Epitafio too were trafficked, they grew together in the brutal orphanage, fell in love, but were ripped apart. They have played an ugly role in the very system that abus...
México20
To celebrate the Year of Mexico in the UK and the Year of the UK in Mexico in 2015, Hay Festival, the British Council and Conaculta have joined forces to bring twenty young Mexican writers under the age of forty, paired with twenty British translators, to an international readership. Broken families, a man in a birdcage, a lone swimmer these stories betray a quest for the self when the feeling of loss pervades. Pushkin Press is proud to present these vibrant and moving narratives from modern Mexico. Adding to the already vast literary tradition of their country with brave new styles, the writers capture an era of shifting boundaries and growing violence, where Mexico s rapid modernization is often felt to be at the cost of its artistic heritage. Contributors are: Juan Pablo Anaya Gerardo Arana Nicolás Cabral Verónica Gerber Pergentino José Laia Jufresa Luis Felipe Lomelí Brenda Lozano Valeria Luiselli Fernanda Melchor Emiliano Monge Eduardo Montagner Anguiano Antonio Ortuño Eduardo Rabasa Antonio Ramos Revillas Eduardo Ruiz Sosa Daniel Saldaña Ximena Sánchez Echenique Carlos Velázquez Nadia Villafuerte
The Tyranny of Common Sense
As one of the first countries to implement a neoliberal state apparatus, Mexico serves as a prime example of the effects of neoliberal structural economic reform on our sensibility. Irgmard Emmelhainz argues that, in addition to functioning as a form of politico-economic organization, neoliberalism creates particular ways of seeing and inhabiting the world. It reconfigures common sense, justifying destruction and dispossession in the name of development and promising to solve economic precarity with self-help and permanent education. Pragmatism reigns, yet in always aiming to maximize individual benefit and profit, such common sense fuels a culture of violence and erodes the distinction betw...
Little Bird
After moving from Peru north of the Arctic circle to begin graduate school, Claudia Ulloa Donoso began blogging about insomnia. Not hers, necessarily – the blog was never defined as fact or fiction. Her blog posts became the bones of Little Bird, short stories with a nod to fervent self-declaration of diary entries and the hallucinatory haze of sleeplessness. Blending narration and personal experience, the stories in Little Bird stretch reality, a sharp-shooting combination of George Saunders and Samanta Schweblin. Characters real and unreal, seductive, shape-changing, and baffling come together in smooth prose that, ultimately, defies fact and fiction.
Colonel Lágrimas
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Omissions
Peut-on échapper à son histoire familiale lorsqu’elle s’est construite au fil des mensonges et des trahisons ? Le grand-père d’Emiliano Monge, lui-même petit-fils d’un Irlandais ayant fui l’Europe, sa femme et ses enfants pour s’installer en Amérique, a mis en scène sa propre mort. Carlos Monge McKey a placé un cadavre dans sa voiture, mis les mains de celui-ci sur le volant, desserré le frein et laissé le véhicule dévaler une carrière, puis exploser. Pendant plusieurs années, il a laissé croire à sa famille qu’il était décédé, jusqu’au jour de sa réapparition. Le père d’Emiliano, Carlos Monge Sánchez, traumatisé par la disparition puis par le retour ...
Who is Rich?
‘Who is Rich? Is a tantalizing novel – acute and smart and stark, but mostly it’s unrelentingly funny about a large number of very inappropriate things. It’s one of those rare books: you open it, then you’re up all night. I was‘ Richard Ford
Magnetized
NPR, One of the Best Books of the Year A “chilling but fascinating portrait” of a serial killer, and “a must-read for true crime fans” who enjoyed My Dark Places, The Stranger Beside Me, or I’ll Be Gone In the Dark (Buzzfeed) One of Argentina’s most innovative writers brings to life the story of a teenager who murdered 4 taxi drivers in 1982 Buenos Aires—without any apparent motive. Over the course of one ghastly week in September 1982, the bodies of 4 taxi drivers were found in Buenos Aires, each murder carried out with the same cold precision. The assailant: a 19–year–old boy, odd and taciturn, who gave the impression of being completely sane. But the crimes themselves we...
