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Up is Up, But So is Down
The first book to capture the spontaneity of lower Manhattan's Downtown literary scene collects more than 125 images and over 80 texts that encompass the most vital work produced between 1974 and 1992.
Downstrokes and Discord
Downstrokes and Discord Secret Johnny Ramone The world knows the Ramones as a legendary punk rock band, but Roxy's narrative unveils the hidden struggles, the sacrifices made, and the erasure of her own existence within the Ramones Legacy. As Johnny Ramone's life drew to a close, the power dynamics shifted, leaving Roxy on the outskirts, her presence erased, her contributions overshadowed. But she refuses to be silenced. Roxy's journey takes you through the heartbreak of discovering Johnny's infidelity- the searing pain of being cast aside for another. Yet, her story doesn't end there. It is within the depths of this betrayal that Roxy finds her true strength, her voice rising from the ashes...
All Poets Welcome
Together with its accompanying CD, this text captures the excitement of the vibrant, irreverent poetry scene of New York's Lower East Side in the 1960s. The text draws from personal interviews with many of the participants, from unpublished letters and from rare sound recordings.
Poetic Culture
In Poetic Culture, Christopher Beach questions the cultural significance of poetry, both as a canonical system and as a contemporary practice. By analyzing issues such as poetry's loss of audience, the "anthology wars" of the 1950s and early 1960s, the academic and institutional orientation of current poetry, the poetry slam scene, and the efforts to use television as a medium for presenting poetry to a wider audience, Beach presents a sociocultural framework that is fundamental to an understanding of the poetic medium. While calling for new critical methods that allow us to examine poetry beyond the limits of the accepted contemporary canon, and beyond the terms in which canonical poetry is generally discussed and evaluated, Beach also makes a compelling case for poetry and its continued vitality both as an aesthetic form and as a site for the creation of community and value.
Unbearables
An anthology of fictive adventures by the Unbearables and collaborators, a free-floating in-your-face scrum of black humorists, chaos-mongers, immediatists, and verse-spouting Beer Mystics, disorganized around recuperating essence away from the humorless commodification of experience. Includes: Judy Nylon, Max Blagg, Bikini Girl, Bruce Benderson, Hakim Bey, Jordan Zinovich, and the Unbearables.
The Producer as Composer
The evolution of the record producer from organizer to auteur, from Phil Spector and George Martin to the rise of hip-hop and remixing. In the 1960s, rock and pop music recording questioned the convention that recordings should recreate the illusion of a concert hall setting. The Wall of Sound that Phil Spector built behind various artists and the intricate eclecticism of George Martin's recordings of the Beatles did not resemble live performances—in the Albert Hall or elsewhere—but instead created a new sonic world. The role of the record producer, writes Virgil Moorefield in The Producer as Composer, was evolving from that of organizer to auteur; band members became actors in what Fran...
An Exaltation of Forms
Fifty poets examine the architecture of poems--from the haiku to rap music--and trace their history
Rock and Roll Always Forgets
The best, most provocative reviews, interviews, columns, and essays written by the entertaining, idiosyncratic, and influential music writer Chuck Eddy over the past twenty-five years.
Singing the Body Electric: The Human Voice and Sound Technology
Singing the Body Electric explores the relationship between the human voice and technology, offering startling insights into the ways in which technological mediation affects our understanding of the voice, and more generally, the human body. From the phonautograph to magnetic tape and now to digital sampling, Miriama Young visits particular musical and literary works that define a century-and-a-half of recorded sound. She discusses the way in which the human voice is captured, transformed or synthesised through technology. This includes the sampled voice, the mechanical voice, the technologically modified voice, the pliable voice of the digital era, and the phenomenon by which humans mimic ...
The Cool School: Writing from America's Hip Underground
An unparalleled literary mix tape that brings together the subversive works of Henry Miller, Miles Davis, Jack Kerouac, and many others Who were the original hipsters? In this dazzling collection, Glenn O’Brien provides a kaleidoscopic guided tour through the margins and subterranean tribes of mid-twentieth century America—the worlds of jazz, of disaffected postwar youth, of those alienated by racial and sexual exclusion, of outlaws and drug users creating their own dissident networks. Whether labeled as Bop or Beat or Punk, these outsider voices ignored or suppressed by the mainstream would merge and recombine in unpredictable ways, and change American culture forever. To read The Cool ...
