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House is an Enigma is an investigation of the language used to house descriptions of the body, which so often seek to define and determine the boundaries and behaviors of the spirit that lives within. Written after Bolden's radical hysterectomy, during which she noted her doctors' use of house metaphors to describe her body and discuss her inability to have children, these stunning poems set out to expose the fissures in the foundations of the language we use to define human bodies and their behaviors, using these cracks as a lens through which she can see her own body, at last, as her own flawed but beautiful home.
For readers of Susannah Cahalan’s Brain on Fire and Porochista Khakpour’s Sick, this exquisitely wrought debut memoir recounts a lifelong struggle with chronic pain and endometriosis, while speaking more broadly to anyone who’s been told “it’s all in your head” In Catholic grade school, Emma Bolden has a strange experience with a teacher that unleashes a short-lived, persistent coughing spell—something the medical establishment will later use against her as she struggles through chronic pain and fainting spells that coincide with her menstrual cycle. With The Tiger and the Cage, Bolden uses her own experience as the starting point for a journey through the institutional misogyn...
Let Me Say This: A Dolly Parton Poetry Anthology offers 54 poets’ takes on often-unsung facets of this diamond in a rhinestone world—calling in Dolly’s impeccable comedic timing, her lyric mastery, her business acumen, and her Dollyverse advocacy. These poems remind us to be better and to do better, to subvert Dolly cliché, and they encourage us to weave Dolly metaphor into our own family lore. Within these pages, Dolly takes the stage and the dinner table; readers see the public Dolly of the silver screen and the private Dolly of identity contemplation. Dolly raises praise and question, and she butterflies into our hearts to unabashedly to claim the mantra In Dolly We Trust. With Dol...
Preliminary Material -- Introduction -- Cultural Hybridity -- Linguistic Hybridity -- Narrative Hybridity -- Formal Hybridity -- Conclusion -- Works Cited -- Interviews -- Index.
This study examines the early dramatic works of Yeats, Synge, and Gregory in the context of late colonial Ireland’s unique socio-political landscape. By contextualizing each author’s work within the artistic and political discourses of their time, Cusack demonstrates the complex negotiation of nationalism, class, and gender identities undertaken by these three authors in the years leading up to Ireland’s revolution against England. Furthermore, by focusing on plays written by each author in the context of the ongoing debates over Irish national identity that were taking place throughout Irish public life in this period, Cusack examines in more depth than previous studies the ways Yeats, Gregory, and Synge adapted conventional dramatic and linguistic forms to accommodate the conflicting claims of Irish nationalism. In so doing, he demonstrates the contribution these authors made not only to the development of Irish nationalism but also to modern and postcolonial literature as we understand them today.
Maria Sirena tells stories. She does it for money—she was a favorite in the cigar factory where she worked as a lettora—and for love, spinning gossamer tales out of her own past for the benefit of friends and family. But now, like a modern-day Scheherazade, she will be asked to tell a story so that eight women can keep both hope and themselves alive. Cuba, 1963. Hurricane Flora, one of the deadliest hurricanes in recorded history, is bearing down on the island. Seven women have been evacuated from their homes and herded into the former governor's mansion, where they are watched over by another woman, a young soldier of Castro's new Cuba named Ofelia. Outside the storm is raging and the f...
Creative writing may be the ultimate form of self-expression. Whether the reader is a creative writing student or someone who feels compelled to create stories and poetry in their free time, Idiot's Guides: Creative Writing helps them master the basics of fiction and creative nonfiction and write more effectively. Readers will learn how to: - Create the fundamental elements of good fiction of creative nonfiction, including plot, character, point of view, setting, dialogue, style, and theme. - Write various types and genres of creative writing, including novels, short stories, plays and screenplays, poetry, book-length and article-length narrative nonfiction, memoirs, and more. - Hone their writing skills and boost their creativity with writing prompts and exercises.
The epic sequel to Chuck Wendig's apocalyptic literary masterpiece WANDERERS. HOW DO YOU SURVIVE THE END OF THE WORLD? Five years ago, a group of ordinary Americans fell under the grip of a strange new malady that caused them to sleepwalk across the country. They were followed on their quest by the shepherds: friends and family who gave up everything to protect them. Their destination, Ouray, became one of the last outposts of civilization, because the sleepwalking epidemic was only the first in a chain of events that led to the end of the world - and the birth of a new one. But the people of Ouray are not the only survivors, and their new world is fragile. Forces of cruelty and brutality ar...
This volume collects all poems published on the Clementine Poetry Journal website from July through December of 2015. Visit clementinepoetryjournal.com and our new site, https: //clementineunbound.wordpress.com/
The Norton Introduction to Literature?offers the trusted writing and reading guidance students need, along with an exciting mix of the stories, poems, and plays instructors want. The Shorter Fourteenth Edition is the most inclusive ever, with more contemporary and timely works sure to engage todayÕs students. New media-rich pedagogical tools further foster close reading and careful writing, making this book the best choice for helping all students understand, analyze, and write about literature.