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A collection of poems by one of the most prominent female poets of the 19th century. Embury's beautiful verses touch upon themes of love, nature, and spirituality, showcasing her mastery of language and expression. This work has been selected by scholars as being culturally important, and is part of the knowledge base of civilization as we know it. This work is in the "public domain in the United States of America, and possibly other nations. Within the United States, you may freely copy and distribute this work, as no entity (individual or corporate) has a copyright on the body of the work. Scholars believe, and we concur, that this work is important enough to be preserved, reproduced, and made generally available to the public. We appreciate your support of the preservation process, and thank you for being an important part of keeping this knowledge alive and relevant.
Call her majestic. The most popular woman poet of America's 19th Century literary Renaissance. Her works were prodigious, inclusive, democratic. She published more than four-hundred poems, novels, and essays during her lifetime. She contributed poems to The Knickerbocker Magazine, The Lady's Companion, Columbian, Godey's Lady's Book, Graham's Magazine, and Religious Souvenir. Her story, Pictures of Early Life, was applauded as "highly interesting and instructive; and of a character which should place it in the hands of youth." In 1845 Edgar Allan Poe published her "Thoughts of a Silent Man" essays in his periodical Broadway Journal. Later. In "The Literati of New York City," a scholarly arti...
This publication marks the first time in a hundred years that a wide range of nineteenth-century American women's poetry has been accessible to the general public in a single volume. Included are the humorous parodies of Phoebe Cary and Mary Weston Fordham and the stirring abolitionist poems of Lydia Sigourney, Frances Harper, Maria Lowell, and Rose Terry Cooke. Included, too, are haunting reflections on madness, drug use, and suicide of women whose lives, as Cheryl Walker explains, were often as melodramatic as the poems they composed and published. In addition to works by more than two dozen poets, the anthology includes ample headnotes about each author's life and a brief critical evaluation of her work. Walker's introduction to the volume provides valuable contextual material to help readers understand the cultural background, economic necessities, literary conventions, and personal dynamics that governed women's poetic production in the nineteenth century.
Biographical sketches of and selections from 80 poets.
Reprint of the original, first published in 1875.