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Los días ajenos
"Es el amor uno solo y por tanto lo unico que varia son sus protagonistas, quienes en cada epoca reescriben los mismos sentimientos, las mismas ilusiones, el mismo miedo a la perdida, al desengano, y en fin, a la soledad? Aura, la protagonista de esta novela, enfrenta ese interrogante cuando descubre que su abuela, de quien heredo el nombre, vive inmersa en el pasado; un pasado en el que el amor es centro y que poco a poco se le revela a traves de los monologos de la anciana y de las cartas que esta lee en voz alta. Entre tanto, la nieta vive tambien su propia historia de amor y afronta el conflicto entre las concepciones idealistas de antano y las suyas, pues el amor, al contrario de lo que esperaba, se le presenta fragmentado, incierto, dividido entre dos sentimientos, sin lograr decidir por cual tomar partido."
Self Portrait in Green
'NDiaye is a hypnotic storyteller with an unflinching understanding of the rock-bottom reality of most people's life.' New York Times ' One of France's most exciting prose stylists.' The Guardian. Obsessed by her encounters with the mysterious green women, and haunted by the Garonne River, a nameless narrator seeks them out in La Roele, Paris, Marseille, and Ouagadougou. Each encounter reveals different aspects of the women; real or imagined, dead or alive, seductive or suicidal, driving the narrator deeper into her obsession, in this unsettling exploration of identity, memory and paranoia. Self Portrait in Green is the multi-prize winning, Marie NDiaye's brilliant subversion of the memoir. Written in diary entries, with lyrical prose and dreamlike imagery, we start with and return to the river, which mirrors the narrative by posing more questions than it answers.
A Country for Dying
An exquisite novel of North Africans in Paris by "one of the most original and necessary voices in world literature" WINNER OF THE 2021 PEN TRANSLATION PRIZE Paris, Summer 2010. Zahira is 40 years old, Moroccan, a prostitute, traumatized by her father's suicide decades prior, and in love with a man who no longer loves her. Zannouba, Zahira's friend and protege, formerly known as Aziz, prepares for gender confirmation surgery and reflects on the reoccuring trauma of loss, including the loss of her pre-transition male persona. Mojtaba is a gay Iranian revolutionary who, having fled to Paris, seeks refuge with Zahira for the month of Ramadan. Meanwhile, Allal, Zahira's first love back in Morocco, travels to Paris to find Zahira. Through swirling, perpendicular narratives, A Country for Dying follows the inner lives of emigrants as they contend with the space between their dreams and their realities, a schism of a postcolonial world where, as Taïa writes, "So many people find themselves in the same situation. It is our destiny: To pay with our bodies for other people's future."
About Trees
About Trees considers our relationship with language, landscape, perception, and memory in the Anthropocene. The book includes texts and artwork by a stellar line up of contributors including Jorge Luis Borges, Andrea Bowers, Ursula K. Le Guin, Ada Lovelace and dozens of others. Holten was artist in residence at Buro BDP. While working on the book she created an alphabet and used it to make a new typeface called Trees. She also made a series of limited edition offset prints based on her Tree Drawings.
Diplomatic List
Contains the names of the members of the diplomatic staffs of all foreign missions to the U.S. and their spouses, listed in alphabetical order by country. Members of the diplomatic staff are the members of the staff of the mission having diplomatic rank. The report also includes a chronological list of national holidays around the world; a list of diplomats in order of precedence and date of presentation of credentials; and web site and e-mail addresses of embassies.
Straight from the Horse's Mouth
Named a Best Book of the Year by the Los Angeles Public Library This hilarious, colorful portrait of a sex worker navigating life in modern Morocco introduces a promising new literary voice. Thirty-four-year-old prostitute Jmiaa reflects on the bustling world around her with a brutal honesty, but also a quick wit that cuts through the drudgery. Like many of the women in her working-class Casablanca neighborhood, Jmiaa struggles to earn enough money to support herself and her family—often including the deadbeat husband who walked out on her and their young daughter. While she doesn’t despair about her profession like her roommate, Halima, who reads the Quran between clients, she still has...
