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Aristotle’s neat compartmentalization notwithstanding (Poetics, ch. 9), historians and playwrights have both been laying claim to representations of the past – arguably since Antiquity, but certainly since the Renaissance. At a time when narratology challenges historiographers to differentiate their “emplotments” (White) from literary inventions, this thirteen-essay collection takes a fresh look at the production of historico-political knowledge in literature and the intricacies of reality and fiction. Written by experts who teach in Germany, Austria, Russia, and the United States, the articles provide a thorough interpretation of early modern drama (with a view to classical times and the 19th century) as an ideological platform that is as open to royal self-fashioning and soteriology as it is to travestying and subverting the means and ends of historical interpretation. The comparative analysis of metapoetic and historiosophic aspects also sheds light on drama as a transnational phenomenon, demonstrating the importance of the cultural net that links the multifaceted textual examples from France, Russia, England, Italy, and the Netherlands.
Interdisciplinary and cross-cultural view on authority construction among early modern female intellectuals The complex relation between gender and the representation of intellectual authority has deep roots in European history. Portraits and Poses adopts a historical approach to shed new light on this topical subject. It addresses various modes and strategies by which learned women (authors, scientists, jurists, midwifes, painters, and others) sought to negotiate and legitimise their authority at the dawn of modern science in Early Modern and Enlightenment Europe (1600–1800). This volume explores the transnational dimensions of intellectual networks in France, Italy, Britain, the German states and the Low Countries, among others. Drawing on a wide range of case studies from different spheres of professionalisation, it examines both individual and collective constructions of female intellectual authority through word and image. In its innovative combination of an interdisciplinary and transnational approach, this volume contributes to the growing literature on women and intellectual authority in the Early Modern Era and outlines contours for future research.
This book provides a wide-ranging overview of Dutch technological leadership in the early modern Europe, it explains whence this leadership came about and why it ended and it explores to what extent the Dutch case illuminates the evolution of technological leadership in general.
This monograph examines the contributions of landscape design to authority and to organization of public life in imperial Russia. Analyzing how tsars and nobles inscribed their political aspirations in the gardens they designed or inhabited, this study maps out a distinct trajectory in the meaning of landscape design. Based partly on archival documents, it explores the reasons for Catherine the Great's keen interest in landscape design. It reconstructs Grigorii Potemkin's attempts to transform the Crimea physically and symbolically into the garden of the empire. And it reveals the centrality of the garden for noblemen such as Andrei Bolotov and Alexander Kurakin, who expressed their politica...
This gripping book tells the largely unknown story of longtime Russian dissident Alexander Ogorodnikov -- from Communist youth to religious dissident, in the Gulag and back again. Ogorodnikov's courage has touched people from every walk of life, including world leaders such as Bill Clinton, Ronald Reagan, and Margaret Thatcher. In the 1970s Ogorodnikov performed a feat without precedent in the Soviet Union: he organized thousands of Protestant, Orthodox, and Catholic Christians in an underground group called the Christian Seminar. When the KGB gave him the option to leave the Soviet Union rather than face the Gulag, he firmly declined because he wanted to change "his" Russia from the inside ...
Peter the Great's visit to England in the first months of 1698 has been called 'the most picturesque episode in the history of Anglo-Russian relations', and lives on most vividly in popular memory for the devastation caused at Sayes Court, John Evelyn's house and garden in Deptford. Recent celebrations of the tercentenary of that visit have refocused attention on the most famous of Russian tsars, but the story of Britain's love-hate relationship with him over the intervening centuries has never before been told. This study analyses changing British reactions to Peter in an extremely wide variety of printed sources - newspapers and journals, letters and collections of anecdotes, histories and biographies, novels, poems and plays. A final innovative chapter is devoted to images of the tsar as interpreted by British painters from Godfrey Kneller to Daniel Maclise, and by a whole cohort of engravers, illustrating biographies and travel accounts.
an absorbing (and beautifully written) study that deserves a very wide audience. - Joshua Muravchik an erudite account of where [the] vision [of individual liberty] comes from, why some ideologues set themselves against it, and how our contemporaries have ceased to treasure it. - Christopher Caldwell Bolkestein exposes todays fashionable, yet dangerous ideas, doing a great service not only to Europe but indeed to the whole of Western civilization. - Ayaan Hirsi Ali The dangers of intellectuals and their ideas in politics have rarely beenwritten about by politicians themselves. This is not surprising, for few politicians are up to the task. However, Frits Bolkestein is a notable exception, br...
"This bibliography contains everything that has been published in the West--except from Russia--about the relations between the Low Countries (Belgium and the Netherlands) and Russia--in every Western language"--P. [4] of cover.
In illuminating analyses of major texts as well as lesser known but influential works, Andreas Schönle surveys the literary travelogue--a form marked by a fully developed narrator's voice, interpretive impressions, scenic descriptions, and extended narrative--from its emergence in Russia to the end of the Romantic era.