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In And Another Thing: Nonanthropocentrism and Art, Katherine Behar and Emmy Mikelson explore how artists engage with nonanthropocentrism, one of the primary tenets shared by recent speculative realist and new materialist philosophies. Extending their investigations in And Another Thing, an exhibition which the authors curated in 2011, this volume documents both that exhibition and expands on two of its curatorial aims: prioritizing art historical contexts for contemporary philosophy (rather than the other way around), and apprehending artworks as historically specific objects of philosophy.The book is organized in three sections. In the first section, Behar and Mikelson provide long-form ess...
This book explores the ways Robert Smithson’s art revealed and defamiliarized the constructs of rational reality in order to allow radically speculative alternatives to emerge. In this way, his art is conceived as a true fiction that eradicates a false reality. By tracing the web of correspondences between Smithson and science fictional, speculative and mystical modes of thought, Rory O’Dea explores the aesthetic encounters engendered by his art as a means to warp the contours of reality and loosen the boundaries of being human. Given the current and impending catastrophes of the Anthropocene, which represents the ever-expanding planetary shadow cast by humanism, the possibility of being other-than-human posited by Smithson’s art is a matter of urgent concern. The book will be of interest to scholars working in art history, contemporary art, American studies and environmental humanities.
"I shall consider human actions and appetites just as if it were a question of lines, planes, and bodies." -Spinoza, in Ethics In her first inquiry toward decelerationist aesthetics, Katherine Behar explores the rise of two "big deal" contemporary phenomena, big data and obesity. In both, scale rearticulates the human as a diffuse informational pattern, causing important shifts in political form as well as aesthetic form. Bigness redraws relationships between the singular and the collective. Understood as informational patterns, collectives can be radically inclusive, even incorporating nonhumans. As a result, the political subject is slowly becoming a new object. This social and information...
Translation and Objects offers a new and original perspective in Translation Studies, originating from the conviction that in today’s world translation is pervasive. Building on the ideas of scholars who have expanded the boundaries of the discipline, this book focuses on the analysis of objects that migrants carry with them on their journey of migration. The ideas of displacement and constant movement are key throughout these pages. Migrants live translation literally, because displacement is a leitmotif for them. Translation and Objects analyzes migrant objects—such as shoes, stones, or photographs—as translation sites that function as expressions as well as sources of emotions. Thes...
The essays in Object-Oriented Feminism explore OOF: a feminist intervention into recent philosophical discourses—like speculative realism, object-oriented ontology (OOO), and new materialism—that take objects, things, stuff, and matter as primary. Object-oriented feminism approaches all objects from the inside-out position of being an object too, with all of its accompanying political and ethical potentials. This volume places OOF thought in a long history of ongoing feminist work in multiple disciplines. In particular, object-oriented feminism foregrounds three significant aspects of feminist thinking in the philosophy of things: politics, engaging with histories of treating certain hum...
In May 2019, the United Nations released the Global Assessment Report on Biodiversity and Ecosystem Services which warned that human activities will drive nearly one million species to extinction in a few decades. The primary reasons for this are habitat loss and biodiversity demise caused by changing climate, pollution, introducing nonindigenous species, clearing land, over population, and consumption. Given this situation, humans must change course as both human wellbeing and the wellbeing of other-than-human species are imbricated in one another. One way humanity can accomplish the needed transformation is to move beyond an anthropocentric view of life by embracing a transpecies approach ...
Winner of the 2016 Marfield Prize In 1902, Rainer Maria Rilke—then a struggling poet in Germany—went to Paris to research and write a short book about the sculptor Auguste Rodin. The two were almost polar opposites: Rilke in his twenties, delicate and unknown; Rodin in his sixties, carnal and revered. Yet they fell into an instantaneous friendship. Transporting readers to early twentieth-century Paris, Rachel Corbett’s You Must Change Your Life is a vibrant portrait of Rilke and Rodin and their circle, revealing how deeply Rodin’s ideas about art and creativity influenced Rilke’s classic Letters to a Young Poet.
The Methuen Drama Companion to Performance Art offers a comprehensive guide to the major issues and interdisciplinary debates concerning performance in art contexts that have developed over the last decade. It understands 'performance art' as an institutional, cultural, and economic phenomenon rather than as a label or object. Following the ever-increasing institutionalization and mainstreaming of performance and its methods of display, representation, and mediation in the wider cultural sphere, the book's chapters identify a marked change in the economies and labor practices surrounding performance art and its institutional curating and presenting practices, reflective of an advanced stage ...
Per la prima volta Graham Harman, fondatore dell’ontologia orientata agli oggetti (OOO), tratta insieme e organicamente i temi che gli stanno più a cuore. Frutto di una meditata riflessione riversatasi in altre opere, Arte e oggetti costituisce la base di una nuova estetica, improntata al formalismo, al pluralismo e al realismo. In un mondo popolato da oggetti, la cui dimensione ritratta resta inattingibile, l’osservatore viene sedotto e stupito dal loro fascino. Opponendosi alla critica di matrice relazionistica e olistica, Harman rilegge le avanguardie del Novecento e le attuali forme artistiche. Ispirandosi ai pensatori chiave del formalismo (Kant, Greenberg e Fried), Harman ne elabora una versione weird in salsa OOO, che rilancia il ruolo della bellezza e della teatralità. L’autonomia delle opere d’arte diventa così chiusura che seduce e che spinge lo spettatore a divenire oggetto reale della metafora, sostituendo la banalità del letterale e donando linfa vitale all’esperienza estetica.
This book brings together a collection of multi-disciplinary voices to discuss, debate, and devise a series of ahuman pedagogical proposals that aim to address the challenging ecological, political, social, economic, and aesthetic milieu within which education is situated today. Attending to contemporary calls to decenter all-too-human educational research and practice, while also coming to terms with the limits and inheritances through which such calls are made possible in the first place, this book aims to interrogate, but also invent, what we are calling an ahuman pedagogy. Organized in three main sections — Conjuring an Ahuman Pedagogy, Machinic Re/distributions, and Non-pedagogies for Unthought Futures — this multi-disciplinary experiment in ahuman pedagogies for the age of the Anthropocene offers an experimental – albeit always speculative and incomplete – series of pedagogical proposals that work to unthink and counter-actualize educational futures-as-usual.