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Ayşe Erkmen: Whitish
Whitish accompanies Ayşe Erkmen’s first institutional solo exhibition opened in Turkey, at Arter’s new building and which bears the same name as the book. The exhibition brings together the creative output of Ayşe Erkmen since the 1970s, chosen with a retrospective approach, with new works conceived and produced especially for this exhibition. The book includes an interview with the artist, conducted by Emre Baykal, the curator of the exhibition, together with images of her works adapted to the new building of Arter and being presented in a new network of relationships as well as photos from her archive that shed light on Ayşe Erkmen’s continuous artistic production for over 50 years.
What Time Is It?
Arter initiates a new publication series, Arter Background, to accompany group exhibitions drawn from its collection, which holds more than 1,300 works of art as of 2019. This first book of the series accompanies one of the opening exhibitions of Arter’s new building, a collection-based group exhibition entitled What Time Is It?. Curated by Emre Baykal and Eda Berkmen, the exhibition is conceived around the concepts of memory, space and time. In the book, excerpts of texts selected around the ideas active in the curatorial process are complemented by new essays written specifically for this context, in line with Arter’s mission of encouraging artistic and cultural production. It thus fea...
Sarkis: Çaylak Sokak
Arter Publications’ extended programme includes the launch of two new series which accompany the opening of the institution’s new building in Dolapdere: the first is entitled Arter Close-Up and offers a closer look into a selected work from its collection; which contains more than 1,300 works as of 2019. The Close-Up series starts its journey with Sarkis’s iconic work Çaylak Sokak - an artwork that is deemed to be one of the turning points in the history of contemporary art in Turkey. The artwork, which was first exhibited at the Maçka Art Gallery in 1986, and then took part in the Wizards of the Earth exhibition at the Centre Pompidou in Paris in 1989, bears the same name as the str...
Saat Kaç?
Arter, 2019 itibarıyla 1.300’den fazla yapıt barındıran koleksiyonundan düzenlenen sergilere eşlik etmek üzere yeni bir yayın dizisi başlatıyor: Arter Arka Plan. Dizinin bu ilk kitabı, Arter’in açılış sergilerinden biri olan Saat Kaç? başlıklı koleksiyon grup sergisine eşlik ediyor. Kitapta, küratörler Emre Baykal ve Eda Berkmen’in bellek, mekân ve zaman kavramları etrafında oluşturdukları serginin arka planındaki düşüncelerden hareketle seçilip özgün bir kurguyla biraraya getirilen metin parçalarına ve Arter’in sanatsal ve kültürel üretimi teşvik etme anlayışı doğrultusunda bu yayın için üretilmiş yeni yazılara yer veriliyor. Ev, gün...
Ayşe Erkmen: Beyazımtırak
Beyazımtırak, Ayşe Erkmen’in Arter’in yeni binasında açılan ve sanatçının Türkiye’deki ilk kurumsal solo sergisi olma niteliği taşıyan aynı isimli sergiye eşlik ediyor. Sergi, Ayşe Erkmen’in 1970’lerden bu yana gerçekleştirdiği sanatsal üretim içinden retrospektif bir anlayışla seçilenlerle birlikte bu sergi için özel olarak tasarlayıp ürettiği yeni işleri bir araya getiriyor. Serginin küratörlüğünü üstlenen Emre Baykal’ın Ayşe Erkmen ile yaptığı söyleşinin yer aldığı kitapta sanatçının 50 yılı aşkın bir süredir kesintisiz şekilde sürdürdüğü sanatsal üretime ışık tutan arşiv fotoğrafları ile birlikte Arter’in yeni binasına uyarlanıp yeni bir ilişkiler ağı içinde sunulan işlerinin görüntülerine yer veriliyor.
Füsun Onur
Füsun Onur ist eine der bedeutendsten Künstlerinnen der Türkei. 2022 hat sie den Türkischen Pavillon auf der Biennale von Venedig bespielt. Zwar ist ihr beeindruckendes und vielseitiges Werk durch regelmäßige Beteiligungen an Gruppenausstellungen einem internationalen Publikum kontinuierlich zugänglich gewesen, hat aber bislang keine ausreichende Würdigung erfahren. Der Katalog zur Retrospektive stellt Arbeiten aus den 1960er Jahren bis heute vor. Text: Merve Yesilada Çaglar, Yilmaz Dziewior, Barbara Engelbach und Emre Baykal, Süreyyya Evren, Füsun Onur, Nilüfer Sasmazer.
Tactics of Invisibility
Children will enjoy learning about 36 different rocks and minerals with illustrations of smoky quartz, amethyst, malachite, emerald, celestite, crazy lace agate, aragonite, garnet, and many more. Informative captions offer fascinating facts and an introduction includes helpful advice on collecting and identifying these natural beauties. Free Teacher's Manual available. Grades: 3-5. Boost: Seriously Fun Learning Keeping children entertained and engaged is the key to learning, and the Boost series offers a wide range of fun-filled coloring and activity books that help teach a variety of basic skills. Each title is targeted to a specific grade range and carefully aligned with the Common Core State Standards, which are listed at the bottom of each page.
Mona Hatoum
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Rainforest V (variation 3)
Focusing on a single work from the Arter Collection in each title, Arter Close-Up series continues its journey, following Sarkis’ iconic work Çaylak Sokak, with an in-depth look at the interactive installation Rainforest V (variation 3). Acquired for the collection in 2018, the work marks a significant turning point in contemporary art history. Drawing on the presentation of the work in Arter’s Karbon performance hall (10 September 2020–30 January 2022), the publication grows out of a conversation between Melih Fereli, Arter’s Founding Director and the exhibition’s curator, and John Driscoll & Phil Edelstein, highlighting the evolution of Rainforest, the collaborations cultivated ...
A Companion to Feminist Art
Original essays offering fresh ideas and global perspectives on contemporary feminist art The term ‘feminist art’ is often misused when viewed as a codification within the discipline of Art History—a codification that includes restrictive definitions of geography, chronology, style, materials, influence, and other definitions inherent to Art Historical and museological classifications. Employing a different approach, A Companion to Feminist Art defines ‘art’ as a dynamic set of material and theoretical practices in the realm of culture, and ‘feminism’ as an equally dynamic set of activist and theoretical practices in the realm of politics. Feminist art, therefore, is not a simp...
