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Song and Social Change in Latin America
Song & Social Change in Latin America offers seven essays from a diverse group of scholars on the topic of music as a reflection of the many social-political upheavals throughout Latin America from the 20th century to the present. Topics covered include: the Tropicália movement in Brazil, the Nueva Canción in Central America, Rock in Mexico, Argentina, Chile and Peru, the Vallenato in Colombia, Trova in Cuba, and urban music of Puerto Rico in the mid-20th century. The collection also includes five interviews from prominent and up-and-coming musicians —Ruben Blades, Roy Brown, Habana Abierta, Ana Tijoux, and Mare— representing a variety of musical genres and political issues in Central America, the Caribbean, South America, and Mexico.
Tell Mother I'm in Paradise
My family and other contradictions -- Wandering of a Salvadoran black sheep -- Jamaica -- Getting involved -- International work -- Repression grows -- Civil war -- Double life -- Making a movie -- Domestic notes from the underground -- The not-so-final offensive -- Woman in a man's world -- Disappeared : "Nobody knows, nobody cares" -- I've brought you my dog princess -- First day in prison -- Organizing inside -- Relations with the outside -- The struggle inside -- The commons and the authorities -- Keeping busy -- Discipline -- As trike, a murder, and a suicide -- Freedom.
Black Costa Rica
The book you hold in your hands is an interdisciplinary study on diaspora literacy in Afro-Central America. An exploration through various imaginings of times past, this study is concerned with how oxymoron, metonymy, and multilingualism deploy pluricentrical belonging. By exploring the interlocking of multiple roots that have developed on account of routes, rhizomatic historical imaginations are unearthed here so as to imagine an other Costa Rica. A Black Costa Rica.
Dividing the Isthmus
In 1899, the United Fruit Company (UFCO) was officially incorporated in Boston, Massachusetts, beginning an era of economic, diplomatic, and military interventions in Central America. This event marked the inception of the struggle for economic, political, and cultural autonomy in Central America as well as an era of homegrown inequities, injustices, and impunities to which Central Americans have responded in creative and critical ways. This juncture also set the conditions for the creation of the Transisthmus—a material, cultural, and symbolic site of vast intersections of people, products, and narratives. Taking 1899 as her point of departure, Ana Patricia Rodríguez offers a comprehensi...
Peace in Latin America
This volume shifts the focus from violence to peace studies in Latin America and sheds light on how social groups and individuals resist to violence and strive to create peaceful or at least less violent conditions of conviviality. Drawing on social sciences, history, and anthropology, but also on cultural, literary, and film studies, the book examines the role of social mobilizations, civic activism, and cultural/artistic initiatives as responses to the crisis of violence, which the state is unable or unwilling to address. In this sense, it debates what a culture of peace could mean in Latin America. Divided into four chapters, Chapter 1 discusses peace from an epistemological and philosoph...
