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Writing and Performing Female Identity in Italian Culture
This volume investigates the ways in which Italian women writers, filmmakers, and performers have represented female identity across genres from the immediate post-World War II period to the turn of the twenty-first century. Considering genres such as prose, poetry, drama, and film, these essays examine the vision of female agency and self-actualization arising from women artists’ critique of female identity. This dual approach reveals unique interpretations of womanhood in Italy spanning more than fifty years, while also providing a deep investigation of the manipulation of canvases historically centered on the male subject. With its unique coupling of generic and thematic concerns, the volume contributes to the ever expanding female artistic legacy, and to our understanding of postwar Italian women’s evolving relationship to the narration of history, gender roles, and these artists’ use and revision of generic convention to communicate their vision.
Retelling the Past in Contemporary Greek Literature, Film, and Popular Culture
This book deals with historical consciousness and its artistic expressions in contemporary Greece since 1989 from the point of view that contemporary Greeks have been faced with the contradictions between on the one hand a glorious, world-famous yet distant past and, on the other, a traumatic contemporary history of wars, expulsions, civil strife and political and economic crises. Such clashes of imaginary identifications and collective traumas call for interpretations not only from historians but also from artists and storytellers. Therefore, the chapters in this volume explore the ways in which sensitive and creative perspectives of art approach and appropriate history in Greece. Through a...
The Fire Within
Desire for love, desire for knowledge, desire to possess, desire to desire and to be desired: our life is shaped by what we want and by our efforts to achieve it. Hailed by philosophers and psychoanalysts as the core of human identity, desire informs not only our actions, but also our dreams and hopes and their sublimation into art and literature. This collection of essays explores how desire is portrayed in modern and contemporary Italian literature, by analysing some of the most interesting literary figures of the last two centuries. The authors of this collection approach desire from various perspectives – psychoanalytical, sociological, political and semiotic – in order to show that ...
Negotiating the Art of Fatherhood in Late Medieval and Early Modern Italy
Negotiating the Art of Fatherhood in Late Medieval and Early Modern Italy examines contested notions of fatherhood in written and visual texts during the development of the mercantile economy in fourteenth- and fifteenth-century Italy. It analyzes debates about the household and community management of wealth, emotion, and trade in luxury “goods,” including enslaved women, as moral questions. Juliann Vitullo considers how this mercantile economy affected paternity and the portraits of ideal fatherhood, which in some cases reconceived the role of fathers and in others reconfirmed traditional notions of paternal authority.
Radical Democracy and Collective Movements Today
The 'Arab spring', the Spanish indignados, the Greek aganaktismenoi and the Occupy Wall Street movement all share a number of distinctive traits; they made extensive use of social networking and were committed to the direct democratic participation of all as they co-ordinated and conducted their actions. Leaderless and self-organized, they were socially and ideologically heterogeneous, dismissing fixed agendas or ideologies. Still, the assembled multitudes that animated these mobilizations often claimed to speak in the name of ’the people’, and they aspired to empowered forms of egalitarian self-government in common. Similar features have marked collective resistances from the Zapatistas...
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Stealing Empire
Poses the question, 'What possibilities for agency exist in the age of corporate globalisation?' This book delves into varied terrain to locate answers in this inquiry. It explores arguments about copyright via peer-to-peer (P2P) platforms such as Napster, free speech struggles, debates about access to information and open content licenses.
Spanish and Latin American Women’s Crime Fiction in the New Millennium
Crime fiction written by women in Spain and Latin America since the late 1980s has been successful in shifting attention to crimes often overlooked by their male counterparts, such as rape and sexual battery, domestic violence, child pornography, pederasty, and incest. In the twenty-first century, social, economic, and political issues, including institutional corruption, class inequality, criminalized oppression of immigrant women, crass capitalist market forces, and mediatized political and religious bodies, have at their core a gendered dimension. The conventions of the original noir, or novela negra, genre have evolved, such that some women authors challenge the noir formulas by foregrounding gender concerns while others imagine new models of crime fiction that depart drastically from the old paradigms. This volume, highlighting such evolution in the crime fiction genre, will be of interest to students, teachers, and scholars of crime fiction in Latin America and Spain, to those interested in crime fiction by women, and to readers familiar with the sub-genres of crime fiction, which include noir, the thriller, the police procedural, and the “cozy” novel.
Clues: A Journal of Detection, Vol. 35, No. 2 (Fall 2017)
For over two decades, Clues has included the best scholarship on mystery and detective fiction. With a combination of academic essays and nonfiction book reviews, it covers all aspects of mystery and detective fiction material in print, television and movies. As the only American scholarly journal on mystery fiction, Clues is essential reading for literature and film students and researchers; popular culture aficionados; librarians; and mystery authors, fans and critics around the globe.
Argentina Noir
An engaging and insightful guide to Argentine crime fiction since 2000. Argentina Noir offers a guide to Argentine crime fiction, with a focus on works published since the year 2000. It argues that the novela negra, or crime novel, has become the favored genre for many writers to address the social malaise brought about by changes linked to globalization and market-driven economic policies. Cynthia Schmidt-Cruz presents close readings and original interpretations of eleven novels, all set in or around Buenos Aires, and explores the ways these texts adapt major motifs, figures, and literary techniques in Hispanic crime fiction in order to give voice to wide-ranging social critiques. Schmidt-C...
