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The Invention of Terrorism in Europe, Russia, and the United States
This book examines key cases of terrorist violence to show that the invention of terrorism was linked to the birth of modernity in Europe, Russia and the United States, rather than to Tsarist despotism in 19th century Russia or to Islam sects in Medieval Persia. Combining a highly readable historical narrative with analysis of larger issues in social and political history, the author argues that the dissemination of news about terrorist violence was at the core of a strategy that aimed for political impact on rulers as well as the general public. Dietze's lucid account also reveals how the spread of knowledge about terrorist acts was, from the outset, a transatlantic process. Two incidents f...
A History of Italy 1700-1860
First Published in 1979, A History of Italy 1700-1860 provides a comprehensive overview of Italy’s political history from 1700-1860. Divided in five parts it deals with themes like the re-emergence of Italy; Italy as the ‘pawn’ of European diplomacy; social physiognomy of the Italian states; problems of the government; enlightenment and despotism (1760-90); the offensive against the Church; revolution and moderation (1789-1814); revolution and the break with the past; rationalization and social conservatism; the search for independence (1815-47); legitimacy and conspiracy; alternative paths towards a new Italy; and the cost of independence (1848-61). It fills a major gap and presents a thoughtful and well-integrated political narrative of this complex period in Italy’s development. This book is an essential read for students and scholars of Italian history and European history.
Margherita Costa, Diva of the Baroque Court
The Roman singer, courtesan, and writer Margherita Costa won prominence and fame across the courts of Italy and France during the mid-seventeenth century. She secured a steady stream of elite patrons – including popes, queens, grand dukes, and influential cardinals – while male poets and librettists wrote celebratory poetry on her behalf. In addition to her appearances as a soprano on the opera stage, Costa published a remarkable fourteen full-length texts across an expanse of genres: burlesque comedy, drama, equestrian ballet, pastoral opera, amorous letters, lyric poetry, and history. Margherita Costa, Diva of the Baroque Court brings together close textual readings of Costa’s numero...
The Man Verdi
In this classic biography of composer Giuseppe Verdi, Frank Walker reveals Verdi the man through his connections with the individuals who knew him best. “Walker focuses on some of the more significant people in Verdi’s life and carefully scrutinizes his relationships with them. His wife, Giuseppina Strepponi; his student and amanuensis, Emanuele Muzio; the conductor who first fully understood Verdi’s mature art, Angelo Mariani; the great prima donna, Teresa Stolz; the incomparable librettist and friend of his old age, Arrigo Boito—each passes before our eyes in Walker’s meticulous reconstruction. As we learn more about them, we learn more about Verdi. We see him through the eyes of his closest friends, we watch his daily activities, his daily thoughts, his habits, his warmth, his domestic tyranny. The myth dissolves and a human being stands before us.”—Philip Gossett, from the introduction
Macbeth Multiplied
In what sense did Shakespeare's representation of the Weird Sisters participate in the rewriting of village witchcraft? Was it likely to "encourage the Sword"? Did opera's specific medial conditions offer Verdi special opportunities to justify the presence of stage witches more than three centuries later? How valid is the parallel between 19th century opera and the voyeurism of madhouse spectacle? Was Shakespeare's play really engaged in the project of exorcizing Queen Elizabeth's cultural memory? What does Verdi's chorus of Scottish refugees have to do with shifting representations of 'the people'? These are among the questions tackled in this study. It provides the first in-depth compariso...
Italy's Many Diasporas
Italy's residents are a migratory people. Since 1800 well over 27 million left home, but over half also returned home again. As cosmopolitans, exiles, and 'workers of the world' they transformed their homeland and many of the countries where they worked or settled abroad. But did they form a diaspora? Migrants maintained firm ties to native villages, cities and families. Few felt much loyalty to a larger nation of Italians. Rather than form a 'nation unbound,' the transnational lives of Italy's migrants kept alive international regional cultures that challenged the hegemony of national states around the world. This ambitious and theoretically innovative overview examines the social, cultural and economic integration of Italian migrants. It explores their complex yet distinctive identity and their relationship with their homeland taking a comprehensive approach.
Ouida and Victorian Popular Culture
'Ouida,' the pseudonym of Louise Ramé (1839-1908), was one of the most productive, widely-circulated and adapted of Victorian popular novelists, with a readership that ranged from Vernon Lee, Oscar Wilde and Ruskin to the nameless newspaper readers and subscribers to lending libraries. Examining the range and variety of Ouida’s literary output, which includes journalism as well as fiction, reveals her to be both a literary seismometer, sensitive to the enormous shifts in taste and publication practices of the second half of the nineteenth century, and a fierce protector of her independent vision. This collection offers a radically new view of Ouida, helping us thereby to rethink our perceptions of popular women writers in general, theatrical adaptation of their fiction, and their engagements with imperialism, nationalism and cosmopolitanism. The volume's usefulness to scholars is enhanced by new bibliographies of Ouida's fiction and journalism as well as of British stage adaptations of her work.
Mazzini
DIVGiuseppe Mazzini was one of the leading figures in the political history of nineteenth-century Europe. A vigorous proponent of nationalism, pre-eminent figure in the struggle for Italian independence and unity, and fascinating personality, his ideas were influential throughout Europe. Yet successive Italian governments, fearing the consequences of his belief in democracy and revolution, deliberately obscured his achievements: there have been few modern studies of Mazzini and no biography in English since 1902. Denis Mack Smith's major new account reexamines Mazzini's ideological impact and his place in the political and intellectual world of the mid-nineteenth century. Based on profound s...
