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Poetry. African & African American Studies. "Back in the day when KRS-One intoned--The Bridge is over!--he did not prefigure a poet from Queens of the fierce attitude and intellectual magnitude of Enzo Silon Surin. WHEN MY BODY WAS A CLINCHED FIST gives the Heisman to such a refrain with lyrical power-packing poetics that settles the score with a succinct--Not! No the Bridge is not over, for Surin's Queens is alive and well and under the gaze of a master observer who eulogizes lives that though at times are battered have always mattered. Enzo Silon Surin's poems get you caught up in the deeply personal experiences of growing and visceral all-encompassing knowing from an acute witness of ever...
"Back in the day when KRS-One intoned-The Bridge is over!-he did not prefigure a poet from Queens of the fierce attitude and intellectual magnitude of Enzo Silon Surin. WHEN MY BODY WAS A CLINCHED FIST gives the Heisman to such a refrain with lyrical power-packing poetics that settles the score with a succinct-Not! No the Bridge is not over, for Surin's Queens is alive and well and under the gaze of a master observer who eulogizes lives that though at times are battered have always mattered. Enzo Silon Surin's poems get you caught up in the deeply personal experiences of growing and visceral all-encompassing knowing from an acute witness of every breath and follicle of Black life from palm t...
THE NEXT VERSE POETS MIXTAPE is a poetry sampler of ethnographic significance. 4 poets represented by 4 poems each offer insight into the shared experiences of black Americans in today's political and social climate. These poems, both layered and plain, coax reverence as each poet explores the intricacies of the familiar.
FEAR OF DOGS & OTHER ANIMALS is a collection for the thirteenth hour, when the day or journey is seemingly half-over and a much needed respite is eminent but is never fully actualized. For those of African descent, the walk home often feels like the day has only just begun. Shauna M. Morgan offers 13 heartrending poems that take us down familiar roads at a time when headlines about advances in race relations contradict the realities of the black experience. These poems should not have been necessary but they are, being both timely and timeless in the way they boldly explore the forgotten spaces we are sometimes reluctant to tread.
LETTERS FROM CONGO, a powerful collection of 13 intimate poems, written as letters, by Haitian-American poet Danielle Legros Georges, that invites readers to journey every air mile traveled by a family trying to survive the perpetual uncertainty of life in exile.
Cameron Barnett's debut poetry collection, selected by Ada Limón as winner of the 2017 Rising Writer Contest
Literary Nonfiction. NILLING: PROSE is a sequence of five loosely linked prose essays about noise, pornography, the codex, melancholy, Lucretius, folds, cities and related aporias: in short, these are essays on reading. I have tried to make a sketch or a model in several dimensions of the potency of Arendt's idea of invisibility, the necessary inconspicuousness of thinking and reading, and the ambivalently joyous and knotted agency to be found there. Just beneath the surface of the phonemes, a gendered name rhythmically explodes into a founding variousness. And then the strictures of the text assert again themselves. I want to claim for this inconspicuousness a transformational agency that runs counter to the teleology of readerly intention. Syllables might call to gods who do and don't exist. That is, they appear in the text's absences and densities as a motile graphic and phonemic force that abnegates its own necessity. Overwhelmingly in my submission to reading's supple snare, I feel love.
Fiction. Flash Fiction. GIRL POWER traces the lives of women from growing pains to achy joints, creating a collage of stories that speak to the challenges, heartbreaks, joys, fears, and wonders of the worlds we inhabit. Cortese weaves effortlessly between the real and mundane (backyard barbecues and neighborhood bars) to the fantastical (fairy tale lands and side show acts), and uses her mastery of the flash form to find the perfect detail that leaves her readers reeling, story after story after story.
Winner of 2004 Agnes Lynch Starrett Poetry Prize. These artful, yet accessible poems are concerned with the body, desire, anxiety, and obsession—how what we want redeems and isolates us. They urge complete exploration of one’s physical and mental selves as a means to remain alive in the material world.
CRACKED CALABASH is a vessel of 13 poems that contemplates personal identity in the context of healing and self-love. At its core, this collection is rooted in the notion that there is wisdom and even joy to be found in the places where we are broken and put back together again.