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This is a collection of essays focusing on conventions of change in the arts, philosophy, and literature.
Adamson argues that Marxism "teaches us how to interpret social and historical reality, and to relate that interpretation to our current political concerns."
Popular authors such as Sholem Aleichem and Sholem Asch gained multilingual fame in the early decades of the twentieth century with short stories and novels that represented a world foreign to many Jewish and non-Jewish readers alike. But the first Yiddish writer to serve successfully as an interpreter and representative of this world was Morris Rosenfeld. Marc Miller examines the career of Rosenfeld, a key figure in the development of Yiddish literature, which was geared to American immigrants in the late 1800s and early 1900s. Rosenfeld's early "sweatshop" poems were designed to foment discontent within capitalism among the working class. Although he began his career as a protest poet, Ros...
This study seeks to redefine the double role of those writers who have often been referred to as "French Catholic novelists." After a brief overview of the Catholic Renaissance movement in modern literature, three acknowledged geniuses in this "sub-genre" - Georges Bernanos, Francois Mauriac, and Julien Green - are meticulously reexamined in light of their Christian vocation. For the first time in English, the writings of the Franco-Russian novelist, Vladimir Volkoff, are also discussed in considerable detail. The book concludes with a theoretical chapter that raises troubling questions that apply to the "double vocation," namely: What is the distinctive character of fiction when it is written by a professing Christian? Are the two vocations of Christian and novelist fully compatible of mutually exclusive?
In The Problem of Being Modern, Thomas P. Saine provides a lucid introduction to German thought in the eighteenth century and the struggle of Enlightenment philosophers and writers to come to grips with the profound philosophical and theological implications of new scientific developments since the seventeenth century. He concentrates on those points at which the essential modernity and the secular viewpoint of the Enlightenment conflicted with traditional thought structures rooted in the religious world view that governed attitudes and behavior far into the eighteenth century.
This two-volume book offers extensive interviews with persons who have made significant contributions to thanatology, the study of dying, death, loss, and grief. The book’s in-depth conversations provide compelling life stories of interest to clinicians, researchers, and educated lay persons, and to specialists interested in oral history as a means of gaining rich understandings of persons’ lives. Several disciplines that contribute to thanatology are represented in this book, such as psychology, religious studies, art, literature, history, social work, nursing, theology, education, psychiatry, sociology, philosophy, and anthropology. The book is unique; no other text offers such a compr...
Aimed primarily at English-speaking undergraduate students of German literature, but also with graduate students and a general readership in mind, this book deals with the literary landscapes in Theodor Fontane's best known novels - 'Schach von Wuthenow' (1882), 'Irrungen, Wirrungen' (1888), and 'Effi Briest' (1895). It is an illuminating introduction to one of Europe's finest novelists. "It is an excellent idea to guide readers through the novels by way of focusing on the landscapes. James Bade brings an enormous amount of material into the discussion and is always detailed and precise. The book reads very well and enriches the Fontane literature.--publisher website.
Interest in reading and interpretation continues to grow among literary theorists, and this volume is concerned with one aspect of that interest: current theories of the reading process and reader-oriented criticism. As these essays demonstrate, however, there is little agreement among reader critics on how the reading experience should be described, how readers should be viewed, or how texts are constituted.
This sweeping work, at once a panoramic overview and an ambitious critical reinterpretation of European modernism, provides a bold new perspective on a movement that defined the cultural landscape of the early twentieth century. Walter L. Adamson embarks on a lucid, wide-ranging exploration of the avant-garde practices through which the modernist generations after 1900 resisted the rise of commodity culture as a threat to authentic cultural expression. Taking biographical approaches to numerous avant-garde leaders, Adamson charts the rise and fall of modernist aspirations in movements and individuals as diverse as Ruskin, Marinetti, Kandinsky, Bauhaus, Purism, and the art critic Herbert Read. In conclusion, Adamson rises to the defense of the modernists, suggesting that their ideas are relevant to current efforts to think through what it might mean to create a vibrant, aesthetically satisfying form of cultural democracy.
The Wound and the Witness offers a historically grounded approach to an urgent contemporary problem: the persistence of torture in Western culture. Drawing upon ancient Greek and Roman texts, as well as contemporary media events, Jennifer R. Ballengee explores the spectacle of torture as a persuasive device. She suggests that both torture and the witnessing of torture are forms of polemical writing, carried out on the body. The analysis combines close reading and philological study with a materialist cultural approach to ancient Greek theater, early Christian accounts of martyrdom, and recent political controversies over the interrogation tactics in the U.S. government-run Guantánamo and Abu Ghraib prisons. By incorporating key classical texts by Sophocles, Achilles Tatius, and Prudentius, the author demonstrates how deeply the ancient literature resonates with contemporary issues of the body, rhetoric, and the spectacle of pain.