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Those two developments converge to construct an aesthetic body; that is, in its full etymological sense, a body whose principal functions are the production of sensation and affectivity. This study examines the importance of the body in the determination of sensibility and passion in French culture of the seventeenth century." "The Aesthetic Body will engage readers with interests in literature, philosophy, the history of ideas, the history of science and medicine, cultural history, and political theory of the French early modem period."--Jacket.
This volume is devoted to the variety of relationships that defined France and ist citizens. Man's connection with God is explored, the travel raelation and the particular hierarchy that exists between a director and a dramatist, respectively. These themes are further addressed in the articles that follow on relationships of authority, Catholics and Protestants, books and Illustrations, literary genres, travel relations, aesthetics and ethics and family relationships.
Descartes's notion of subjectivity changed the way characters would be written, performed by actors, and received by audiences. His coordinate system reshaped how theatrical space would be conceived and built. His theory of the passions revolutionized our understanding of the emotional exchange between spectacle and spectators. Yet theater scholars have not seen Descartes's transformational impact on theater history. Nor have philosophers looked to this history to understand his reception and impact. After Descartes, playwrights put Cartesian characters on the stage and thematized their rational workings. Actors adapted their performances to account for new models of subjectivity and physiol...
The notion of 'selfhood' conjures up images of self-sufficiency, integrity, introspectiveness, and autonomy characteristics typically associated with 'modernity.' The seventeenth century marks the crucial transition to a new form of 'bourgeois' selfhood, although the concept goes back to the pre-modern and early modern period. A richly interdisciplinary collection, Space and Self integrates perspectives from history, history of literature, and history of art to link the issue of selfhood to the new and vital literature on space. As Space and Self shows, there have at all times been multiple paths and alternative possibilities for forming identities, marking personhood, and experiencing life as a concrete, singular individual. Positioning self and space as specific and evolving constructs, a diverse group of contributors explore how persons become embodied in particular places or inscribed in concrete space. Space and Self thus sets the terms for current discussion of these topics and provides new approaches to studying their cultural specificity.
Mapping Discord examines a series of allegorical maps published in France during the seventeenth century that cast in spatial terms a number of heated aesthetic and social debates. It discusses the convergence of map-making and literary creation in the context of early modern cartographic practice, and demonstrates that the unique language of allegorical cartography raises important theoretical questions about the relations between rationalist discourses of science and the figural designs of imaginative writing. In detailed analyses of the imaginary maps that appeared in seventeenth-century novels and stories, as well as of maps, atlases, and geographic treatises produced by professional scholars and engineers of the period, Mapping Discord considers the ideological structure and uses of cartographic language, and argues that allegorical maps have much to tell us about the potential capacity of every map to operate as a visual metaphor for power. Illustrated, Jeffrey N. Peters is Associate Professor of French at the University of Kentucky.
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In 'The Philosopher and the Poor' Jacques Rancière meditates on what philosophy has to do with poverty in close readings of major texts of Western thought.
The aim of the volume is to engage in an interdisciplinary discussion about the establishment and debates on anthropological concepts and their changes in the age of Reformation: How do anthropological concepts touch theological questions such as the freedom of will or the human likeness to God? In which ways is there a reflection on emotions? How is scientific knowledge received by theologians? How is contemporary thought on the conditio humana presented in literature and poetry? The volume combines selected papers of relevant experts with the research work of young graduate or postgraduate scholars. It tries to encourage a transdisciplinary, international discussion focused on exemplary case studies as well as systematic points of view. Thanks to the outstanding commitment of all participants of the conference we are able to present the results of this discussion, a rich and comprehensive spectrum of research work, which will encourage further research.
Pregnant Fictions explores the complex role of pregnancy in early-modern tale-telling and considers how stories of childbirth were used to rethink gendered "truths" at a key moment in the history of ideas.