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Fans of All the Bright Places and The Fault in Our Stars will fall head-over-heels for this wonderfully original portrait of love and loss. Samantha McCoy has it all mapped out. First she's going to win the national debating championship, then she's going to move to New York and become a human rights lawyer. But when Sam discovers that a rare disease is going to take away her memory, the future she'd planned so perfectly is derailed before its started. Realising that her life won't wait to be lived, Sam sets out on a summer of firsts. The first party. The first rebellion. The first friendship. The last love.
A Christmas Carol was originally published in 1843, The Chimes in 1844 and The cricket on the heath in 1845.
“Will make many readers smile with recognition.”—The New Yorker “Readaholics, meet your new best friend.”—People “This book is bliss.”—The Boston Globe Sometimes subtle, sometimes striking, the interplay between our lives and our books is the subject of this unique memoir by well-known publishing correspondent and self-described “readaholic” Sara Nelson. The project began as an experiment with a simple plan—fifty-two weeks, fifty-two books—that fell apart in the first week. It was then that Sara realized the books chose her as much as she chose them, and the rewards and frustrations they brought were nothing she could plan for. From Solzhenitsyn to Laura Zigman, Catherine M. to Captain Underpants, the result is a personal chronicle of insight, wit, and enough infectious enthusiasm to make a passionate reader out of anybody.
Algonquin “Ali” Rhodes, the high school newspaper’s music critic, meets an intriguing singer, Doug, while reviewing a gig. He’s a weird-looking guy—goth, but he seems sincere about it, like maybe he was into it back before it was cool. She introduces herself after the set, asking if he lives in Cornersville, and he replies, in his slow, quiet murmur, “Well, I don’t really live there, exactly. . . .” When Ali and Doug start dating, Ali is falling so hard she doesn’t notice a few odd signs: he never changes clothes, his head is a funny shape, and he says practically nothing out loud. Finally Marie, the school paper’s fashion editor, points out the obvious: Doug isn’t just a really sincere goth. He’s a zombie. Horrified that her feelings could have allowed her to overlook such a flaw, Ali breaks up with Doug, but learns that zombies are awfully hard to get rid of—at the same time she learns that vampires, a group as tightly-knit as the mafia, don’t think much of music critics who make fun of vampires in reviews. . . .
A notorious treasure hunter and tomb robber, Maxwell Broadbent accumulated a priceless collection of rare art, gems and artefacts before vanishing - along with all his riches. At first robbery is suspected, but the truth proves far stranger: Maxwell has buried himself and his treasure somewhere in the world.
Bold visionary, Henry Jekyll, believes he can use his scientific knowledge to divide a person into two beings--one of pure good and one of pure evil. Working tirelessly in his secret laboratory, concocting a potion that would tear at the core of what makes a man human, he eventually succeeds--but only halfway. Instead of separating the good and evil halves, Jekyll isolates only the latter. What seems at first a relief to the doctor becomes a nightmare as he loses control of the transformation. His friends feel Jekyll will waste away and fear the worst. Can Jekyll undo what he has done? Or will it change things forever?
Grab your passport and let the Shergill sisters take you on a journey...
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Opening on the eve of the millennium, when the world as we know it is still recognisable, we meet the nine-year-old narrator as he flees the city with his parents, just ahead of a Y2K breakdown. Next he is a teenager with a growing criminal record, taking his grandparents for a Sunday drive. In a world transformed by battles over resources, he teaches them how to steal. In time we see him struggle through strange, horrific and unexpectedly funny terrain as he goes about the no longer simple act of survival. Despite the chaos of his world, he keeps his eyes on the exit door, his heart open and his mind on what he thinks is going to happen next. Longlisted for the Guardian first book award.
Inhabiting the twilight world of the catatonic, Peter--as revealed through interior monologues--prefers not to participate in life, although his intelligence and sensitivity are clearly demonstrated in his honest and unself-pitying attitude