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The Art of Fine Gifts: Twentieth-century painter, designer and wood engraver Eric Ravilious was responsible for a fascinating range of different works, from illustrations for books to designs for ceramics for the established Wedgwood pottery firm. This gorgeous new book features beautiful woodcut images of countryside life, watercolours of rolling landscapes and many of Ravilious' acute and profound war paintings.
More popular than ever, the work of Eric Ravilious (1903-42) is rooted in the landscape of mid-20th-century England. This new survey of his work by Alan Powers, the established authority on Ravilious, is the first to provide a comprehensive overview of his art in all media - watercolour, illustration, printmaking, graphic design, textiles and ceramics - and positions Ravilious firmly as a major figure in the history of early 20th-century British art. In an accessible and engaging text, copiously illustrated with reproductions of work drawn from a range of sources, Alan Powers discusses the reception of Ravilious's work since his death in 1942 and the part it has played in creating an English style of the time, positioned between tradition and Modernism, and borrowing from naive and popular art of the past.
Acknowledged as one of the greatest English wood-engravers, Eric Ravilious was also a serious landscape watercolourist. This aspect of his oeuvre was generally neglected until the publication of The England of Eric Ravilious, a study hailed on publication as 'an irresistible book about a still underrated artist'.
"The English artist Eric Ravilious (1903-42) is now one of the most popular artists of his period. He was a painter of watercolours and murals, a book illustrator in wood engraving and lithography, and a designer of transfer-ware pottery." "Eric Ravilious - Imagined Realities includes illustrations of many previously unpublished paintings, including a number from private collections, as well as surveying his other artistic activities. The text draws on many letters and other documents, again previously unpublished, and is the most comprehensive account of Ravilious's career ever published. It also attempts to position Ravilious in relation to English art of his time, and more recent critical and cultural issues."--BOOK JACKET.
A facsimile edition of the classic High Street, which pairs the timeless illustrations of Eric Ravilious with a fascinating text by architectural historian J. M. Richards. First published in 1938, this charming book introduces the British high street. Shops include the family butcher, the cheesemonger, the baker and confectioner and the oyster bar, as well as specialized establishments such as the plumassier, the clerical outfitter and the submarine engineer. Only 2,000 copies of the original book were printed before the lithographic plates were destroyed in the London Blitz. As a result, it has become one of the most collectible of all artists' books from this period. This beautiful facsimile edition features all 24 of Ravilious's colour illustrations, and includes an essay by Gill Saunders, Senior Curator of Prints at the Victoria and Albert Museum, that sets the book in its historical context.
Reprint with new afterword. Originally publshed: London: Country Life Ltd., 1938.
'Ravilious in Pictures: The War Paintings' celebrates and commemorates the wartime career of Eric Ravilious, who died on active service in Iceland at the age of 39. One of a series of books, it creates a vivid portrait both of the artist himself and of life in wartime Britain.
"This book tells the story of Great Bardfield and its artists, and their famous 'open house' exhibitions, showing how the village and neighbouring landscape nurtured a distinctive style of art, design and illustration from the 1930s to the 1970s and beyond."--Jacket.
In recent years Eric Ravilious has become recognized as one of the most important British artists of the 20th century, whose watercolours and wood engravings capture an essential sense of place and the spirit of mid-century England. What is less appreciated is that he did not work in isolation, but within a much wider network of artists, friends and lovers influenced by Paul Nashs teaching at the Royal College of Art Edward Bawden, Barnett Freedman, Enid Marx, Tirzah Garwood, Percy Horton, Peggy Angus and Helen Binyon among them. The Ravilious group bridged the gap between fine art and design, and the gentle, locally rooted but spritely character of their work came to be seen as the epitome ...