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Reprint with new afterword. Originally publshed: London: Country Life Ltd., 1938.
A facsimile edition of the classic High Street, which pairs the timeless illustrations of Eric Ravilious with a fascinating text by architectural historian J. M. Richards. First published in 1938, this charming book introduces the British high street. Shops include the family butcher, the cheesemonger, the baker and confectioner and the oyster bar, as well as specialized establishments such as the plumassier, the clerical outfitter and the submarine engineer. Only 2,000 copies of the original book were printed before the lithographic plates were destroyed in the London Blitz. As a result, it has become one of the most collectible of all artists' books from this period. This beautiful facsimile edition features all 24 of Ravilious's colour illustrations, and includes an essay by Gill Saunders, Senior Curator of Prints at the Victoria and Albert Museum, that sets the book in its historical context.
This text offers current thinking in the field. The authors are well-established qualitative researchers and have pulled off a great text for the beginning researcher.
Features access to video tutorials! Designed to help architects, planners, and landscape architects use freehand sketching to quickly and creatively generate design concepts, Freehand Drawing and Discovery uses an array of cross-disciplinary examples to help readers develop their drawing skills. Taking a "both/and" approach, this book provides step-by-step guidance on drawing tools and techniques and offers practical suggestions on how to use these skills in conjunction with digital tools on real-world projects. Illustrated with nearly 300 full color drawings, the book includes a series of video demonstrations that reinforces the sketching techniques.
Memoirs of an Unjust Fella, first published in 1980, is the autobiography of James Maude Richards (1907-1992): a personal account from the heart of the twentieth century's high controversies over modern architecture. 'The anonymity of a Times byline - 'Our Architectural Correspondent' - was, in some ways, the crowning achievement of [J.M. Richards'] public career. It made him the connection between architecture and the Establishment, a role for which he was peculiarly well fitted by background (Anglo-Irish, Church, Army and some land), training (Architectural Association School, plus practice in London, Ireland and North America) and professional experience as the editor of the Architectural Review on and off since 1935. And he knew absolutely everybody... Among the illustrations to Unjust Fella, there is a group photograph of the entire Modern Movement in architecture (the lot, bar Frank Lloyd Wright and Mies van der Rohe), and there's Jim, modestly in the back row but practically in the middle.' Reyner Banham, London Review of Books
'There is the puzzle which it is the purpose of this book to try to elucidate. On the one hand, we have the alleged deficiencies of suburban taste; on the other we have the appeal it holds for ninety out of a hundred Englishmen, an appeal which cannot be explained away as some strange instance of mass aberration...' Sir James Richards (1907-1992), editor of the Architectural Review for 34 years, was arguably the leading advocate in Britain for the modern movement in architecture. The Castles on the Ground (1946) constitutes Richards' argument for and appreciation of the virtues of the built environment and the architectural aesthetic of suburbia. Concise and elegantly phrased, the volume is further blessed with superb illustrations by John Piper.
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