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Toward a Female Genealogy of Transcendentalism
The first large-scale, collaborative study of women's voices and their vital role in the American transcendentalist movement. Many of its seventeen distinguished scholars work from newly recovered archives, and all offer fresh readings of understudied topics and texts, shedding light on female contributions.
The Woman as Slave in Nineteenth-Century American Social Movements
This book is the first to develop a history of the analogy between woman and slave, charting its changing meanings and enduring implications across the social movements of the long nineteenth century. Looking beyond its foundations in the antislavery and women’s rights movements, this book examines the influence of the woman-slave analogy in popular culture along with its use across the dress reform, labor, suffrage, free love, racial uplift, and anti-vice movements. At once provocative and commonplace, the woman-slave analogy was used to exceptionally varied ends in the era of chattel slavery and slave emancipation. Yet, as this book reveals, a more diverse assembly of reformers both accepted and embraced a woman-as-slave worldview than has previously been appreciated. One of the most significant yet controversial rhetorical strategies in the history of feminism, the legacy of the woman-slave analogy continues to underpin the debates that shape feminist theory today.
Soldier, Diplomat, Archaeologist
He fought for himself. He fought for his country. He fought for acceptance. As the son of an Italian count, Cavalry Colonel Louis Palma di Cesnola had more military experience than most of the leading officers in the Civil War. Objecting to his general’s orders, di Cesnola led his men into battle, earning himself a Medal of Honor. When di Cesnola was captured and thrown into the notorious Libby Prison, he was forced to examine his life decisions. Upon release, di Cesnola was torn between his desire to return to war or to his wife and daughter—a battle of his heart and his duty. Once the war ended, di Cesnola became America’s consul for archaeological excavators, and eventually became the first director of the New York Metropolitan Museum of Art. With every step of success, di Cesnola was forced to prove himself in a country that emphatically disapproved of immigrants. His plight forged a path of national acceptance of Italian-Americans throughout the entire country.
Americanization of History
This collection of essays searches for how history and literature translate into filmic texts that then reflect the time and place of the translation. Major motion pictures as well as television movies and series are the sites of this exploration. The opening essay surveys what films tell us it means to be set in a medieval time, while the second looks at one of the most powerful movie studios since the earliest days of movie-making, Walt Disney Studios. The second section investigates classic Americana by delving specifically into the hegemonic power of Walt Disney Studios, by considering the union between the American pastime of baseball and the great white way of Broadway, and by discover...
What a Woman Can Do
Weary of hearing what a woman couldn’t do, she had no choice but to show them what she could. Four centuries later, the world finally noticed. Though she was “just a girl,” Artemisia Gentileschi’s father recognized and nurtured his daughter’s raw talent and escorted her into the male-dominated elite circle of seventeenth-century fine artists. Later dishonored in the most humiliating way and betrayed by her father for the sake of his own reputation and fortune, the Caravaggio-inspired teenager summoned the fortitude to confront the monster who had stolen her virtue in a very public months-long trial. At a time when a woman’s reputation meant everything, Artemisia was considered damaged goods. Undeterred, she forged a daring path, earning a living through commissions from popes and cardinals, dukes and duchesses, kings and queens. Though traditionally objectified in art, Artemisia’s brushstrokes celebrated women’s strength and defiance. For centuries, her father got credit for many of her paintings, but today they stand on their own merit, their creator’s dishonor and personal tragedies lost to time. Until now.
The Grand Chorus of Complaint
An engaging study of authorship, ethics, and book publishing in 18th- and 19th-century America, The Grand Chorus of Complaint considers the uneasy relationship between art and commerce with readings of correspondence, newspaper articles, and works by Thomas Paine, Herman Melville, and Fanny Fern.
Fighting Chance
The advocates of woman suffrage and black suffrage came to a bitter falling-out in the midst of Reconstruction, when Elizabeth Cady Stanton opposed the 15th Amendment for granting black men the right to vote but not women. How did these two causes, so long allied, come to this? In a lively narrative of insider politics, betrayal, deception, and personal conflict, Fighting Chance offers fresh answers to this question and reveals that racism was not the only cause, but that the outcome also depended heavily on money and political maneuver.
The Week
An investigation into the evolution of the seven-day week and how our attachment to its rhythms influences how we live We take the seven-day week for granted, rarely asking what anchors it or what it does to us. Yet weeks are not dictated by the natural order. They are, in fact, an artificial construction of the modern world. With meticulous archival research that draws on a wide array of sources—including newspapers, restaurant menus, theater schedules, marriage records, school curricula, folklore, housekeeping guides, courtroom testimony, and diaries—David Henkin reveals how our current devotion to weekly rhythms emerged in the United States during the first half of the nineteenth century. Reconstructing how weekly patterns insinuated themselves into the social practices and mental habits of Americans, Henkin argues that the week is more than just a regimen of rest days or breaks from work, but a dominant organizational principle of modern society. Ultimately, the seven-day week shapes our understanding and experience of time.
Little by Little We Won
Women marched for equal pay, the President of the United States advocated an anti-immigration policy, and the income gap between the rich and poor continued to grow. And it was just the beginning of the 20th century. As a girl growing up in Italian Harlem, Angela Bambace needed answers. How could it be acceptable for women not to earn equal pay for equal work? Why were immigrants relegated to the factory jobs no one else would take and working under such dangerous and inhumane conditions? And why were the businessmen at the top getting richer and richer while the poor who worked for them struggled to provide for their own families? How could any of this be okay? But perhaps Angela’s most consequential question was If not me, then who? Born to a father and married to a man who both believed a woman’s place was in the home, Angela Bambace defied her family and social expectations to lead a labor union—organizing women’s marches, strikes, and protests “to build a better world, a better place for everybody.” Today, Angela’s story might be more significant than ever as others continue her fight and call to action.
Gale Researcher Guide for: Caroline Kirkland's Romantic and Realist Frontier
Gale Researcher Guide for: Caroline Kirkland's Romantic and Realist Frontier is selected from Gale's academic platform Gale Researcher. These study guides provide peer-reviewed articles that allow students early success in finding scholarly materials and to gain the confidence and vocabulary needed to pursue deeper research.
