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Today’s organizational environment is characterized by high levels of cross-cultural, cross-national, and cross-religious communication, conflict, collaboration, and commerce. This environment produces myriad encounters between individuals who embrace different ideologies, religions and spiritual practices. As such, unanswered (and even unasked) questions about management, spirituality, and religion abound. This book, seeks to advance our understanding by asking the big questions. Blessed are Those Who Ask the Questions: What Should We be Asking About Management, Spirituality, and Religion in Organizations? is intended to be provocative in nature. Its chapters address novel ways that leade...
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian who constructed his theology “from above” and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology “from below” and confronted white racism—the most intractable issue in America’s history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. This first volume appeals to the Bebop tune “Epistrophy” as the analogical framework for (re)conceptualizing the historical form and hermeneutical backgrounds of Karl Barth and James H. Cone. Monk’s mode of musical thinking establishes the aesthetic theological architecture Carr uses to reiterate and reimagine the revolutionary theological contributions of Barth and Cone.
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology “from above” and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology “from below” and confronted white racism—the most intractable issue in America’s history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this second volume, Carr appeals to Monk’s tune “’Round Midnight” as the analogical framework for articulating the meaning between Christ, the cantus firmus, and the sociopolitical histories of Karl Barth and James Cone. Monk’s encouragement to “improvise on the melody” is heard as the melodic foundation for a new form of christological reflection.
This captivating study engages two of the most influential theologians of the twentieth century: Karl Barth, the Swiss Protestant theologian, who constructed his theology “from above” and engaged the powers in the background of Nazi Germany, and James H. Cone, the father of Black Theology in America, who constructed his theology “from below” and confronted white racism—the most intractable issue in America’s history. In this three-volume project, Carr employs the aesthetic thinking of the jazz legend Thelonious Monk to reconceptualize, restructure, and advance the theologies of Barth and Cone. In this final volume, Carr appeals to Thelonious Monk’s tune “Misterioso” as the analogical framework for exploring the freedom of God as the melodic foundation for black liberation. Monk’s mode of musical thinking encourages the jazz artist in us all to play in the mystery of God’s freedom as the true ground for living freely within the world of the principalities and powers.
Resource added for the Network Specialist (IT) program 101502.
Systematically examining current methods and strategies, this ready reference covers a wide range of molecular structures, from organic-chemical drugs to peptides, Proteins and nucleic acids, in line with emerging new drug classes derived from biomacromolecules. A leader in the field and one of the pioneers of this young discipline has assembled here the most prominent experts from across the world to provide first-hand knowledge. While most of their methods and examples come from the area of pharmaceutical discovery and development, the approaches are equally applicable for chemical probes and diagnostics, pesticides, and any other molecule designed to interact with a biological system. Num...
Each year writers and editors submit over three thousand grammar and style questions to the Q&A page at The Chicago Manual of Style Online. Some are arcane, some simply hilarious—and one editor, Carol Fisher Saller, reads every single one of them. All too often she notes a classic author-editor standoff, wherein both parties refuse to compromise on the "rights" and "wrongs" of prose styling: "This author is giving me a fit." "I wish that I could just DEMAND the use of the serial comma at all times." "My author wants his preface to come at the end of the book. This just seems ridiculous to me. I mean, it’s not a post-face." In The Subversive Copy Editor, Saller casts aside this adversaria...
Biography of a prominent Chicago gay activist and entrepreneur who has owned bars, discos, photo studios, health clubs, bathhouses, gay magazines and newspapers, hotels, restaurants, and bookstores. Throughout it all he dealt with Mafia and police payoffs, anti-gay political policies, harassment from censors, and even controversy within the gay community. The book contains more than 300 images, including murals and drawings by Dom ?Etienne? Orejudos, posters for International Mr. Leather (IML), and photos from the Gold Coast, Pride Parades, IML contests, physique magazines and more.
Introducing the topic of electrochemistry for non-electrochemists, Electrochemical Systems provides an overview of the fundamentals of electrochemical theory and techniques along with an appreciation for its wide range of applications. Covering both common topics (batteries, corrosion, and fuel cells) along with new topics (membranes and proteins), introductory chapters provide students and practitioners with the skills to be able to "read" cyclic voltammograms, linear sweep voltammetry, and other various fundamental terms. Chapters are arranged in order of ascending complexity of the system.
Part of the acclaimed 'Documents of Contemporary Art' series of anthologies . It has been argued, most notably in psychoanalytic and modernist art discourse, that the production of works of art is fundamentally driven by sexual desire. It has further been argued, particularly since the early 1970s, that sexual drives and desires also condition the distribution, display and reception of art. This anthology traces how and why this identification of art with sexual expression or repression arose and how the terms have shifted in tandem with artistic and theoretical debates, from the era of the rights movements to the present. Among the subjects it discusses are abjection and the _informe_, or f...