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A dazzling hybrid of personal memoir and criticism, considering the work of Black visual artists as a means to explore loss, legacy, and the reclamation of life through art. At the age of twenty-one, Erica Cardwell finds herself in New York City, reeling from the loss of her mother and numb to the world around her. She turns inward instead, reading books and composing poetry, eventually falling into the work of artists such as Blondell Cummings, Lorna Simpson, Lorraine O’Grady, and Kara Walker. Through them, she communes with her mother’s spirit and legacy, and finds new ways to interrogate her writing and identity. Wrong Is Not My Name weaves together autobiography, criticism, and theor...
"For decades, Andrew and Jamie Wyeth have provided a continuous backdrop against which the twists and turns of American art can be compared, contrasted, and benchmarked. By approaching the Wyeths and their art with a specificity that transcends content and biography, Wyeth: Andrew and Jamie in the Studio provides readers with the opportunity to move beyond a visceral reaction and toward an understanding of the artists' work, media, mindset, and studio practice. Readers will be able to assess their predilection for the images in a more nuanced way, underpinning their reaction to an emotionally charged image with knowledge and practical understanding"--
In Art as Information Ecology, Jason A. Hoelscher offers not only an information theory of art but an aesthetic theory of information. Applying close readings of the information theories of Claude Shannon and Gilbert Simondon to 1960s American art, Hoelscher proposes that art is information in its aesthetic or indeterminate mode—information oriented less toward answers and resolvability than toward questions, irresolvability, and sustained difference. These irresolvable differences, Hoelscher demonstrates, fuel the richness of aesthetic experience by which viewers glean new information and insight from each encounter with an artwork. In this way, art constitutes information that remains in...
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What is 'performance drawing'? When does a drawing turn into a performance? Is the act of drawing in itself a performative process, whether a viewer is present or not? Through conversation, interviews and essays, the authors illuminate these questions, and what it might mean to perform, and what it might mean to draw, in a diverse and expressive contemporary practice since 1945. The term 'performance drawing' first appeared in the subtitle of Catherine de Zegher's Drawing Papers 20: Performance Drawings, in particular with reference to Alison Knowles and Elena del Rivero. In this book, it is used as a trope, and a thread of thinking, to describe a process dedicated to broadening the field of...
An explanation of the unique role of the book and book collecting in South Africa due to the apartheid This book explores the power of print and the politics of the book in South Africa from a range of disciplinary perspectives- historical, bibliographic, literary-critical, sociological, and cultural studies. The essays collected here, by leading international scholars, address a range of topics as varied as: the role of print cultures in contests over the nature of the colonial public sphere in the nineteenth century; orthography; iimbongi, orature and the canon; book- collecting and libraries; print and transnationalism; Indian Ocean cosmopolitanisms; books in war; how the fates of South African texts, locally and globally, have been affected by their material instantiations; photocomics and other ephemera; censorship, during and after apartheid; books about art and books as art; local academic publishing; and the challenge of 'book history' for literary and cultural criticism in contemporary South Africa.
"Un Prix ça n'a pas de Prix !"reste la référence pour trouver rapidement les Prix régionaux, nationaux et internationaux qui encouragent et promeuvent les artistes émergents ou confirmés. Remporter un prix ou une récompense dans le monde de l'art contemporain est crucial dans la carrière d'un artiste, en lui offrant une visibilité et une reconnaissance" accrue auprès du grand public et du milieu de l'art. Le nombre de prix et de récompenses à explosé cette décennie, décernés par des institutions, des galeries, des musées, ou des fondation. Ce guide est donc une ressource précieuse pour les artistes , les amateurs et les professionnels de l'art. Avec toutes ces informations rassemblées en un seul endroit, vous pouvez faire une sélection et identifier les Prix qui correspondent le mieux à votre oeuvre et à votre parcours. us permettre de gagner sur tous les tableaux !
Ce guide fait un tour d'horizon des prix d'art contemporain. Leur nombre a explosé ces dernières années. Quel est réellement l'impact d'un prix sur la carrière d'un artiste ? Quelles sont les nouvelles tendances ?L'édition 2020 livre sur ce sujet les réflexions à travers différents entretiens avec des experts reconnus.Visant à offrir au lecteur l'essentiel des récompenses du monde de l'art contemporain en France et à l'étranger ce guide est incontournable pour tous les artistes, professionnels et amateurs.