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Kemper Museum's Deconstructing exhibition series presents works of art by one artist in relationship to others that share themes and/or styles. Deconstructing: Marleen Gold is the fifth in this series of exhibitions, following Francis Bacon (2013), Robert Mangold (2015), Louise Nevelson (2018), and Marcus Jansen (2018-19). Deconstructing: Marleen Gold unpacks formal and conceptual connections between paintings, watercolors, and prints by Marleen Gold (American, 1946-2020), and artwork from Ron and Marleen Gold's private collection and the Kemper Museum Permanent Collection. Together, works in this exhibition demonstrate the depth of dialogue on collecting histories and threads, geographical inspiration, and unexpected connections.
Publication in conjunction with the exhibition Polly Apfelbaum: Waiting for the UFOs (a space set between a landscape and a bunch of flowers) presented at Kemper Museum of Contemporary Art, Kansas City, Missouri, January 24 - April 28, 2019. The catalogue features an introduction by Curator Erin Dziedzic, and essays by Lynn Zelevansky and Ezra Shales and includes full-color images of works and the installation.
The first comprehensive look at the nearly seven-decades-long career of contemporary Mexican American artist Virginia Jaramillo Over the course of her career, Virginia Jaramillo (b. 1939) has forged a pathway to exploring ideas and concepts of space through abstract paintings and handmade paper works influenced by her myriad interests including physics, the cosmos, mythology, ancient cultures, and modernist design philosophies. This beautifully illustrated volume demonstrates that despite having been historically excluded from the canon of American abstraction, Jaramillo has made profound contributions to the field. Virginia Jaramillo: Principle of Equivalence documents more than 60 works in...
A dazzling hybrid of personal memoir and criticism, considering the work of Black visual artists as a means to explore loss, legacy, and the reclamation of life through art. At the age of twenty-one, Erica Cardwell finds herself in New York City, reeling from the loss of her mother and numb to the world around her. She turns inward instead, reading books and composing poetry, eventually falling into the work of artists such as Blondell Cummings, Lorna Simpson, Lorraine O’Grady, and Kara Walker. Through them, she communes with her mother’s spirit and legacy, and finds new ways to interrogate her writing and identity. Wrong Is Not My Name weaves together autobiography, criticism, and theor...
Exhibition catalogue for Natalies Frank:Unbound
Exhibition catalog
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25th anniversary catalogue