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What is 'performance drawing'? When does a drawing turn into a performance? Is the act of drawing in itself a performative process, whether a viewer is present or not? Through conversation, interviews and essays, the authors illuminate these questions, and what it might mean to perform, and what it might mean to draw, in a diverse and expressive contemporary practice since 1945. The term 'performance drawing' first appeared in the subtitle of Catherine de Zegher's Drawing Papers 20: Performance Drawings, in particular with reference to Alison Knowles and Elena del Rivero. In this book, it is used as a trope, and a thread of thinking, to describe a process dedicated to broadening the field of...
This collection is a study of the value of craft as it can be understood within the study and practice of animation. The book reconsiders the position of craft, which is often understood as inferior to ‘art’, with a particular focus on questions of labour in animation production and gendered practices. The notion of craft has been widely investigated in a number of areas including art, design and textiles, but despite the fact that a wide range of animators use craft-based techniques, the value of craft has not been interrogated in this context until now. Seeking to address such a gap in the literature, this collection considers the concept of craft through a range of varying case studies. Chapters include studies on experimental animation, computer animation, trauma and memory, children’s animation and silhouette animation among others. The Crafty Animator also goes some way to exploring the relationship craft has with the digital in the context of animation production. Through these varied discussions, this book problematizes simplistic notions about the value of certain methods and techniques, working to create a dialogue between craft and animation.
When I got out of the car he said, 'Do you have everything?' And I just said, 'Yeah,' or something equally dull and not really fit for being the last thing you ever say to your father... I stood and waved as he drove away. I watched his car turn right onto Hempshaw Lane. I watched him disappear. Ever since then I've been looking for clues. 1977. Manchester is on the verge of becoming the underground music capital of the world and seven miles away in Stockport, eleven-year-old Ann is on the verge of something equally big: puberty. Then one morning her dad takes her to school, drives away and kills himself. While her mother tries to makes sense of her grief, Ann seeks out the company of others. From runaway punks to charismatic clairvoyants, the people she meets give her insight into the strange new world around her. Growing up in the long shadow of her father's death, Ann discovers her own way to live. From acclaimed film-maker Carol Morley, this is a raw, darkly funny and powerful story of how a life can be brought back from the brink.
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'The past cultures of astronomy and physics evolved their own distinct personalities. The book describes an important milestone in the history of the unification of the two fields and provides an excellent summary of the methods used to explore one of the greatest mysteries in physics today: dark energy.'Physics TodayThis book is about the Dark Energy Survey, a cosmological experiment designed to investigate the physical nature of dark energy by measuring its effect on the expansion history of the universe and on the growth of large-scale structure. The survey saw first light in 2012, after a decade of planning, and completed observations in 2019. The collaboration designed and built a 570-m...
Using close visual analysis of drawings, artist interviews, critical analysis and exegesis, Drawing Investigations examines how artists use drawing as an investigative tool to reveal information that would otherwise remain unseen and unnoticed. How does drawing add shape to ideas? How does the artist accommodate to challenges and restraints of a particular environment? To what extent is a drawing complementary and continuous with its subject and where is it disruptive and provocative? Casey and Davies address these questions while focusing on artists working collaboratively and the use of drawing in challenging or unexpected environments. Drawing Investigations evaluates the emergence of a w...
Whilst both collective and collaborative drawing is being widely explored internationally, both within and beyond educational institutions, there is surprisingly little serious research published on the topic. This realisation led to the first international Drawing Conversations Symposium, accompanied by the Drawn Conversations Exhibition at Coventry University, UK, in December 2015. The two events drew a strong and global response, and brought together a wide range of participants, including academics, artists, researchers, designers, architects and doctoral students. This book considers what happens, and how, when people draw together either in the form of a collaboration, or through a collective process. The contributions here serve to establish the field of collective and collaborative drawing as distinct from the types of drawing undertaken by artists, designers, and architects within a professional context. The volume covers conversations through the act of drawing, collaborative drawing, drawing communities, and alternative drawing collaborations.
Intersecting art, science and the scenographic mise-en-scène, this book provides a new approach to anatomical drawing, viewed through the contemporary lens of scenographic theory. Sue Field traces the evolution of anatomical drawing from its historical background of hand-drawn observational scientific investigations to the contemporary, complex visualization tools that inform visual art practice, performance, film and screen-based installations. Presenting an overview of traditional approaches across centuries, the opening chapters explore the extraordinary work of scientists and artists such as Andreas Vesalius, Gérard de Lairesse, Santiago Ramón y Cajal and Dorothy Foster Chubb who, thr...