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Graphic artist, illustrator, painter, and cartoonist Rahel Szalit (1888–1942) was among the best-known Jewish women artists in Weimar Berlin. But after she was arrested by the French police and then murdered by the Nazis at Auschwitz, she was all but lost to history, and most of her paintings have been destroyed or gone missing. Drawing on a range of primary and secondary sources, this biography recovers Szalit’s life and presents a stunning collection of her art. Szalit was a sought-after artist. Highly regarded by art historians and critics of her day, she made a name for herself with soulful, sometimes humorous illustrations of Jewish and world literature by Sholem Aleichem, Heinrich ...
Until now, this essential reference book has only been available in its hard-to-find German version - Helion are pleased to announce not only a complete translation of this important source. The text lists all known recipients (over 7,000 of them), giving name, rank, unit, and date of award for each. Recipients of the higher classes of this decoration, such as the Knight's Cross with Oak Leaves, are also included. Elite of the Third Reich is destined to become a standard reference work on the Second World War German Armed Forces - Army, Kriegsmarine, Luftwaffe and Waffen-SS. The publication of occasional updates is planned, containing corrections and amendments.
This collection of essays considers the extent to which Joseph Weiler's thinking on the nature of European law holds today.
The authors trace the development of one of the most well-known directors of the New German Cinema that flourished in the 1970s and early 1980s. Examining Wim Wenders' career from his early film school productions through his mature works of the 1970s, this book also analyses the most recent works, as well as the themes and preoccupations that unite his oeuvre. As the authors note, Wenders' works have been profoundly influenced by American films, especially the 'road movie' genre. His own work often features characters who are always on the move, in an attempt to capture a glimpse of their identity and place in the world. They also represent a generation of postwar Germans seeking to redeem themselves and the history of their country by turning to American popular culture, particularly its music and movies.
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