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Sean is starting play-school and simultaneously wants to go, and hates the idea.
First published Bodley Head, 1978. When Carnival arrives everyone is happy dancing and singing in the procession - except Nini who hasn't got a costume. But help is at hand and she is quickly rescued by her fairy godmother from the East
Black artists have been making major contributions to the British art scene for decades, since at least the mid-twentieth century. Sometimes these artists were regarded and embraced as practitioners of note. At other times they faced challenges of visibility - and in response they collaborated and made their own exhibitions and gallery spaces. In this book, Eddie Chambers tells the story of these artists from the 1950s onwards, including recent developments and successes. Black Artists in British Art makes a major contribution to British art history. Beginning with discussions of the pioneering generation of artists such as Ronald Moody, Aubrey Williams and Frank Bowling, Chambers candidly discusses the problems and progression of several generations, including contemporary artists such as Steve McQueen, Chris Ofili and Yinka Shonibare. Meticulously researched, this important book tells the fascinating story of practitioners who have frequently been overlooked in the dominant history of twentieth-century British art.
A little boy and his sister play at being doctor and nurse.
The Companion to Contemporary Black British Culture is the first comprehensive reference book to provide multidisciplinary coverage of the field of black cultural production in Britain. The publication is of particular value because despite attracting growing academic interest in recent years, this field is still often subject to critical and institutional neglect. For the purpose of the Companion, the term 'black' is used to signify African, Caribbean and South Asian ethnicities, while at the same time addressing the debates concerning notions of black Britishness and cultural identity. This single volume Companion covers seven intersecting areas of black British cultural production since 1...
Sandra's grandmother has decided that at the age of 12, Sandra needs to see her mother. So, after six years, she will see both her parents again, but the journey from Jamaica to London is only the first crossing.
When is seduction about more than just sex? In this brilliantly original history, Clement Knox explores these questions as well as the philosophy, legality, politics, art and literature of a force that underwrites our world.
Depicts in fiction the spirit of the past by exploring how the formerly enslaved of Jamaica handle their freedom and arrive at understandings of issues and processes concerning their settlement and diaspora.
Today, around a million British people are of Caribbean descent, reflecting a history of post-war migration that essentially begins and ends with the Nationality Act of 1948 and the Immigration Act of 1972 - the so-called Windrush Generation. For many, London in particular was where the cultural archipelago of the Caribbean came together for the first time - communication and travel between the islands being difficult. This British-Caribbean connection gave rise to a diverse, complex and exciting wealth of Black cultural forms. At one end of the spectrum, British-Caribbean art is abstract, symbolist and at times cosmological; at the other it is socially realist, with many other positions in ...