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New Perspectives on the Civil War
As the American Civil War recedes into the past, popular fascination continues to rise. Once a matter that chiefly concerned veterans, separately organized North and South, who gathered to refight old battles and to memorialize the heroes and victims of war, the Civil War has gradually become part of a collective heritage. Issues raised by the war, including its causes and consequences, reverberate through contemporary society. Family and community connections with the war exist everywhere, as do battlefields, memorials, and other physical reminders of the conflict. We, as Americans, are fascinated by the sheer magnitude of the war fought over thousands of miles of American soil and resulting in awesome casualties. It was a gigantic national drama enacted by people who seem both contemporary and remote. Here for the first time, leading Civil War scholars gather to sort out the fact and fiction of our collective memories. Contributors include Pulitzer Prize-winner Mark E. Neely, Jr., Alan T. Nolan, John Y. Simon, James I. "Bud" Robertson, Jr., Gary W. Gallagher, Joseph T. Glatthaar, and Ervin L. Jordan, Jr.
Slavery, Resistance, Freedom
Essays address the issue of freedom as it applies to slaves in American history, discussing how African Americans resisted slavery and what their response was to freedom during and after the Civil War.
After the Glory
"Shaffer chronicles the postwar transition of black veterans from the Union army, as well as their subsequent life patterns, political involvement, family and marital life, experiences with social welfare, comradeship with other veterans, and memories of the war itself. He draws on such sources as Civil War pension records to fashion a collective biography - a social history of both ordinary and notable lives - resurrecting the words and memories of many black veterans to provide an intimate view of their lives and struggles."--BOOK JACKET.
A Call to Arms
"A deeply important study of how African Americans' daily lives affected their perception of military service and, in turn, how their treatment (or mistreatment) by the Army ricocheted back on their day-to-day lives."--Frank W. Sweet, author of "Legal History of the Color Line."
Beyond Jefferson
A global history of how Thomas Jefferson’s descendants navigated the legacy of the Declaration of Independence on both sides of the color line The Declaration of Independence identified two core principles—independence and equality—that defined the American Revolution and the nation forged in 1776. Jefferson believed that each new generation of Americans would have to look to the “experience of the present” rather than the “wisdom” of the past to interpret and apply these principles in new and progressive ways. Historian Christa Dierksheide examines the lives and experiences of a rising generation of Jefferson’s descendants, Black and white, illuminating how they redefined equality and independence in a world that was half a century removed from the American Revolution. The Hemingses and Randolphs moved beyond Jefferson and his eighteenth-century world, leveraging their own ideas and experiences in nineteenth-century Britain, China, Cuba, Mexico, and the American West to claim independence and equal rights in an imperial and slaveholding republic.
Worthy of the Cause for Which They Fight
Worthy of the Cause for Which They Fight chronicles the experiences of a well-educated and articulate Confederate officer from Arkansas who witnessed the full evolution of the Civil War in the Trans-Mississippi Department and western theater. Daniel Harris Reynolds, a community leader with a thriving law practice in Chicot County, entered service in 1861 as a captain in command of Company A of the First Arkansas Mounted Rifles. Reynolds saw action at Wilson's Creek and Pea Ridge before the regiment was dismounted and transferred to the Army of Tennessee, the primary Confederate force in the western theater. As Reynolds fought through the battles of Chickamauga, Atlanta, Nashville, and Bentonville, he consistently kept a diary in which he described the harsh realities of battle, the shifting fortunes of war, and the personal and political conflicts that characterized and sometimes divided the soldiers. The result is a significant testimonial offering valuable insights into the nature of command from the company to brigade levels, expressed by a committed Southerner coming to grips with the realities of defeat and the ultimate demoralization of surrender.
Justice for Ourselves
A new look at the Black Virginians who defined and realized their freedom after the collapse of slavery “Verily, the work does not end with the abolition of slavery,” wrote Frederick Douglass in 1862, “but only begins.” The Emancipation Proclamation and the Thirteenth Amendment altered a legal status; to make freedom a reality represented a different challenge altogether. Justice for Ourselves tells the stories of remarkable Black men and women in post–Civil War Virginia who persevered in the face of overwhelming barriers to seek their freedom and create a new world for themselves and future generations. Drawing on the life stories of individuals from all regions of the state—political leaders, teachers, ministers, journalists, and entrepreneurs—Justice for Ourselves recounts their quests to attain full American citizenship and economic independence before the onset of Jim Crow repression. Centering Black voices, this book includes tales of opportunities seized and opportunities lost and will reshape the narrative of Black history and the history of Virginia in the second half of the nineteenth century.
Virginia's Civil War
What did the Civil War mean to Virginia-and what did Virginia mean to the Civil War?
Virginia at War, 1865
By January 1865, most of Virginia's schools were closed, many newspapers had ceased publication, businesses suffered, and food was scarce. Having endured major defeats on their home soil and the loss of much of the state's territory to the Union army, Virginia's Confederate soldiers began to desert at higher rates than at any other time in the war, returning home to provide their families with whatever assistance they could muster. It was a dark year for Virginia. Virginia at War, 1865 closely examines the end of the Civil War in the Old Dominion, delivering a striking depiction of a state ravaged by violence and destruction. In the final volume of the Virginia at War series, editors William...
Blood Image
With Blood Image, Paul Anderson shows that the symbol of a man can be just as important as the man himself. Turner Ashby was one of the most famous fighting men of the Civil War. Rising to colonel of the 7th Virginia Cavalry, Ashby fought brilliantly under Thomas J. "Stonewall" Jackson during the 1862 Shenandoah Valley campaign until he died in battle. Anderson demonstrates that Ashby's image -- a catalytic, mesmerizing, and often contradictory combination of southern antebellum cultural ideals and wartime hopes and fears -- emerged during his own lifetime and was not a later creation of the Lost Cause. The stylistic synergy of Anderson's startling narrative design fuels a poignant irony: men like Ashby -- a chivalrous, charismatic "knight" who had difficulty complying with Stonewall Jackson's authority -- become trapped by the desire to have their real lives reflect their imagined ones.
