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The French Language in the Seventeenth Century
The sixty French texts edited here are all direct commentaries, by contemporary authors, on the French language in the 17th century. By this time, French had begun to assert its independence; in its written and printed form it was being used for a wide variety of literary, technical and administrative purposes. Its practitioners not only successfully challenged the hitherto dominant position of Latin, but also began, for the first time, to discuss and analyse for its own sake the language which was now their preferred medium for expression -- hence, in the first half of the seventeenth century, a growing number of publications on the nature and characteristics of French. The texts demonstrate the sustained critical preoccupationwith the welfare of the French language in the 17th century, and illustrate the various ways in which the writers of the age contributed to its development as an instrument of literary expression and social intercourse.
Conceptual Structures: Common Semantics for Sharing Knowledge
This book constitutes the refereed proceedings of the 13th International Conference on Conceptual Structures, ICCS 2005, held in Kassel, Germany, in July 2005. The 23 revised full papers presented together with 9 invited papers were carefully reviewed and selected from 66 submissions. The papers are organized in topical sections on theoretical foundations, knowledge engineering and tools, and knowledge acquisition and ontologies.
The Prosthetic Tongue
Of all the cultural "revolutions" brought about by the development of printing technology during the sixteenth century, perhaps the most remarkable but least understood is the purported rise of European vernacular languages. It is generally accepted that the invention of printing constitutes an event in the history of language that has profoundly shaped modernity, and yet the exact nature of this transformation—the mechanics of the event—has remained curiously unexamined. In The Prosthetic Tongue, Katie Chenoweth explores the relationship between printing and the vernacular as it took shape in sixteenth-century France and charts the technological reinvention of French across a range of d...
A Concordance to the French Poetry and Prose of John Gower
That the poet John Gower was a major literary figure in England at the close of the fourteenth century is no longer in question. Scholarly attention paid to him and to his work over the past twenty- five years has redeemed him from an undeserved obscurity imposed by the preceding two hundred. The facts of his life and career are now documented, and recent critical assessment has placed his achievement most accurately alongside Chaucer's, Langland's, and the Gawain- poet's. Unique among his contemporaries, all of whom undoubtedly read and used French in some measure, Gower alone has left us a significant body of verse and prose in Anglo-Norman; chiefly, the twelve-stanza poem Mirour de l-Omme, the Cinkante Balades, and the Traitié pour les amantz marietz. We are offered in this concordance of his Anglo- Norman work a unique opportunity to view a poetic language as it was written and read in England until Gower's death in 1408 and beyond.
A Companion to Marguerite Porete and The Mirror of Simple Souls
Even with growing popularity in the United States, there existed no English-language scholarly introduction to Marguerite Porete or her sole-surviving work Mirror of Simple Souls until now. The study of Marguerite and her work touches on so many disciplines – from religious and secular histories to theological and literary readings of her book – that the scholarship had often been lost in the divides between the disciplines. Our contributors are chosen from both sides of the Atlantic and from an array of disciplines in order to bridge this geographical and linguistic divide. The interdisciplinary nature of the interest in Marguerite and the Mirror and the implications her book has on medieval scholarship make a collection such as this companion ideal. Contributors are Marleen Cré, Imke De Gier, Dávid Falvay, Sean Field, Geneviève Hasenohr (with Zan Kocher), Jonathan Juilfs, Zan Kocher, Joanne Robinson, Elizabeth Scarborough, Robert Stauffer, Wendy R. Terry, and Justine Trombley.
Netherlandish Books (NB) (2 Vols.)
Netherlandish Books offers a unique overview of what was printed during the fifteenth and sixteenth centuries in the Low Countries. This bibliography lists descriptions of over 32,000 editions together with bibliographical references, an introduction and indexes. It draws on the analysis of collections situated in libraries throughout the world. This is the first time that all the books published in the various territories that formed the Low Countries are presented together in a single bibliography. Netherlandish Books is an invaluable research tool for all students and scholars interested in the history, culture and literature of the Low Countries, as well as historians of the early modern book world. Customers interested in this title may also be interested in French Vernacular Books, edited by Andrew Pettegree, Malcolm Walsby and Alexander Wilkinson.
Medieval and Renaissance Treatises on the Arts of Painting
Rare 1849 work reprints 12th- through 17th-century manuscripts on painting and related arts — oil painting practices, mixing pigments, and much more. Commentary on each treatise, plus an extensive introduction.
A History of England, Volume 6
German historian Leopold von Ranke (1795-1886) is well known for pioneering the modern historical method which advocates empiricism, rather than a focus on the philosophy of history. Emphasizing the importance of presenting history exactly as it happened, Ranke asserted that different eras need to be understood in their own contexts rather than in relation to each other: history should not be regarded as one long, teleological narrative. These principles of writing history, established in earlier publications, are all evident here. Originally published in eight volumes between 1859 and 1869, Ranke's history, 'principally in the seventeenth century', was first published as a six-volume history in English by the Clarendon Press in 1875, the mammoth task of its translation distributed among eight Oxford dons. Volume 6 consists of appendices, including a discussion of other historians' opinions, and extracts from the correspondence of William III, as well as an index.
