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Esprit de Corps
Imagine if P.G.Wodehouse was a diplomat: Durrell's hilarious foreign office sketches are 'sophisticated funny, but wonderful, and bonkers' ( Joanna Trollope) 'A rewarding cocktail based on two parts Wodehouse and one part Saki ... So much fun.' New York Times 'Whatever wars there may be and whatever crises, there will still, please heaven, be the diplomatic corps, with its protocol and formalities and a field for humour which I have never seen better used than in these stories.' John Betjeman After a lifetime serving that most delightfully British of institutions, the Foreign Office, Antrobus can't resist musing over old times in Vulgaria at his London club - or should that be cringing ... R...
Esprit de Corps
This illustrated study traces the radical changes in modern art in the years prior to World War I to the 1925 Paris Exposition des Arts Decoratifs
The Naval Magazine
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Esprit de Corps
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Ensemblance
Esprit de corps has played a significant role in the cultural and political history of the last 300 years. Through several historical case studies, Luis de Miranda shows how this phrase acts as a combat concept with a clear societal impact. He also reveals how interconnected, yet distinct, French, English and American modern intellectual and political thought is. In the end, this is a cautionary analysis of past and current ideologies of ultra-unified human ensembles, a recurrent historical and theoretical fabulation the author calls 'ensemblance'.
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Body and Spirit in the Middle Ages
A crucial question throughout the Middle Ages, the relationship between body and spirit cannot be understood without an interdisciplinary approach – combining literature, philosophy and medicine. Gathering contributions by leading international scholars from these disciplines, the collected volume explores themes such as lovesickness, the five senses, the role of memory and passions, in order to shed new light on the complex nature of the medieval Self.
Vanguard Performance Beyond Left and Right
Vanguard Performance Beyond Left and Right challenges assumptions regarding “radical” and “experimental” performance that have long dominated thinking about the avant-garde. The book brings to light vanguard performances rarely discussed: those that support totalitarian regimes, promote conservative values, or have been effectively snapped up by right-wing regimes the performances intended to oppose. In so doing, the volume explores a central paradox: how innovative performances that challenge oppressive power structures can also be deployed in deliberate, passionate support of oppressive power. Essays by leading international scholars pose engaging questions about the historical ava...
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