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Iconic photographer/director, Estevan Oriol, releases a follow-up to his cornerstone LA Woman book: LA Portraits. The release of Oriol's first published book, LA Woman (2009), caught fans and followers by surprise. Capturing the women of Los Angeles in their most confronting, gritty environments it was not the subject matter he was most well-known for. It established Estevan Oriol as the king of female street photography, cementing his reputation as Los Angeles' most respected street photographer. LA Woman was a smash hit, selling out globally in a very short time. LA Portraits is the next compelling installment of Oriol's work to date. This series will comprise hundreds of photos documenting the most amazing, real L.A street life the public has ever witnessed, from the lens of its originator Estevan Oriol.
The definitive collection of photographs depicting the city of Los Angeles; from "homies" to Hollywood.
Estevan Oriol is hailed as the eye of the new wave Latino aesthetic. Coming up from the streets and the Hip Hop scene, his rough and ready images of his neighborhood homies caught the attention of major media and music players. Oriol has since been commissioned by Nike and Cadillac, as well as directing music videos for Eminem, Linkin Park, D12 and Xzibit. He began taking pictures of his neighborhood and low-rider culture and soon discovered his incredible talent for capturing raw street life. He is now one of the most sought after photographers in the urban community.
NYC Street Photography is a prolific collection of authentic New York City images brought together by Brian Nobili and Ricky Powell. Their lifetime relationship with the neighborhoods of New York and the people within these communities enabled them to assemble 12 New York City street photographers that capture the rhythms, movements and landscape of one of the worlds most complex urban environments. This collection of photographers reflects the city as only someone can that is truly a part of the surrounding culture and possibly even influencing the culture. This is a must have collection of unfiltered unapologetic imagery. - Jay McMichael, Senior Photojournalist, CNN NYC 0Street Photography captures the soul of the city, from grime to glitter. Stars, villains and everyone in between, people who together make New York what it is.
The Mongrel Mob of Aotearoa New Zealand is notorious for extreme violence, and they have long been regarded as the nations monsters. In layers of apparent contradictions, their icon is the British bulldog wearing a Nazi helmet, while their members are largely indigenous Maori. The Mongrel Mobs symbols arose as both a goading response to a history of colonial subjugation of Maori, and a proclamation of war against the (white) state. Mongrelism offers a communion with this impenetrable fraternity. Monumental portraits illustrate Mob members assertion of membership and pride in their identity. Artefact studies and brutal first person narratives are drawn from the Mob corpus, mirroring the lands...
In a plague-ravaged medieval city, survival is a harsher fate than death. As corpses accumulate around her, Agnes, a young widow possessed of supernatural strength, must weigh her obligations to the dead and dying against her desire to protect what little remains. Laid Waste is a graphic novella about love and kindness among vermin in the putrid miasma at the end of the world. As with her evocative debut book, Black is the Color, Julia Gfrörer's delicate, gothic drawing style perfectly complements the period era of the book’s setting, bringing the lyricism and romanticism of her prose to the fore.
This groundbreaking book gets up close and personal to show how two urban styles have melded together. Famed graffiti tattoo artist Kaves and tattoo documentarian Burke introduce, one by one, the masters of graffiti tattoo art, their personal stories, and their diverse handiwork..
The most comprehensive book to survey the colorful history of graffiti and street art movements internationally. Forty years ago, graffiti in New York evolved from elementary mark-making into an important art form. By the end of the 1980s, it had been documented in books and films that were seen around the world, sparking an international graffiti movement. This original edition, now back in print after several years, considers the rise of New York graffiti and the international scenes it inspired--from Los Angeles to São Paulo to Paris to Tokyo--as well as earlier and parallel movements: the break dancing and rap music of hip-hop; the graffiti used by Chicano gangs to mark their territory; the skateboarding culture that began in Southern California. Expertly researched, beautifully illustrated, and featuring contributions by many of the most significant curators, writers, and artists involved in the graffiti world, this now classic volume is an in-depth examination of this seminal movement.
ONE OF AMAZON'S BEST ART & PHOTOGRAPHY BOOKS 0F 2018 AN NPR AND PITCHFORK BEST MUSIC BOOK OF 2018 PICK ONE OF TIME'S 25 BEST PHOTOBOOKS OF 2018 NEW YORK TIMES, ASSOCIATED PRESS, WALLSTREET JOURNAL, ROLLING STONE, AND CHICAGO SUN HOLIDAY GIFT GUIDE PICK The perfect gift for music and photography fans, an inside look at the work of hip-hop photographers told through their most intimate diaries—their contact sheets. Featuring rare outtakes from over 100 photoshoots alongside interviews and essays from industry legends, Contact High: A Visual History of Hip-Hop takes readers on a chronological journey from old-school to alternative hip-hop and from analog to digital photography. The ultimate companion for music and photography enthusiasts, Contact High is the definitive history of hip-hop’s early days, celebrating the artists that shaped the iconic album covers, t-shirts and posters beloved by hip-hop fans today. With essays from BILL ADLER, RHEA L. COMBS, FAB 5 FREDDY, MICHAEL GONZALES, YOUNG GURU, DJ PREMIER, and RZA
The Guardian cartoonist relates the daily deadpan adventures of the last policeman living on the moon "Living on the moon...Whatever were we thinking? ...It seems so silly now.” The lunar colony is slowly winding down, like a small town circumvented by a new super highway. As our hero, the Mooncop, makes his daily rounds, his beat grows ever smaller, the population dwindles. A young girl runs away, a dog breaks off his leash, an automaton wanders off from the Museum of the Moon. Each day that the Mooncop goes to work, life gets a little quieter and a little lonelier. As in Goliath, Tom Gauld’s retelling of the Bible story, the focus in Gauld's science fiction is personal—no big explosions or grand reveals, just the incremental dissolution of an abandoned project and a person’s slow awakening to his own uselessness. Depicted in the distinctive, matter-of-fact style of his beloved Guardian strips, Mooncop is equal parts funny and melancholy. Gauld captures essential truths about humanity, making this a story of the past, present, and future, all in one.