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What futures are we designing by default? What collaborations are we complicit in? How can we incorporate an active civic engagement into our professional and creative practice – into our everyday lives? Esther Anatolitis presents a dynamic snapshot of her own practice from a distinctly Australian context but with a global perspective, offering tools and techniques for integrating civic engagement into daily practice. Taking leaps across spatial, creative, professional and political work, this is an unsettling text.
Community-engaged practice is not an art form. It’s not an add-on. It’s a way of working; a deep collaboration. The Relationship is the Project features provocations, tools and practical tips for working with communities. This includes the ethics and logistics of working on community-based projects, from First Peoples’ leadership to climate justice, cultural safety to class, intersectionality to disaster recovery and more. This updated and expanded edition features contributions by more than 40 thought leaders across the arts, cultural and community sectors. It is a must-have resource for all community-engaged practice. Contributors include: Genevieve Grieves, Ruth De Souza, Lia Pa’a...
The Morrison government's moral decline happened first slowly and then all at once. We suffered through 'Sports rorts' and 'Watergate' and an MIA PM, before the dissembling response to allegations of sexual abuse at the very heart of federal politics threw into stark relief the cynicism and moral bankruptcy of a government ready to abandon any semblance of integrity to save its own skin. But at a time when the country is crying out for leadership, the Labor Party seems paralysed, so terrified it may lose votes from its opponent's perennial wedging that, on key moral questions, it has failed to make the case to win them. Burning Down the House tells the story of how our political system went ...
Light, air and the autumn wind. Good drying weather. Ethics and history and peace and war and the laundry. Taking stock. Abandoned cities, lost children, political legacies emptied of all honour. _x5B5D__x5F1F__x4E5F__x8005__x3001__x5176__x4E3A__x4EC1__x4E4B__x672C__x4E0E_. How we commemorate, and what we forget. The cost of education, the cost of living, the costs of doing nothing. Insects, birds, bulls, deer, saplings, forests, the Great Barrier Reef. Ethical beekeeping, hydrogeology, the second person. Ruin porn and inspiration porn. Solar Punk and Chengyu and the Argonauts. Housing and home, love and Metta, class and compassion. Understanding where it is that we exist when we're gathering our forces. El pueblo unido jamas sera vencido. Let's get our house in order - and prepare for what comes next.
edited by Jade Lillie, with Kate Larsen, Cara Kirkwood and Jax Jacki Brown A brilliant new ‘right now’ resource that aims to assist emerging practitioners, artists and cultural workers better engage with community-based projects. The breadth of the advice shared in this non-academic, practitioner-led book includes insights into the ethics and logistics of working in community contexts – from collaboration and leadership to platforming and duty of care. Featuring 20 curated chapters from thought-leaders across the arts, cultural and community sectors, this unique publication is a must-have resource for community-engaged practice. Contributors include Genevieve Grieves about working in First Nations contexts; Caroline Bowditch on access and disability; Dianne Jones, Odette Kelada and Lilly Brown on racial literacy; Ruth De Souza and Robyn Higgins on cultural safety in the arts; as well as Esther Anatolitis, Adolfo Aranjuez, Paschal Berry, Lenine Bourke, Tania Cañas, Rosie Dennis, Alia Gabres, Eleanor Jackson, Samuel Kanaan-Oringo, Fotis Kapetopoulos, Kate Larsen, Lia Pa’apa’a, Anna Reece, Daniel Santangeli, and Jade Lillie herself.
If architecture is a design-centred discipline which proceeds by suggesting propositional constructions then, Zambelli argues, archaeology also designs, but in the form of reconstructions. He proposes that whilst practitioners of architecture and archaeology generally purport to practice in future-facing and past-facing-modes respectively, elements of these disciplines also resemble one another. Zambelli speculates that whilst some of these resemblances have remained explicit and revealed, others have become occluded with time, but that all such resemblances share homological similarities of interconnected disciplinary origin making available in the scandalous space between them a logically underpinned, visually analogical form of practice.
This collection looks critically at how Deleuze challenges architecture as a discipline, how architecture contributes to philosophy and how we can come to understand the complex politics of space of our increasingly networked world.
Sonic Wilderness accesses the critical value of unusual vinyl records that concern our relationship with nature. These wild records reveal unconventional perspectives on the entanglements of human life with animals, gardens and plants. They form a lyrical unconscious exposing the conventions and ideologies of popular music, their warped perspectives and acoustic radioactivity comprising a resistance to enduring social, psychological and political conditions.
This book crtitically examines the reciprocal relationship between creativity and the built environment and features leading voices from across the world in a debate on originating, learning, modifying, and plagiarizing creativities within the built environment. The Companion includes contributions from architecture, design, planning, construction, real estate, economics, urban studies, geography, sociology, and public policies. Contributors review the current field and proposes new conceptual frameworks, research methodologies, and directions for research, policy, and practice. Chapters are organised into five sections, each drawing on cross-disciplinary insights and debates: Section I conn...
Permanence as an architectural concept is no longer restricted to the Vitruvian virtue of firmitas. To think about it in this sense today produces a schism: absolutism in a world of relativism. The fourth volume of Inflection extrapolates the permanent and the temporary not as opposing forces, but as a spectrum to be navigated at each stage of architecture's unfolding narrative. Through each of the responses presented in this year's edition, Permanence provides a critical voice as architecture and design continually seek an enduring foothold in an inherently evolving landscape, physical or otherwise. Inflection is a student-run design journal based at the Melbourne School of Design, University of Melbourne. Born from a desire to stimulate debate and generate ideas, it advocates the discursive voice of students, academics and practitioners. Founded in 2013, Inflection is a home for provocative writing—a place to share ideas and engage with contemporary discourse.