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Includes entries for maps and atlases.
Praise for Sundays Child Carter has written a memoir that captures the quintessential America that now seems to be slipping away from us. A real treat. --John Tebbel, author and Journalist Deeply moving...the book is a delight and of course you write like a dream...Congratulations on what I believe we used to call a great read, and more than that, a deeply affecting record. --Ellen Feldman, author of Lucy and The Scottsboro Boys Praise for Nobody Yet Knows Who I Am In volume two of Robert Carters memoirs, the reader is again treated to the authors ruthlessly stark self-appraisal. Through the extraordinarily clarity of prose, the reader seems to share his experiences immediately rather than through the medium of words. His descriptions of his lovers, friends, and passing acquaintances drive the reader along. --James Scanlon, Professor Emeritus of History, Randolph-Macon College
This compelling social history uses diaries, memoirs, fiction, trial testimony, personal recollections, and eyewitness accounts to weave a fascinating tale of what ordinary Japanese endured throughout their country’s era of economic growth. Through vivid, often wrenching accounts of peasants, miners, textile workers, rebels, and prostitutes, Mikiso Hane forces us to see Japan’s “modern century” (from the beginnings of contact with the West to World War II) through fresh eyes. In doing so, he mounts a formidable challenge to the success story of Japan’s “economic miracle.” Starting with the Meiji restoration of 1868, Hane vividly illustrates how modernization actually widened th...
In an era marked by atrocities perpetrated on a grand scale, the tragedy of the so-called comfort women—mostly Korean women forced into prostitution by the Japanese army—endures as one of the darkest events of World War II. These women have usually been labeled victims of a war crime, a simplistic view that makes it easy to pin blame on the policies of imperial Japan and therefore easier to consign the episode to a war-torn past. In this revelatory study, C. Sarah Soh provocatively disputes this master narrative. Soh reveals that the forces of Japanese colonialism and Korean patriarchy together shaped the fate of Korean comfort women—a double bind made strikingly apparent in the cases ...
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Includes Part 1, Number 1: Books and Pamphlets, Including Serials and Contributions to Periodicals (January - June)
What did ancient Jews, Christians, Greeks, and Romans think about how and why Jews ate the way they did? Jordan D. Rosenblum examines this question.
"Lust will not keep…Something must be done about it."--inscription at the entrance to Yoshiwara For over a hundred years the Western world has heard whispers of the pleasure city, Yoshiwara, set behind its walls in the city of Edo itself, which is today called Tokyo. Here was an eastern red light district, the place for the hedonists, the woman-seekers, the sensual plasure-hunters of old Japan. There, behind moated walls, an erotic Japanese world unmatched by the West was created by beautiful courtesans, geishas, dancers, actors, and artists. To this "floating world" came the hedonists and the sensual pleasure hunters of old Japan. Many myths and legends encircled the secrets of the Yoshiwara, and still do. In time other Japanese cities tried to copy the original, sometimes even calling their district for geishas and courtesans and pretty waitress girls a Yoshiwara. Stephen and Ethel Longstreet use prints and fascinating original sources to trace the rise and fall of this city within a city, a sanctioned preserve of teahouses and brothels that was not abolished until 1958, sketching a vivid, no-holds-bared portrait of social and sexual mores in Japan's capital.