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Music and the City
  • Language: en
  • Pages: 187

Music and the City

Although early modern urban musical life has been the object of investigation with several researchers, little is known about the ways in which musical cultures were integrated within their broader urban environments. Building upon recent trends within urban musicology, the authors of this volume aim to transcend descriptive overviews of institutions and actors involved with music within a given city. Instead, they consider the urban environment as the constitutive context for music making, and music as a significant aspect of urban society and identity. Through selected case studies and by focusing on three ‘musical circuits’—opera and theatre music, sacred music, and secular songs—...

Tielman Susato and the Music of His Time
  • Language: en
  • Pages: 232

Tielman Susato and the Music of His Time

Ambitious, versatile, and extraordinarily talented, Tielman Susato carved out a distinguished place for himself in the Renaissance cultural scene. He began his professional life as a trombonist in the Antwerp civic band. This was one of the outstanding ensembles of the day, but he soon expanded his range of activity as a musical scribe, preparing manuscript collections for an avid market that developed in the rapidly growing Flemish urban centers. He subsequently moved on and established one of the foremost publishing houses in Europe, providing an impeccably selected musical repertory that found a ready market then and which engenders respect even today among musicians and students of Renai...

  • Language: en
  • Pages: 311

"Recevez Ce Mien Petit Labeur"

This book deals with music from the later sixteenth century, the period on which Ignace Bossuyt, a professor at the Musicology Department of the University of Leuven who retured in 2007 and an internationally recognized leader in the field of later-sixteenth-century music, focused his research. Subjects discussed include newly discovered music by Philippe de Monte and Heinrich Isaac, humor in the motets of Orlando di Lasso, the beginnings of music history, compositional procedures in Renaissance music, and Tinctoris's art of listening. This book offers a wide range of methods including historiography, reception studies, source studies, music analysis, music theory, style studies, and aesthetics of music.

Young Choristers, 650-1700
  • Language: en
  • Pages: 278

Young Choristers, 650-1700

"Young singers through the centuries have occupied a central position in a variety of religious institutional settings: urban cathedrals, collegiate churches, monasteries, guilds, and confraternities." "The training of singers for performance in religious services shaped the very structures of ecclesiastical institutions, which developed to meet the need for educating their youngest members. The development of musical repertories and styles also directly reflected the ubiquitous participation of children's voices in both chant and polyphony. There was even, frequently, a future for choristers after their voices broke."--BOOK JACKET.

Composers at Work
  • Language: en
  • Pages: 368

Composers at Work

Using sketches and other documentary evidence, this study is an investigation of composition in Renaissance music. It sets out the indispensable background to an inquiry and into the fundamental processes of Renaissance composition.

Essays on Renaissance Music in Honour of David Fallows
  • Language: en
  • Pages: 450

Essays on Renaissance Music in Honour of David Fallows

New articles on du Fay and Desprez, on sacred and secular music, and reception history, form a fitting tribute to one of the field's foremost scholars. This volume celebrates the work of David Fallows, one of the most influential scholars in the field of medieval and Renaissance music. It draws together articles by scholars from around the world, focusing on key topics to which Fallows has contributed significantly: the life and works of Guillaume Du Fay and of Josquin Desprez, archival studies and biography, sacred and secular music of the late mediaeval and Renaissance period, and reception history. Studies include major archival discoveries concerning the identity of the composer Fremin C...

Composing Community in Late Medieval Music
  • Language: en
  • Pages: 301

Composing Community in Late Medieval Music

  • Categories: Art

An exploration of what self-referential compositions reveal about late medieval musical networks, linking choirboys to canons and performers to theorists.

Annual Bibliography of the History of the Printed Book and Libraries
  • Language: en
  • Pages: 706

Annual Bibliography of the History of the Printed Book and Libraries

The Annual Bibliography of the History of the Printed Book and Libraries records articles of scholarly value that relate to the history of the printed book, to the history of arts, crafts, techniques and equipment, and of the economic, social and cultural environment involved in their production, distribution, conservation and description.

The Royal Chapel in the Time of the Habsburgs
  • Language: en
  • Pages: 424

The Royal Chapel in the Time of the Habsburgs

Focusing on the royal chapel established by Philip II in Madrid, the essays in this richly illustrated volume offer a series of different perspectives on the development of the main court chapels of Europe. English version edited by Tess Knighton The royal chapel, in Europe as a whole and in Spain in particular, was a cultural institution where court ceremonial, politics, music and the arts were brought together in terms of space and function. The ramifications for the patronage and cultivation of the arts and the dynamic between music and the arts and the concept of kingship form the focus of the text. The phenomenon of groupings of singers, chaplainsand musicians at the service of the diff...

The Clarinet
  • Language: en
  • Pages: 309

The Clarinet

Offers unique perspectives on the clarinet's historical role in various styles, genres, and ensembles, from jazz and ethnic traditions to classical chamber music, concertos, opera, and symphony orchestras.