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Eugene Rosenberg's Research Papers for His Book 'Architect's Choice
RoE/5 Brochures and presscuttings.
Dreamers, Visionaries, and Revolutionaries in the Life Sciences
What are the conditions that foster true novelty and allow visionaries to set their eyes on unknown horizons? What have been the challenges that have spawned new innovations, and how have they shaped modern biology? In Dreamers, Visionaries, and Revolutionaries in the Life Sciences, editors Oren Harman and Michael R. Dietrich explore these questions through the lives of eighteen exemplary biologists who had grand and often radical ideas that went far beyond the run-of-the-mill science of their peers. From the Frenchman Jean-Baptiste Lamarck, who coined the word “biology” in the early nineteenth century, to the American James Lovelock, for whom the Earth is a living, breathing organism, t...
Eugene Rosenberg's Presscuttings on His Work in Prague, Czech Republic, 1931-1940
Page from Prager Tageblatt 1938 on Stefansgaffe 34, Prague.
The Hologenome Concept: Human, Animal and Plant Microbiota
Groundbreaking research over the last 10 years has given rise to the hologenome concept of evolution. This concept posits that the holobiont (host plus all of its associated microorganisms) and its hologenome (sum of the genetic information of the host and its symbiotic microorganisms), acting in concert, function as a unique biological entity and therefore as a level of selection in evolution. All animals and plants harbor abundant and diverse microbiota, including viruses. Often the amount of symbiotic microorganisms and their combined genetic information far exceed that of their host. The microbiota with its microbiome, together with the host genome, can be transmitted from one generation...
The Mushroom at the End of the World
What a rare mushroom can teach us about sustaining life on a fragile planet Matsutake is the most valuable mushroom in the world—and a weed that grows in human-disturbed forests across the northern hemisphere. Through its ability to nurture trees, matsutake helps forests to grow in daunting places. It is also an edible delicacy in Japan, where it sometimes commands astronomical prices. In all its contradictions, matsutake offers insights into areas far beyond just mushrooms and addresses a crucial question: what manages to live in the ruins we have made? A tale of diversity within our damaged landscapes, The Mushroom at the End of the World follows one of the strangest commodity chains of ...
Architects and Architecture of London
Architects and Architecture of London is a visual, highly illustrated guide to London’s greatest historic buildings and the lives of the architects who designed them. Read about the architectural forefathers of London, such as Inigo Jones and Sir Christopher Wren, Nicholas Hawksmoor, Robert Adam and John Nash, Butterfield and Street, Blomfield and Lutyens. Learn about those who, in the twentieth century, have helped to form the London we now know, right up to familiar names such as Rogers and Foster. And then there are the others who, in amongst the great and remembered architects, stand as the forgotten majority: talented architects such as Arthur Davis, who designed the Ritz hotel. In th...
Individuation, Process, and Scientific Practices
This book provides novel perspectives, grounded in scientific practices, on individuality and individuation, subjects traditionally treated by metaphysicians. It connects the concepts of the individual and individuation with analyses of scientific experimentation, and merges philosophy with scientific study in biology, physics, and chemistry.
Constructing Modernity
Naum Gabo (1890-1977), whose eventful life took him from his native Russia to Berlin, Paris, London, and finally the United States, achieved renown as one of the most inventive and controversial figures in twentieth-century sculpture. This book is the first comprehensive account of Gabo's life, career, and artistic theory and practice. Martin Hammer and Christina Lodder explore in detail the evolution of the artist's work and his aesthetic concerns, creative processes, assimilation of such new materials as plastic, and approach to public sculpture. The authors also examine his response to the scientific and political revolutions of his age and trace the origins and development of Gabo's utopian conviction that Constructivist art was profoundly in tune with modernity, social progress, and advances in science and technology. Drawing on Gabo's extensive and largely unpublished archives of letters, diaries, notebooks, models, and sketchbooks, Hammer and Lodder discuss the sculptor's work in the context of his relations with other avant-garde artists, architects, and critics, including his brother Antoine Pevsner. They also situate his aesthetic theory and practice within the Constructi
General Register
Announcements for the following year included in some vols.
