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Examining the ways F. Scott Fitzgerald portrayed spectator sports as working to help structure ideologies of class, community and nationhood, this book shows how narratives of attending sports and being a 'fan' cultivate communities of spectatorship
The Routledge Handbook of International Criminology brings together the latest thinking and findings from a diverse group of both senior and promising young scholars from around the globe. This collaborative project articulates a new way of thinking about criminology that extends existing perspectives in understanding crime and social control across borders, jurisdictions, and cultures, and facilitates the development of an overarching framework that is truly international. The book is divided into three parts, in which three distinct yet overlapping types of crime are analyzed: international crime, transnational crime, and national crime. Each of these perspectives is then articulated throu...
Oscar Wilde was a consumer modernist. His modernist aesthetics drove him into the heart of the mass culture industries of 1890s London, particularly the journalism and popular theatre industries. Wilde was extremely active in these industries: as a journalist at the Pall Mall Gazette; as magazine editor of the Women’s World; as commentator on dress and design through both of these; and finally as a fabulously popular playwright. Because of his desire to impact a mass audience, the primary elements of Wilde’s consumer aesthetic were superficial ornament and ephemeral public image – both of which he linked to the theatrical. This concern with the surface and with the ephemeral was, ironically, a foundational element of what became twentieth-century modernism – thus we can call Wilde’s aesthetic a consumer modernism, a root and branch of modernism that was largely erased.
This study of Virginia Woolf’s diary examines how Woolf resolved the conflict of expressing political viewpoints with her aesthetic goals, focusing on how that struggle played out in her diary.
In this volume, Nashef looks at J.M. Coetzee's concern with universal suffering and the inevitable humiliation of the human being as manifest in his novels. Though several theorists have referred to the theme of human degradation in Coetzee’s work, no detailed study has been made of this area of concern especially with respect to how pervasive it is across Coetzee’s literary output to date. This study examines what J.M. Coetzee's novels portray as the circumstances that contribute to the humiliation of the individual--namely the abuse of language, master and slave interplay, aging and senseless waiting--and how these conditions can lead to the alienation and marginalization of the individual.
"'Terra Incognita': D.H. Lawrence at the Frontiers, edited by Virginia Crosswhite Hyde and Eari G. Ingersoll, is a collection of nine essays by scholars from five countries. They show ways in which Lawrence explored not only remote regions of the earth but also consciousness and human relations. The book also considers implications of terms like "frontier," "boundary," and "place." It gives readings that are the first to utilize new texts and research in the final prose volumes of the Cambridge Lawrence Edition. This includes all the essays Lawrence wrote in America about Southwestern and Mexican Indians (Mornings in Mexico and Other Essays, 2009). Writers are Michael Hollington, Judith Ruderman, Edina Pereira Crunfli, Tina Ferris, Virginia Crosswhite Hyde, Jack Stewart, Keith Cushman, Julianne New-mark, and Paul Poplawski. In addition to the essays, the book contains eight pages of color illustrations. It will interest both general readers and scholars of Lawrence and of twentieth-century literature"--Publisher's website.
With its three-part rubric of London, drama, and space, this study brings to the currently vigorous critical discussion of Jonsonian authorship the sense of how another sort of dramatic text—that of London’s spaces as interpreted through dramatic practice both in the streets of the city and on its stages—is also an integral factor in the emergence of the early modern author.
This book presents new readings of D.H. Lawrence’s later novels from the perspective of established critical theory and contemporary thought: a specific critical theory or critical perspective is selected and applied to each novel in order to present particular interpretations of each. Although remaining faithful to one’s personal desires without being unduly concerned with the outside world is considered a Lawrentian virtue, I would like to show another Lawrence who was sensitive enough to the outside world and to the social discourses of his time to employ elements of them in his novels, although subtly, and with critical shifts and displacements. Lawrence is a writer who continually draws lines of flight to escape from capitalist societies that ascribe essential value and power to money.