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The seventh collection of poems by Eva Bourke, the German-born Galway resident whose poems are distinguished by their empathy, historical awareness and meticulous attention to detail.
A collection of poems from Eva Bourke a much-admired German-born poet, a longtime resident of Galway.
The journey of Eva Bourke's eighth collection of poems is one of bereavement, heartbreak and, ultimately, renewal. In poems that record - with courage and tenderness - the loss of loved ones, of close family and friends, there is throughout a refusal to soften the keen gaze and precise detail for which her work is so often praised, as if the poet's role is ever to be witness, guardian and curator. Instead of heartbreak enforcing a retreat from the world, rather it seems to strengthen her commitment to those in danger ("the boats adrift in the night / and the storms that sweep them overboard" - 'Twenty-eight Swimmers') and her belief in the power of art and music as both consolation and celeb...
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Eva Destruction Returns! Forget James Bond. Forget Jason Bourne. When the world’s on the brink of a second Cold War, the only person to call is Eva Destruction. After a bombing in a Russian embassy, the murder of a CIA agent in Budapest, and an attack on MI6 itself, Eva assembles a team of Cold War veterans and puts the pedal to the metal in a race to prevent chaos on a global scale. With twists at every turn, she’ll do almost anything to bring down those responsible, except drink instant coffee. The Dead Spy’s Guide to Espionage is a globetrotting, fast-paced thriller that will keep you turning pages well into the night.
Now in its 21st year, the Dedalus Press is one of the major poetry imprints in Ireland. In Wingspan: A Dedalus Sampler, poet and publisher Pat Boran presents a selection of recent and new work by 28 Irish and international poets on the Dedalus list - among them Fergus Allen, Thomas Kinsella, Dolores Stewart and Macdara Woods - showing something of the range and diversity that is the hallmark of the Dedalus list.
In twentieth-century Ireland the relationship between the personal past and narrative history has exerted a shaping force on the lives of individual writers and on the formation of literary communities. This study explores this important intersection of the personal and the political, and its aesthetic consequences, in individual poems and volumes by contemporary Irish women. Collins argues for the central importance of memory in the work of contemporary Irish women poets such as Eiléan Ní Chuilleanáin, Eavan Boland and Medbh McGuckian, and for its significant role in their creative development and critical reception.
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