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Like Sally Rooney's Conversations with Friends and Eileen Myles's Chelsea Girls, All I Ask by the award-winning and highly acclaimed author Eva Crocker is a defining novel of a generation. A little before seven in the morning, Stacey wakes to the police pounding on her door. They search her home and seize her computer and her phone, telling her they're looking for "illegal digital material." Left to unravel what's happened, Stacey must find a way to take back the privacy and freedom she feels she has lost. Luckily, she has her friends. Smart and tough and almost terrifyingly open, Stacey and her circle are uncommonly free of biases and boundaries, but this incident reveals how they are still...
Winner of the Alistair MacLeod Prize for Short Fiction and the CAA Emerging Writer Award, Barrelling Forward is a brilliantly crafted debut collection from one contemporary fiction’s newest literary star. Eva Crocker sees life in sharper focus than the rest of us. The objects, rituals, and scenes of everyday life take on an almost mythic quality in these stories, even while remaining intimately recognizable to us all. Crocker peers at the underbelly of poverty and work, ambition and apathy, loneliness and love, to find the sliver of beauty in each spot. Nothing is ever as simple as it seems: the boundaries between friendship and sex dissolve; power relationships are turned on their heads, ...
Coming August 2019 A NOW Magazine Best Book to Read in Summer 2019 It's winter in Montreal, 2002, when a graphic design student's gambling addiction starts to drag him under. In debt to the metal band that's commissioned him to draw their album cover and ensnared in lies to his friends and his cousin, he takes the first job that promises a paycheck: dishwasher at La Trattoria, a high-end restaurant, where he finds himself thrust, on his first night, into roiling world of characters. A magnificent, hyperrealist debut, with a soundtrack by Iron Maiden, The Dishwasher plunges us into a world in which--for better or for worse--everyone depends on each other.
The brand-new book from a powerful literary voice, author of The Stranger She Knew, shortlisted for the Paul Torday Prize.
The best new research on medieval clothing and textiles, drawing from a range of disciplines. Topics in this volume range widely throughout the European middle ages. Three contributions concern terminology for dress. Two deal with multicultural medieval Apulia: an examination of clothing terms in surviving marriage contracts from the tenth to the fourteenth century, and a close focus on an illuminated document made for a prestigious wedding. Turning to Scandinavia, there is an analysis of clothing materials from Norway and Sweden according to gender and social distribution. Further papers consider the economic uses of cloth and clothing: wool production and the dress of the Cistercian commun...
This powerful poetry collection seeks to map the emotional and spiritual territory of diaspora, violence, abuse, and exile. Kai Cheng incorporates autobiographical details from her own childhood and adult life with the rhythms of the oral storytelling tradition and fairytale motifs, poignantly depicting the plight of trans women of color.
How do you begin to write an art history and what are the vital questions to ask? Which marks are most prominent in the visual culture of a particular place, and which are nearly invisible? In Future Possible (a riff on an Andy Jones monologue about how Newfoundlanders talk about their future, an attitude which he describes as "Future possible, possibly horrible"), Mireille Eagan and writers and artists such as Heather Igloliorte, Lisa Moore, Andy Jones, and Craig Francis Power navigate the tangled histories and cultures of Newfoundland and Labrador to investigate the visual output and to write the narrative that it has created. The result is an ambitious volume, arising from a two-part exhi...
“With subtlety and wit, [a] prizewinning debut” novel set in 1970s Toronto “explores a liaison across race and class divisions in Canada” (The Guardian, UK). Felicia and Edgar come from different worlds. She’s a nineteen-year-old student and Caribbean immigrant while he is the impetuous heir to his German family’s fortune. When their ailing mothers are assigned the same Toronto hospital room, their chance encounter leads to an unlikely relationship full miscommunications, misunderstandings, and very surprising results. Years later, Felicia’s son Armistice—“Army” for short—is a teenager fixated on get-rich-quick schemes, each one more absurd than the next. The. Edgar finally re-enters Felicia’s life, at yet another inopportune moment, putting this “witty, playful and disarmingly offbeat” saga on the path to its heartfelt conclusion (The Toronto Star, CA). Winner of the Scotiabank Giller Prize
For fans of Heather O'Neill's Daydreams of Angels, Otessa Moshfegh's Homesick for Another World, and Carmen Maria Machado's Her Body and Other Parties, Nowadays and Lonelier features a cascade of characters seeking connection in the darkest alleyways and meaning in the mundane. In these pages, a ballet dancer navigates complex family ties that are frayed by addiction; a young girl discovers sex and sexuality in the nineties in an impoverished urban center; a lover sojourns in Egypt and exacts an unexpected revenge; and a barista and a painter weather an apartment fire in Montreal. The collection is concerned with the contrast experienced by working- and middle-class millennials, between access to education and art compared to a relative lack of access to secure jobs and housing--and how these conditions leave many straddling a world where mental health, addictions, and sex work are daily realities as they try to carve out space for themselves in times that are increasingly alienating. Nowadays and Lonelier, Carmella Gray-Cosgrove's debut story collection, features vivid portraits of unsure yet hopeful people struggling to find a good life in a hard world.
The protagonist, Father Latzer, a priest banished for doctrinal heresy to an isolated, backward mountain parish, struggles to achieve personal redemption by bringing salvation to his primitive, taciturn, rural flock. Their mute atavism is disturbed only by the local whore, Footloose, embodying all the forces against which the priest's reforming mission is directed. The action is set in a recognisable time and a landscape which, through the power of Casellas' language, is endowed with a complex poetic charge and is as compelling today as when it was written.