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I Wish You Would
  • Language: en
  • Pages: 248

I Wish You Would

A YA romance told over the course of one day, from the perspective of high school best friends Natalia and Ethan. Following a summer spent avoiding one another and hiding their true feelings, they are brought together at their school's Senior Sunrise beach camp event. Can they fix the rift that has grown between them as they attempt to recover a series of secret letters that have been set loose on the beach? TURN EVERY RISK INTO A CHANCE. EVERY KISS INTO A PROMISE. Senior Sunrise is the highlight of the summer - an epic overnight at the beach to kick off senior year. But for Natalia and Ethan it's the first time seeing each other after junior prom, when they almost crossed the line from best...

Rhode Island
  • Language: en
  • Pages: 498

Rhode Island

  • Type: Book
  • -
  • Published: 1932
  • -
  • Publisher: Unknown

None

Near Eastern Series
  • Language: en
  • Pages: 750

Near Eastern Series

  • Type: Book
  • -
  • Published: 1931
  • -
  • Publisher: Unknown

None

The Greek Aid Program
  • Language: en
  • Pages: 98

The Greek Aid Program

  • Type: Book
  • -
  • Published: 1947
  • -
  • Publisher: Unknown

None

I Wish You Would
  • Language: en

I Wish You Would

In this drama-filled love story, private confessions are scattered on the beach during a senior class overnight and explosive secrets threaten to tear everyone apart, including best friends (or maybe more?), Natalia and Ethan. "One of the best YA novels I've read in a long time." —Rachel Lynn Solomon, author of Today Tonight Tomorrow It’s Senior Sunrise, the epic overnight at the beach that kicks off senior year. But for Natalia and Ethan, it’s the first time seeing each other after what happened at junior prom—when they almost crossed the line from best friends to something more and ruined everything. After ghosting each other all summer, Natalia is desperate to pretend she doesn’...

World War I Sheet Music
  • Language: en
  • Pages: 951

World War I Sheet Music

  • Type: Book
  • -
  • Published: 2006-10-31
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  • Publisher: McFarland

This comprehensive listing catalogs the patriotic sheet music of World War I. The introductory text covers the sheet music publishing business of the time and describes how the music messages often paralleled Woodrow Wilson’s policies. Nearly 10,000 songs are included with complete bibliographical data: title, authors of the lyrics and music when available, value based on auction prices and collector knowledge, publisher, folio size and cover description. Each entry in the catalog is assigned a letter and number for easy identification in the indexes. The letter is the first letter of the title of the song and the number is its place in that alphabetical list. Titles are arranged alphabetically. Included are 613 photos of outstanding sheet music covers.

Le Guide Musical
  • Language: en
  • Pages: 360

Le Guide Musical

  • Type: Book
  • -
  • Published: 1877
  • -
  • Publisher: Unknown

None

The Birth of the Orchestra : History of an Institution, 1650-1815
  • Language: en
  • Pages: 670

The Birth of the Orchestra : History of an Institution, 1650-1815

This is the story of the orchestra, from 16th-century string bands to the "classical" orchestra of Haydn, Mozart, and Beethoven. Spitzer and Zaslaw document orchestral organization, instrumentation, social roles, repertories, and performance practices in Europe and the American colonies, concluding around 1800 with the widespread awareness of the orchestra as a central institution in European life.

Cumulated Index Medicus
  • Language: en
  • Pages: 1548

Cumulated Index Medicus

  • Type: Book
  • -
  • Published: 1966
  • -
  • Publisher: Unknown

None

Richard Wagner
  • Language: fr
  • Pages: 178

Richard Wagner

Maître révolutionnaire de l’Opéra, le compositeur allemand Richard Wagner (1813-1883) est aussi considéré comme le père du Leitmotiv, répétition d’un thème musical propre à un personnage ou une situation. Traversant une période politiquement instable en Europe, il put finalement compter sur le soutien de Louis II de Bavière jusqu’à la fondation d’une salle de représentation révolutionnaire en son temps. Séducteur impénitent au caractère trempé, il écrivit lui-même les livrets de ses opéras, comme le cycle des Nibelungen en Tétralogie, adapté des légendes allemandes, et poussa son souci de direction totale jusqu’à inscrire les didascalies sur ses partitions...