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This anthology spans more than a century, from the end of the 19th-century to the present day. It is a period marked by change, war, occupying regimes, and renewed freedom. Much of the early work written by Latvian women writers such as Anna Rumane-Kenina, Angelika Gailite, Anna Brigadere, Alija Baumane, and Mirdza Bendrupe is realist in nature, depicting an upheaval of mores and relationships forged not through tradition, but the pangs of love and passion.The Soviet era brought strict censorship to all forms of the arts, including literature.Despite this, authors like Regina Ezera were able to push their craft deeper into the psychological analysis of their characters. On the other side of ...
This is a concise history of Latvia thatonsiders how Latvian identity persisted despite the many invasions the country witnessed. The author considers how Latvia finally achieved independence and became a member of the EU
A suicide attempt, staged to attract as much attention as possible, from the top of St. Peter’s Church, quickly evolves into an outlandish and absurd, televised spectacle... When a PA is invited into her boss’s office one day to observe a protest unfold, just as he predicts, in the streets below, she begins to suspect his powers of foresight might extend beyond mere business matters... Finally moving into the house of her dreams, on the island of Kīpsala, a single mother discovers a strange affinity with the previous occupant... Riga may be over 800 years old as a city, but its status as capital of an independent Latvia is only a century old, with half of that time spent under Soviet ru...
This anthology spans more than a century, from the end of the 19th-century to the present day. It is a period marked by change, war, occupying regimes, and renewed freedom. Much of the early work written by Latvian women writers such as Anna Rumane-Kenina, Angelika Gailite, Anna Brigadere, Alija Baumane, and Mirdza Bendrupe is realist in nature, depicting an upheaval of mores and relationships forged not through tradition, but the pangs of love and passion.The Soviet era brought strict censorship to all forms of the arts, including literature.Despite this, authors like Regina Ezera were able to push their craft deeper into the psychological analysis of their characters. On the other side of ...
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Originally written in 1967 and not released in its uncensored form until 2003, Bels's infamous novel, Insomnia (translated from the Latvian, Bezmiegs) concerns the taboo subject of the Latvian Legion, and the atmosphere of inertia and paralysis in Soviet-era Latvia. The story is told through the thoughts and emotions of the main character, portrayed as an outwardly apathetic man and typical of Bels's characters in the 1960s and 1970s--a period marked by powerlessness and stagnation amongst ordinary people. The protagonist lives by a principle of non-involvement, content with the small material advantages of a mediocre existence--an old car, a small room in a communal apartment, a television set. The paralysis of spirit is most apparent in the depiction of the everyday minutiae as well as in the nighttime monologues of the building's other inhabitants. He feels free only at night, in his room, when his work no longer dominates his thinking, when the surrounding sounds of the apartment house have died down, and when he is able to escape the oppressive presences of things and of people that hang over him during the day.
There is in the short story, at its most characteristic, something we do not often find in the novel, Frank O’Connor wrote, ‘an intense awareness of human loneliness.’ The stories shortlisted for the BBC National Short Story Award with BookTrust 2017 all feature characters that are disconnected, willingly or unwillingly, from those around them: a mysterious out-of-towner is shunned by her new colleagues; a grieving husband retreats into his old compulsion for hoarding; a promising academic risks his career for a casual liaison with a younger man. And whether we follow the characters’ need to be alone – like the fisherman drifting dangerously far from shore – or trace it back to i...
The No.1 football series - over 1 million copies sold! Son Heung-min, the South Korean superstar, is now one of the best attacking talents in the world. The Ballon d'Or nominee can do it all - whether it's scoring sensational solo goals by zipping across the field, or telepathically assisting his teammate Harry Kane with another goal. Discover how Son, a young boy from Chuncheon who always dreamed of playing for his country, became a global icon and rose to stardom not just in Asia, but across the globe! Ultimate Football Heroes is a series of biographies telling the life stories of the biggest and best footballers in the world and their incredible journeys from childhood fan to superstar professional player. Written in fast-paced, action-packed style these books are perfect for all the family to collect and share.
A young woman’s birthday party is disturbed by the vision of a homeless man sleeping under an arrangement of mocking fruit... A late-night text conversation goes awry when a forwarded link to a live feed of gathering walruses doesn’t have its intended effect... A woman hopes a pending announcement to her in-laws will finally give her husband the attention he craves... The stories shortlisted for the 2020 BBC National Short Story Award with Cambridge University demonstrate how a single moment might become momentous; how a small encounter or exchange can irreversibly change the way others see you, or the way you see yourself. From the struggles of two women trapped by joblessness and addic...
In Africa in the Indian Imagination Antoinette Burton reframes our understanding of the postcolonial Afro-Asian solidarity that emerged from the 1955 Bandung conference. Afro-Asian solidarity is best understood, Burton contends, by using friction as a lens to expose the racial, class, gender, sexuality, caste, and political tensions throughout the postcolonial global South. Focusing on India's imagined relationship with Africa, Burton historicizes Africa's role in the emergence of a coherent postcolonial Indian identity. She shows how—despite Bandung's rhetoric of equality and brotherhood—Indian identity echoed colonial racial hierarchies in its subordination of Africans and blackness. Underscoring Indian anxiety over Africa and challenging the narratives and dearly held assumptions that presume a sentimentalized, nostalgic, and fraternal history of Afro-Asian solidarity, Burton demonstrates the continued need for anti-heroic, vexed, and fractious postcolonial critique.