Welcome to our book review site go-pdf.online!
You may have to Search all our reviewed books and magazines, click the sign up button below to create a free account.
A Companion to Medieval Art
A fully updated and comprehensive companion to Romanesque and Gothic art history This definitive reference brings together cutting-edge scholarship devoted to the Romanesque and Gothic traditions in Northern Europe and provides a clear analytical survey of what is happening in this major area of Western art history. The volume comprises original theoretical, historical, and historiographic essays written by renowned and emergent scholars who discuss the vibrancy of medieval art from both thematic and sub-disciplinary perspectives. Part of the Blackwell Companions to Art History, A Companion to Medieval Art, Second Edition features an international and ambitious range of contributions coverin...
Vitreous Vitae
In Vitreous Vitae: St. Margaret of Antioch in Thirteenth-Century Stained Glass, Ashley J. Laverock considers the representation of the virgin martyr St. Margaret in thirteenth-century stained-glass windows in Europe. These windows appeared at a moment when Margaret’s cult was expanding but before the motif of the saint with the ragon became normative. They offer insight into the rich narrative potential of Margaret’s life in a monumental medium seen by wide audiences. Examining these windows not only reveals shared emphases on Margaret’s imitatio Christi, corporeal suffering, and encounters with the dragon and demon, but also shows how distinct site-specific hagiographies of Margaret were tailored to each church’s context. Multi-faceted Margarets contributed to the wider cult of the saint.
The Gothic Stained Glass of Reims Cathedral
"Examines the stained-glass windows in the Gothic cathedral of Reims within the context of the evolution of the French monarchy and medieval art"--Provided by publisher.
The Cloisters
"By surveying these elaborate tapestries, delicate carvings, and other objects in roughly the historical sequence in which they were created, we glimpse the evolving styles and artistic traditions of the Middle Ages and gain a more meaningful understanding of the contexts in which many of them appeared. Among the masterpieces on display at The Cloisters are the famed Unicorn Tapestries, the richly carved twelfth-century ivory cross associated with the abbey of Bury St. Edmunds, known as the "Cloisters Cross," the exquisite Annuciation triptych by the Netherlandish painter Robert Campin, and many fine examples of manuscript illumination, enameling, metalwork, and stained glass." "Complete with digital color photography, map, floor plan, and glossary, this book is a contemporary guide that will reward students and enthusiasts of the Middle Ages as well as visitors seeing the Museum for the first time."--BOOK JACKET.
Wissenschafterinnen in und aus Österreich
In der vorliegenden bio-bibliografischen Sammlung wurden Leben und Werk von Wissenschafterinnen in und aus Österreich erforscht. Der zeitliche Schwerpunkt erstreckt sich vornehmlich von der Jahrhundertwende bis zur Nachkriegszeit. Erforscht wurde die erste Generation von Wissenschafterinnen an den Universitäten Wien, Graz und Innsbruck. Vollständig aufgenommen wurde die erste Generation von Frauen, die sich in Österreich habilitieren konnte, die ersten Dozentinnen und Professorinnen. Es handelt sich hier um "klassische" Wissenschaftskarrieren, die sich in ihrem Ablauf mit denen von Männern vergleichen lassen. Ausführliche Berücksichtigung erhielt aber auch der außerakademische Bereic...
Artistic Integration in Gothic Buildings
In this collaborative work seventeen international scholars use contemporary methodologies to address the ways in which we understand Gothic church buildings today. Artistic Integration in Gothic Buildings discusses major monuments that have traditionally stood at the core of medieval art-historical studies: the cathedrals of Durham, Wells, Chartres, Reims, Poitiers, Strasbourg, and Naumburg, the abbey of Saint-Denis, and the Sainte-Chapelle of Paris. The contributors approach the subject from different specialties and methodologies within the field of art history, as well as from the disciplines of history, liturgical studies, and theology. Willibald Sauerl)nder's overview acknowledges that...
The Belvedere: 300 Years a Venue for Art
Anniversary publication of the Belvedere The Belvedere in Vienna epitomizes the changes that have taken place over the course of three centuries in the concept of what constitutes a museum. Originally built by Prince Eugene of Savoy to enhance his prestige as a prince, under Maria Theresa, the Upper Belvedere became one of the world’s first public museums. The idea of presenting Austrian art in an international context, which in 1903 motivated the establishment of the Modern Gallery in the Lower Belvedere, remains the key objective of this world-famous cultural institution. In this critical homage, renowned authors explore enduring questions that transcend the different epochs, such as : W...
Baroque and the Political Language of Formalism (1845 - 1945): Burckhardt, Wölfflin, Gurlitt, Brinckmann, Sedlmayr
This study in intellectual history places the art historical concept of the Baroque amidst world events, political thought, and the political views of art historians themselves. Exploring the political biographies and writings on the Baroque (primarily its architecture) of five prominent Germanophone figures, Levy gives a face to art history, showing its concepts arising in the world. From Jacob Burckhardt's still debated "Jesuit style" to Hans Sedlmayr's Reichsstil, the Baroque concepts of these German, Swiss and Austrian art historians, all politically conservative, and two of whom joined the Nazi party, were all took shape in reaction to immediate social and political circumstances. A central argument of the book is that basic terms of architectural history drew from a long established language of political thought. This vocabulary, applied in the formalisms of Wölfflin and Gurlitt, has endured as art history's unacknowledged political substrate for generations. Classic works, like Wölfflin's Kunstgeschichtliche Grundbegriffe are interpreted anew here, supported by new documents from the papers of each figure.
