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Peterloo
A visually dramatic graphic novel re-enacting the conflicts, personalities and social tensions that led to Manchester's infamous Peterloo Massacre in 1819.
Memory, Heritage, and Preservation in 20th-Century England
This book explores commemoration practices and preservation efforts in modern Britain, focusing on the years from the end of the First World War until the mid-1960s. The changes wrought by war led Britain to reconsider major historical episodes that made up its national narrative. Part of this process was a reassessment of heritage sites, because such places carry socio-political meaning as do the memorials that mark them. This book engages the four-way intersection of commemoration, preservation, tourism, and urban planning at some of the most notable historic locations in England. The various actors in this process—from the national government and regional councils to private organizatio...
Peterloo
The definitive account of a landmark in the development of democracy - and the bloodiest political event of the nineteenth century on English soil.
Fight the Power!
This book visualises key moments in history where ordinary people have risen up and fought governments, corporations, even empires. When the 99% have stood up to combat exploitation and abuse or in pursuit of freedom of action and a better life. In other words, to show times in history, when people have struggled forward to FIGHT THE POWER!
All the People
Years after Peterloo in 1819, the man that led the charge, Hugh Hornby Birley, renowned businessman and main employer in Little Ireland, remained the most hated man in the town. This is a story of the people that suffered from his actions and the memory of his murderous actions that he continually sought to erase.
People Over Capital
Capitalism is failing and ordinary people are forced to pay the price. With such deep-rooted problems there is real hunger for alternative ways of organizing our economic system. Answering the question, "Is there a co-operative alternative to capitalism?" this book showcases fourteen responses from economists, academics, co-operators, politicians, and campaigners, exploring both the success and untapped potential of co-operatives. Each essay approaches from a new direction—from the flourishing open source movement to cases of co-operative success in different parts of the world. Rob Harrison has written and commented widely on social change issues for more than twenty years.
Little Worm's Big Question
Poor little worm meets some remarkable animals, all with a claim to fame: the toughest (gorilla), fastest (falcon), longest tongue (chameleon), and most intelligent (human), among many others. He returns home feeling weak and inadequate until he realises that making compost is one of the most important things in the world. Lavishly illustrated and with some intriguing detail, this is a funny, thoughtful tale with an environmental message and plenty of talking points about diversity and self-esteem. Paul Fitzgerald is radical political cartoonist and activist known as Polyp. His work regularly appears in New Internationalist magazine and he has published several books. Eva Schlunke grew up off-grid in the Australian bush. She is a painter, illustrator, and prop builder. Both live and work in Manchester, United Kingdom.
Witnessing Australian Stories
This book is about how Australians have responded to stories about suffering and injustice in Australia, presented in a range of public media, including literature, history, films, and television. Those who have responded are both ordinary and prominent Australians—politicians, writers, and scholars. All have sought to come to terms with Australia's history by responding empathetically to stories of its marginalized citizens.Drawing upon international scholarship on collective memory, public history, testimony, and witnessing, this book represents a cultural history of contemporary Australia. It examines the forms of witnessing that dominated Australian public culture at the turn of the mi...
Cultural Studies Review
Thinking and writing about the past, challenging what 'history' might be and how it could appear is an ongoing interest of this journal and an ongoing (sometimes contentious) point of connection between cultural studies and history. The shifts in how we research and write the past is no simple story of accepted breakthroughs that have become the new norms, nor is it a story where it is easy to identify what the effects of cultural studies thinking on the discipline of history has been. History has provided its own challenges to its own practices in a very robust way, while the cultural studies has challenged what the past is and how it might be rendered from a wide ranging set of ideas and modes of representation that have less to do with specific disciplinary arguments than responses to particular modes (textual, filmic, sonic), particular sites (nations, Indigenous temporalities, sexuality, literature, gender) and perhaps a greater willingness to accentuate the political in the historical.
Dotter of Her Father's Eyes
Part personal history, part biography, Dotter of Her Father's Eyes contrasts two coming-of-age narratives: that of Lucia, the daughter of James Joyce, and that of author Mary Talbot, daughter of the eminent Joycean scholar James S. Atherton. Social expectations and gender politics, thwarted ambitions and personal tragedy are played out against two contrasting historical backgrounds, poignantly evoked by the atmospheric visual storytelling of award winning comic artist and graphic novel pioneer Bryan Talbot. Produced through an intense collaboration seldom seen between writers and artists, Dotter of Her Father's Eyes is intelligent, funny and sad - a fine addition to the evolving genre of graphic memoir.
