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Elinor Wylie's body of work - four novels and four volumes of poetry produced between 1921 and 1928 - has often been overshadowed by her controversial personal life. In A Private Madness Evelyn Hively explores the points at which her life and her art intersect and demonstrates how Wylie used language and literary form to transform the chaos of her experiences. This purpose was successfully met, as A Private Madness presents Wylie and her work within the culture of the twenties. Described by contemporaries as an icon of the age, Wylie was illustrative of the tone and mores of the notorious decade in which her poems, novels, and Vanity Fair articles were written. Her friendships with such notables as Edna St. Vincent Millay, Dorothy Parker, and William Rose Benet and the events she endured - her father suffered breakdowns and a brother, a sister, and her first husband fell victim to suicide - colored her life and often mirrored the temper of the twenties. Her independence, unconventional behavior, narcissism, interest in the occult, the frantic pace of her life, and her problem with alcohol are evident in her novels and her poems. Her work embraces the escapism of the era in which
This collection contains 113 of the 161 poems Wylie chose for the volumes published in her lifetime and 100 that appeared in Collected Poems and in Last Poems. Also included are the first chapters of her novels, and short stories, essays, reviews, and articles to define Wylie's place on the 1920s literary scene.
This handbook is the result of the authors experience in solving crosswords (almost exclusively from the New York Times) for a period of over 10 years and is designed to help puzzle solvers of all abilities. It covers such strategic subjects as themes in puzzles and what a clue is attempting to elicit, as well as such tactical subjects as what, precisely, is to be written in the squares in a puzzle. Thus, the scope of the handbook ranges from the general to the detailed. Some of the subjects covered are foreign languages (French is the most popular, by far), mythology, the Old Testament, literature (including poetry and drama), classical music, sports (baseball is the crossword favorite), en...
Essay from the year 2004 in the subject American Studies - Literature, grade: 1.0 (A), University of Kent (School of English), course: American Modernism: Fiction, language: English, abstract: According to Evelyn Helmick Hively, Willa Cather’s novels mirror the author’s ‘broad experience with people from all strata of society’ (Hively 171). Consequently, Cather’s characters come from diverse cultural and social backgrounds. It is today regarded as one of the author’s primary literary achievements that her ... novels reveal a different West and [offer] an alternative direction for American literature. They spoke for the Midwestern immigrant and the woman, who had hitherto been sil...
"Enlisting works by Mark Twain and Willa Cather, as well as noncanonical sources, such as private journals, Daehnke examines the manner in which the imagery of the human figure at work and play in the frontier landscape participated in the nationalist, "civilizing" project of westward expansion. While acknowledging the growing secularization of American life, Daehnke surveys the continuing claims of the Christian redemptive scheme as a powerful symbolic domain for these writers' reflections on social progress and the potential for human perfectibility in the landscapes of the West."--Jacket.
This book examines Willa Cather's conceptions through her numerous works. Hively's study combines Cather's interest in the historians, the philosophers, and the mythographers, to examine nine of her novels on three levels. First, it postulates a cyclical design, beginning with O Pioneers! and ending with Shadows on the Rock, which traces a rise, maturity, and fall of the civilization of the American West, and presents a new beginning in the final books. The second level relates to Vico's theory that language follows and adapts to succeeding periods of civilization's cycle and that genre, a convention of language, has a connection with a particular age, expressing a relationship to the world ...
Excerpts from criticism of the works of novelists, poets, playwrights, and other creative writers, 1900-1960.