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Homesteading Woman
In 1910, women could not vote. The romance of the western frontier still lured many people to adventure and the quest for wealth in the prairies. Homesteaders were enticed to settle the lands with the goal of civilizing the west. Miss Ruby Taylor, school teacher joined this flood of new settlers to the South Dakota plains. She took her chances in a land lottery. Money was a constant worry for her with her modest teacher's income. Living in the family of one of her students was a challenge as some families resented "boarding the teacher". Women were sought after for wives by the men who made up the majority of the homesteaders. Marriage meant giving up control over a woman's income as well as unavailability of birth-control which meant repeated pregnancies with high infant and mother mortality. When men begin to pursue Ruby, she was forced to consider all these factors. She is absorbed by overcoming the day-by-day barriers and problems in the life of a settler, a rural one-room schoolteacher and in being a single woman in a male dominated frontier. Successfully she fends off unwanted attention until one surprising attack.
Dan Flavin
Light, considered the purest embodiment of the divine, is the basis of all art to one degree or another, so why not make art out of light? Dan Flavin (1933-96), an innovative and prolific American sculptor who can be considered an abstract, minimalist, and installation artist, chose as his medium commercial fluorescent tubes, and with these everyday lights created works of radiant and evocative beauty. Flavin had many major shows and created a number of permanent public installations; now his work is being celebrated in a magnificent retrospective exhibition that will travel across the country. This handsomely produced volume by Govan, director of the Dia Art Foundation, and Bell, who worked with Flavin, presents exquisite photographs of Flavin's seminal light compositions and expert biographical and critical assessments. Citing Byzantine icons, William Ockham, and Barnett Newman as influences, Flavin created ravishingly beautiful colors and profoundly nuanced constructions with seemingly banal industrial materials, transforming ordinary spaces into places of wonder. For a definitive catalog see Dan Flavin: The Complete Lights, 1961-1996
Art beyond Borders
This book presents and analyzes artistic interactions both within the Soviet bloc and with the West between 1945 and 1989. During the Cold War the exchange of artistic ideas and products united Europe?s avant-garde in a most remarkable way. Despite the Iron Curtain and national and political borders there existed a constant flow of artists, artworks, artistic ideas and practices. The geographic borders of these exchanges have yet to be clearly defined. How were networks, centers, peripheries (local, national and international), scales, and distances constructed? How did (neo)avant-garde tendencies relate with officially sanctioned socialist realism? The literature on the art of Eastern Europe provides a great deal of factual knowledge about a vast cultural space, but mostly through the prism of stereotypes and national preoccupations. By discussing artworks, studying the writings on art, observing artistic evolution and artists? strategies, as well as the influence of political authorities, art dealers and art critics, the essays in Art beyond Borders compose a transnational history of arts in the Soviet satellite countries in the post war period. ÿ
James Rosenquist
"This is the social history of art at its best."--Alex Potts, author of The Sculptural Imagination: Figurative, Modernist, Minimalist "James Rosenquist: Pop Art, Politics, and History in the 1960s provides a new perspective on the work of Rosenquist, a key but neglected artist of the Pop Art movement. Michael Lobel, who bases his study on detailed contextual research as well as close visual analysis, highlights the themes of obsolescence, novelty, and ephemera in Rosenquist's images and effectively relates the artist's interests to broader questions of consumer culture and urban planning in 1960s New York. Clearly written and thoroughly engaging, this book makes a significant contribution to our understanding of the artist and of Pop Art."--Cecile Whiting, author of Pop L.A.
LIFE
LIFE Magazine is the treasured photographic magazine that chronicled the 20th Century. It now lives on at LIFE.com, the largest, most amazing collection of professional photography on the internet. Users can browse, search and view photos of today’s people and events. They have free access to share, print and post images for personal use.
Constantine
Drawing on recent scholarly advances and new evidence, Timothy Barnes offers a fresh and exciting study of Constantine and his life. First study of Constantine to make use of Kevin Wilkinson's re-dating of the poet Palladas to the reign of Constantine, disproving the predominant scholarly belief that Constantine remained tolerant in matters of religion to the end of his reign Clearly sets out the problems associated with depictions of Constantine and answers them with great clarity Includes Barnes' own research into the marriage of Constantine's parents, Constantine's status as a crown prince and his father's legitimate heir, and his dynastic plans Honorable Mention for 2011 Classics & Ancient History PROSE award granted by the Association of American Publishers
Red and Hot
"...that rare thing, a piece of careful scholarship that is also superby entertaining...Starr, who is president of Oberlin College and has been associated with the Kennan Institute for Advanced Russian Studies, is also a professional jazz musician, and his knowledgeable affection for the music shines through the text." - Andrea Lee, New York Times Book Review
The Organic School of the Russian Avant-Garde
The artists of the Organic School of the Russian avant-garde found inspiration as well as a model for artistic growth in the creative principles of nature. Isabel Wünsche analyzes the artistic influences, intellectual foundations, and scientific publications that shaped the formation of these artists. Particular emphasis is given to the holistic worldviews and organic approaches prevalent among artists of the pre-revolutionary avant-garde and the emergence of the concept of Organic Culture.
Wolkenbügel
How a visionary, never-realized architectural project, devised by one of the twentieth century’s greatest artists, shaped architectural culture in Europe between the world wars. After achieving international acclaim as a painter and designer, El Lissitzky set out in 1924 to convince the world—and himself—that he was also an architect. He did this with a project for a “horizontal skyscraper,” which he gave an obscure and untranslatable name: Wolkenbügel. Eight of these buildings, perched atop slender pillars, were intended to stand at major intersections along Moscow’s Boulevard Ring, integrating the flow of tramlines, subways, and elevators. In Wolkenbügel, Richard Anderson exp...
Modern Art
The fifth and final volume in the Essays by Leo Steinberg series, focusing on modern artists. Leo Steinberg was one of the most original art historians of the twentieth century, known for taking interpretive risks that challenged the profession by overturning reigning orthodoxies. In essays and lectures ranging from old masters to modern art, he combined scholarly erudition with eloquent prose that illuminated his subject and a credo that privileged the visual evidence of the image over the literature written about it. His writings, sometimes provocative and controversial, remain vital and influential reading. Steinberg’s perceptions evolved from long, hard looking at his objects of study....
