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1. INTRODUCTION This book describes a new interdisciplinary theory for explaining cultural change. In contrast to traditional evolutionist theories, the present theory stresses the fact that a culture can evolve in different directions depending on its life conditions. Cultural selection theory explains why certain cultures or cultural ele ments spread, possibly at the expense of other cultures or cultural elements which then disappear. Cultural elements include social structure, traditions, religion, rituals, art, norms, morals, ideologies, ideas, inventions, knowledge, technology, etc. This theory is inspired by Charles Darwin's idea of natural selection, because cultural elements are seen as analogous to genes in the sense that they may be reproduced from generation to generation and they may undergo change. A culture may evolve because certain cultural elements are more likely to spread and be reproduced than others, analogously to a species evolving because individuals possessing certain traits are more fit than others to reproduce and transmit these traits to their offspring.
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How are we to define what is grotesque, in art or literature? Since the Renaissance the term has been used for anything from the fantastic to the monstrous, and been associated with many artistic genres, from the Gothic to the danse macabre. Shun-Liang Chao's new study adopts a rigorous approach by establishing contradictory physicality and the notion of metaphor as two keys to the construction of a clear identity of the grotesque. With this approach, Chao explores the imagery of Richard Crashaw, Charles Baudelaire, and Rene Magritte as individual exemplars of the grotesque in the Baroque, Romantic, and Surrealist ages, in order to suggest a lineage of this curious aesthetic and to cast light on the functions of the visual and of the verbal in evoking it.
"The Value of Things demonstrates that the collection and exchange of objects plays a vital role in our definition of cultural value. It argues that there is a powerful web of links between the department store and the museum, which will continue to reflect - and change - the status of the things we make. An investigation which touches on issues central to art, consumerism and design, The Value of Things asks important questions about our understanding of material culture."--BOOK JACKET.Title Summary field provided by Blackwell North America, Inc. All Rights Reserved
Now with a new chapter! “Everywhere militants were blowing up Christians, their churches, their shops. They threatened them with kidnapping. They promised to take their children. The message to these ‘infidels’: You have no place in Iraq. Pay a penalty to stay, leave, or be killed.” Sweeping from Syria into Iraq, Islamic State fighters (ISIS) have been brutalizing and annihilating Christians. How? Why? Where did the terrorists come from, and what can be done to stop them? For more than a decade, journalist Mindy Belz has reported on the ground from the Middle East, giving her unparalleled access to the story no one wants to believe. In They Say We Are Infidels, she brings the stark r...
At the end of 1795 Jeremy Bentham, the English Utilitarian philosopher and reformer, began to compose a far-reaching plan. He proposed to restructure the English Poor Law, a set of laws for the relief of poverty first codified under Queen Elizabeth. Bentham's plan was to dispense poor relief through a national network of workhouses (the National Charity Company) constructed on the basis of his famous Panopticon architectural principle and coordinated through a single centralized administrative system. Charles F. Bahmueller analyzes the ethical, sociological, economic, and political aspects and implications of Bentham's proposal. Emphasizing that Bentham sought constantly to eliminate conting...
A twelve-volume textbook on the theory and practice of rhetoric