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Giorgio de Chirico
This is the most comprehensive volume probing the life and work of the modern art icon Giorgio de Chirico. Giorgio de Chirico was one of the most controversial and consequential artists of the twentieth century—a key member of the Paris avant-garde, he was a major influence on other artists, especially the nascent surrealists. His repertoire of motifs—empty arcades, elongated shadows, mannequins, trains—created images of forlorn emptiness that became iconic. Artists inspired by de Chirico’s early work include Yves Tanguy, Pablo Picasso, Max Ernst, Salvador Dalí, and René Magritte. His influence also extended beyond painting and included writers and poets Guillaume Apollinaire, Andr...
Josef Albers
Josef Albers (1888-1976) è uno dei massimi esponenti dell'astrattismo geometrico del Novecento. Grazie all'attività artistica condotta al Bauhaus e grazie al ruolo di insegnante, che rivestì allo stesso Bauhaus, e poi in America, presso il Black Mountain College e presso la scuola d'arte della Yale University, di cui fu direttore, Josef Albers ha potuto esercitare una straordinaria influenza verso un'intera generazione di artisti. Non a caso, è stato il primo artista americano vivente cui il Metropolitan Museum of Art di New York ha dedicato nel 1970 una mostra antologica personale, concentrata in particolare sugli Omaggi al quadrato, celebre serie di dipinti alla quale Albers si dedica ...
Metaphysical Art. The De Chirico Journal. Fondazione Giorgio E Isa De Chirico (2020)
This book opens with the de Chirico Foundation's President Paolo Picozza discussing the current state of scholarship on the de Chirico and the many initiatives launched in the continuing celebrations for the 40th anniversary of the Master's death. The editorial is followed by Fabio Benzi's article, which tracks down influence on young de Chirico of the vibrant cultural milieu of the Greek capital, especially for his reading of Nietzsche. German culture returns in Ara H. Merjian's dense essay, and explores how de Chirico's Metaphysical imagery, contributed to profoundly influencing politicized representational strategies between the World Wars. Unpublished archival materials (here published i...
Giorgio de Chirico
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Giorgio de Chirico
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De Chirico. Ediz. inglese
Greek-born Italian painter, Giorgio De Chirico (1888-1978) was hugely influential in the early years of the Surrealist movement. His paintings during the teens in Paris, where he moved in 1911, caused such a stir that such important figures as Picasso and Paul Eluard immediately praised them. This phase of his work, which he later termed pittura metafisica (metaphysical painting) was marked by dramatic compositions involving sharp perspective, striking shadows, geometrical planes, voids of space, and a general feeling of anxiety and loneliness; the sense of absurdity evoked by the mannequin-like figures in almost nightmarish landscapes seemed to suggest a Freudian expression of the unconscious. After 1930, De Chirico turned to a more classical style of painting and continued in the same vein for the rest of his career; his later work was widely criticized, especially by the Surrealists who had so admired his early paintings.
De Chirico
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De Chirico
The self-named metaphysical painting of early 20th-century painter Giogio de Chirico continues to haunt modern art. Paolo Baldacci's long-awaited monograph follows de Chirico and his work from his birth through his student years in Paris to his return to Italy. Baldacci details the development of de Chirico's mature style and reveals the many biographical elements of his paintings. 250 color and 150 b&w illustrations.
The Memoirs Of Giorgio De Chirico
In this book, Giorgio de Chirico (1888-1978) recounts his early upbringing in Greece and first instruction in drawing at the Athens Polytechnic, his studies in Munich, his impressions of Italy, and his 1911 move to Paris. He relates vivid anecdotes of various Paris artists and personalities, notably Apollinaire, Cocteau, Derain, and Paul Guillaume, giving the key to incidents in Hebdomeros. He describes his sevice in the Italian Army in the First World War, his return to Paris, his association with the surrealist movement, and his subsequent disillusionment and self-isolation.
Giorgio de Chirico
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