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Fabio Mauri. Ideology and Memory
The occasions and pretexts in which Fabio Mauri operated a verbal space were mostly conferences, those instances of confrontation with an audience that listens and asks questions. Almost all the Mauri's texts have already been published, but this is a unique opportunity to focus on them not only from the viewpoint of their expressive value or formal structure, but also of the way the texts themselves came into begin - in short, an opportunity to see Fabio Mauri's conferences as performances, as articulation, specification, diversion. Each of his texts develops not as a discourse but as a pretext that hovers around the limits of text. Each text seems to document a break, an action loaded with...
Fabio Mauri
"Che cosa è l'arte non lo so dire" - ha scritto Fabio Mauri - "ma che cos'è un'opera d'arte sì." L'opera d'arte quale luogo d'identità, come la storia entro la quale si colloca il nostro esistere. È il luogo d'identità per eccellenza è la storia entro la quale si colloca il nostro esistere. E per Mauri, nato nel 1926, la storia è quella della Seconda guerra mondiale, appena passata e ancora presente e attuale, solco indelebile, da cui trarre grandiose immagini, tramite continue commistioni di mezzi e materiali: dalle tele bianche degli anni 50, alle performance teatrali, sino alle installazioni e alle proiezioni su supporti sempre diversi. Tutta la poetica di Mauri, di altissimo valore etico oltre che estetico, estrae, dal flusso ininterrotto della storia, oggetti che divengono memoria indelebile della nostra esistenza.
FABIO MAURI.
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Before Or After, at the Same Time
A reexamination of postwar Italian visual culture through the life of artist and critic Fabio Mauri This book takes the life of the Italian multimedia artist and writer Fabio Mauri (born 1926) and the history of his family--a publishing dynasty with close connections to radical Italian art, poetry, cinema, philosophy and literature--as a starting point for a reexamination of the forces shaping Italian visual culture between the end of the Second World War and the "Years of Lead. Before or After, at the Same Time combines commissioned essays and first person accounts with translated writings from the period to explore the ideas circulating in Rome and Milan in the 1950s and '60s. In doing so, it provides an alternative, anecdotal and partial perspective on a turbulent period, drawing attention to the pivotal personal and professional networks that shaped postwar Italian art. Particular focus is given to the relationship between the American and Italian art scenes in the intersection of different artistic disciplines, and the influence of Roman and Milanese cultures on the artists working in the cities.
Fabio Mauri
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Mediterranean Ocean
The Europe of 2031 is gripped by conflict and division, consisting of small, regional states that only share a mutual enmity. Travel is forbidden and numerous, isolated sub-networks have replaced the Internet. Defying the border's confinement, a group of ex-Erasmus students decides to reunite and celebrate thirty years of friendship. The series' second installment, Mediterranean Ocean, traces the memories and adventures of Kl�ra and Daniele, old flames from the Erasmus days, out of Syracuse to the Mediterranean and Baltic Sea.
Fabio Mauri. Ideologia e memoria
“La figurazione del mondo mi colpisce sempre per la sua inutile precisione. Non mi sono ancora reso conto del progetto indispensabile per ideare, con i suoi mille sottosquadri, la corteccia di un coccodrillo. Non ne capisco l’utilità ... Non ho compreso neanche l’universo. Né il senso di un’umanità attraente, di cui non ho mai condiviso la familiarità con l’esistenza ... Ricompongo con pazienza, con le mie mani, l’esperienza del turpe. Ne esploro le possibilità mentali”. (Fabio Mauri)
Fabio Mauri
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Fabio Mauri. Ideologie und Erinnerung
Die Anlässe und Vorwände, in denen Fabio Mauri einen Raum des Worts unterhielt, waren vor allem die Konferenzen, jene Augenblicke der Frontalität mit einem Publikum, das zuhörte und fragte. Fast all seine Texte wurden veröffentlicht, aber dies ist die Gelegenheit, sich den Texten Fabio Mauris nicht mehr nur in ihrem expressiven Wert oder ihren formalen Strukturierungen zu nähern, sondern in den Modalitäten, in denen sie, die Texte, zu Existenzen wurden. Um es kurz zu sagen, die Konferenzen von Fabio Mauri als performativer Moment, als Ausdrucksweise, Präzisierung, Abschweifung: jeder seiner Texte scheint nicht als Vortrag, sondern als Vorwand zu verfahren, der an der Grenze des Texte...
