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Benedict XIV and the Enlightenment
Benedict XIV and the Enlightenment offers a comprehensive assessment of Benedict's engagement with Enlightenment art, science, spirituality, and culture.
Out of Bounds
Where are the limits of medieval art as a field of study? What happens when conventionally trained art historians disregard the chronological, geographical, or cultural parameters that both direct and protect their scholarship? Beginning with Thelma K. Thomas and Alicia Walker’s acute assessment of the need for a “medieval art history for now,” the essays in Out of Bounds ask what happens when the study of medieval art disregards boundaries that it once obeyed. The volume focuses on questions surrounding the production of knowledge and on how scholarly investigation beyond the conventional thematic boundaries of medieval art history is changing, demonstrating how the field can address ...
The History of the Italian Secret Services
The book is about the history of the Italian Secret Services from the pre-unitarian states to the ultimate events.
Churchmen and Urban Government in Late Medieval Italy, c.1200–c.1450
Why, when so driven by the impetus for autonomy, did the city elites of thirteenth-century Italy turn to men bound to religious orders whose purpose and reach stretched far beyond the boundaries of their often disputed territories? Churchmen and Urban Government in Late Medieval Italy, c.1200–c.1450 brings together a team of international contributors to provide the first comparative response to this pivotal question. Presenting a series of urban cases and contexts, the book explores the secular-religious boundaries of the period and evaluates the role of the clergy in the administration and government of Italy's city-states. With an extensive introduction and epilogue, it exposes for consideration the beginnings of the phenomenon, the varying responses of churchmen, the reasons why practices changed and how politics and religious identity relate to each other. This important new study has significant implications for our understanding of power, negotiation, bureaucracy and religious identity.
Historical Dictionary of the Etruscans
The Etruscans were the creators of one of the most highly developed cultures of the pre-Roman Era. Having, at one time, control over a significant part of the Mediterranean, the Etruscans laid the foundation of the city of Rome. They had their own language, which has never been totally decoded, and their art influenced such artists as Michelangelo. While the Etruscans were eventually conquered by the Romans, they left a rich culture behind. The Historical Dictionary of the Etruscans relates the history of this culture, focusing on aspects of their material culture and art history. A chronology, introductory essay, bibliography, appendix of museums and research institutes, and hundreds of cross-referenced dictionary entries on important persons, places, events, and institutions provide an entry into a comparative study of the Etruscans.
In Light of Rome
This comprehensive study of Rome’s contribution to the early history of photography traces the medium’s rise from a fledgling science to a dynamic form of artistic expression that forever changed the way we perceive the Eternal City. The authors examine the diverse transnational group of photographers who thrived in the cosmopolitan art center of Rome—and the pivotal role they played in the refinement and technical development of the nascent medium in the nineteenth century. The book ranges from the earliest pioneers—the French daguerreotypist Joseph-Philibert Girault de Prangey and the Welsh calotypist Calvert Richard Jones—to the work of the Roman School of Photography and its su...
The Peoples of Ancient Italy
Although there are many studies of certain individual ancient Italic groups (e.g. the Etruscans, Gauls and Latins), there is no work that takes a comprehensive view of each of them—the famous and the less well-known—that existed in Iron Age and Roman Italy. Moreover, many previous studies have focused only on the material evidence for these groups or on what the literary sources have to say about them. This handbook is conceived of as a resource for archaeologists, historians, philologists and other scholars interested in finding out more about Italic groups from the earliest period they are detectable (early Iron Age, in most instances), down to the time when they begin to assimilate in...
Companion Species
This book explores the connection between saints and animals, and how the power over animals has been a characteristic of saints from their beginnings in the Early Church. The connection between saints and humans is examined, with the saint as a human rising beyond humanity, touching the divine, and the non-human animal as a creature, which is connected to and yet removed from humanity and which may have a connection to the sacred itself. This volume transcends traditional religious boundaries by including Christian saints as well as similar figures in Islam and Norse religions. It operates on the cusp of two exciting and innovative fields: hagiographic and animal studies. It shows the complexities of human-animal interaction and the sacred: authorities clashing with experiential knowledge, metaphorical animals as opposed to real, animals ranging from helpers or opponents of saints, disguises of demons, or identity markers of a human community. Companion Species will be of value to scholars and students interested in medieval history, Europe, and religion, as well as social and cultural history.
Iacopone da Todi
The first ever collection of essays in English on Iacopone da Todi by a diverse group of international scholars, this book offers a contemporary critical assessment on this medieval Franciscan poet of the thirteenth century. Combining philological analyses with thematic studies and philosophical and theological interpretations of the original contents and style of Iacopone’s poetry, the collection considers a wide range of topics, from music to prayer and performance, mysticism, asceticism, ineffability, Mariology, art, poverty, and the challenges of translation. It is a major contribution to the understanding of Iacopone’s laude in the 21st century. Contributors are Erminia Ardissino, Alvaro Cacciotti, Nicolò Crisafi, Anne-Gaëlle Cuif, Federica Franzè, Alexander J.B. Hampton, Magdalena Maria Kubas, Matteo Leonardi, Brian K. Reynolds, Oana Sălișteanu, Samia Tawwab, Alessandro Vettori, Carlo Zacchetti, and Estelle Zunino.
