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This shortform book tells the research story of cultural management, helping scholars to analyse and combine theoretical models into an approach of their own. Cultural management emerged and developed out of the field of arts management in the 1980s, which imported managerial techniques and assumptions from mainstream commercial business into the arts. In the late 1990s, the field integrated entrepreneurial approaches to management in the creative industries before adapting to a new model, based on user experiences and co-creation. These historical phases are theorised respectively as cultural management 1.0, cultural management 2.0 and cultural management 3.0. Yet they also overlap. Bringin...
Legendary barfly Charles Bukowski follows the path of his alter ego Henry Chinaski as he meanders his way through America drifting from one dead-end job to another, from one woman to another and from one bottle to the next. His downward spiral is peppered with black humour.
Having grown up in a home for foundlings and pssessin a girl's name, Rossamünd sets out to report to his new job as a lamplighter and has several adventures along the way as he meets people and monsters who are more complicated that he previously thought. Includes glossaries and maps.
The questions of cultural and media theory and analysis are always self-reflective. That is to say that, if we accept the relatively common sense assertion that theory and analysis are the central tasks of culture and media studies, one is never exempted from the questions of what one is attempting to do and why. The book deals with the questions: What does it mean to theorize culture? What does it mean to practice cultural analysis? What does it mean to theorize media? What does it mean to practice media analysis? The Purpose of these questions is to connect research with Culture and Media Studies with global discourses in the field and provide a view of researchers reflecting on their own methods that will be of use for students and researchers of culture media alike.
One of the most recognizable poets of the last century, Charles Bukowski is simultaneously a common man and an icon of urban depravity. He uses strong, blunt language to describe life as he lives it, and through it all charts the mutations of morality in modern America. Sifting Through the Madness for the Word, the Line, the Way is a treasure trove of confessional poetry written towards then end of Bukowski’s life. With the overhang of failing health and waning fame, he reflects on his travels, his gambling and drinking, working, not working, sex and love, eating, cats, and more. Sifting Through is Bukowski at his most meditative – published posthumously, it’s completely non-performative, and gets to the heart of Bukowski’s lifelong pursuit of natural language and raw honesty. We recommend you read this as Bukowski wrote: by sifting through the madness for what hits you as the word, the line, the way.
First published in 1989, Cultural Politics in Contemporary America is a radical attempt to lay out the complex ways in which the American media and American culture is powerfully interlocked. At the end of the 20th century, the media exerted an overwhelming influence on the formation of social identity through the production and consumption of images. The Hollywood Presidency of Ronald Reagan was founded on the skills of the ‘Great Communicator’; Bruce Springsteen’s ‘Born in the USA’ was used by Chrysler Corporation to assure that ‘the pride is back’; feminists and right-wing militants converged to oppose pornography. The media, American culture, and political power were bound ...
This subset of the series 'The Ainu Library' presents early European works on the Ainu and their culture through descriptions and travelogues by early European visitors.
Awarded a 2014 Science Fiction and Technoculture Studies Prize Honourable Mention. This book explores the creation and use of artificially made humanoid servants and servant networks by fictional and non-fictional scientists of the early modern period. Beginning with an investigation of the roots of artificial servants, humanoids, and automata from earlier times, LaGrandeur traces how these literary representations coincide with a surging interest in automata and experimentation, and how they blend with the magical science that preceded the empirical era. In the instances that this book considers, the idea of the artificial factotum is connected with an emotional paradox: the joy of self-enh...
Nolan Kennedy is a young American teaching English in Istanbul and hanging out with his alcoholic friend Don Darius. Don might also be the greatest living American novelist judging by the script Kennedy finds in Don's trash. But Don has left town and Kennedy had better find him and persuade him to get serious about the book before Don decides to get serious about the vodka. The catalyst Don thinks will help is finding the woman he met on the LAIKONIK EXPRESS. Kennedy and Don embark on a journey to find her in back-of-beyond Central Europe but en route find much more than a mysterious woman.
From the beginning of modern intellectual history to the culture wars of the present day, the experience of assimilating Jews and the idiom of "culture" have been fundamentally intertwined with each other. Freedman's book begins by looking at images of the stereotypical Jew in the literary culture of nineteenth- and twentieth-century England and America, and then considers the efforts on the part of Jewish critics and intellectuals to counter this image in the public sphere. It explores the unexpected parallels and ironic reversals between a cultural dispensation that had ambivalent responses to Jews and Jews who became exponents of that very tradition.