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Fang huang
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J. J. Pan & Partners
Founded 30 years' ago by one of Taiwan's most respected architects, J. J. Pan & Partners has been steadfastly pursuing its vision of creating lasting, beautiful architecture that is appropriate to its role, harmonious with its time and place, and that best expresses the cultural, social and technological environment. The diversity of projects the multi-award-winning architectural firm has been involved in include master planning and urban design for residential communities, college campuses, and industrial parks; building design for housing complexes, high-tech industrial plants, office buildings, research laboratories, educational and health care facilities; and landscape and interior design
Chinese Herbal Medicine
A roadmap for easily navigating through the complexities of Chinese herbal medicine, Chinese Herbal Medicine: Modern Applications of Traditional Formulas presents information about herbal formulas in a practical and easy-to-access format. Bridging the gap between classroom study and the clinical setting, the book supplies information on disease sym
The Chinese Filmography
From A to Z, Abandon Superstitions (1958; Po Chu Mi Xing in Chinese) to Zuo Wenjun and Sima Xiangru (1984; Zuo Wen Jun Ahe Si Ma Xiang Ru), this comprehensive reference work provides filmographic data on 2,444 Chinese features released since the formation of the People's Republic of China. The films reflect the shifting dynamics of the Chinese film industry, from sweeping epics to unabashedly political docudramas, although straight documentaries are excluded from the current work. The entries include the title in English, the Chinese title (in Pinyin romanization with each syllable noted separately for clarity), year of release, studio, technical information (e.g., black and white or color, letterboxed or widescreen), length, technical credits, literary source (when applicable), cast, plot summary, and awards won.
A History of Chinese Art in the 20th and 21st Century
This book situates the development of 20th and 21st century Chinese art in such fundamental contexts as Chinese politics and social change and is ideally suited for readers to understand the particularities of Chinese art that are distinct from Western art history. Such an approach is appropriate to the understanding of the development of modern Chinese art, which differs from both the Western approach to art history and the approach to traditional Chinese art, which is limited to the combing of ink and brush heritage and ideological traditions. Based on the scale and influence of historical works, considering the specificity of the term involving 'fine art' in China, and the scope of influence of the phenomenon of fine art in the cultural field, this book is mainly limited to the study of artistic phenomena completed by painting, sculpture, photography, video, and mixed media. The main readers of this book are: undergraduate students in art schools, graduate and doctoral students in art history; students in other humanities disciplines; experts and professors in the study of 20th century Chinese art and cultural history should be important readers of this book.
