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Farce
"Farce sets out to explore the territory of what makes farce distinct as a comic genre. Its lowly origins date back to the classic Graeco-Roman theatre; but when formal drama was reborn by the process of elaboration of ritual within the mediaeval Church, the French term "farce" became synonymous with a recognizable style of comic performance. Taking a wide range of farces from the briefest and most basic of fair-ground mountebank performances to fully-fledged five-act structures from the late nineteenth century, the book reveals the patterns of comic plot and counter-plot that are common to all."--BOOK JACKET.
Modern British Farce
Contents: The Nature of Farce; A.W. Pinero and the Court Farces; Ben Travers and the Aldwych Farces; Brian Rix and the Whitehall Farces; Post-Whitehall Farces; Joe Orton; Farce and Contemporary Drama: I; Farce and Contemporary Drama: II; Conclusion; ^R Appendix: a Chronological List of Plays; Notes; Bibliography; Index
Farce and Farcical Elements
Farcical elements were incorporated into non-comic drama ever since the theatre had been rediscovered in the Middle Ages. Already at a very early stage, comic scenes proved to be popular additions to liturgical music drama and, later, to religious plays in the vernacular. Some scholars believe that the genre of farce developed out of these farcical elements. The suggestion was made that farces, similar to the stuffing of meat or poultry, had been added to plays to increase audience involvement. Other researchers see quite different origins for the farce. The present volume does not aspire to solve the question of the relationship between the two types of “comedy” on the medieval stages but its editors hope that it will nevertheless contribute to this discussion. In addition, it will enable its readers to form an impression of the huge variety of the comic in the vast area of medieval and early Renaissance theatre and drama.
What Comes After Farce?
If farce follows tragedy, what follows farce? Where does the double predicament of a post-truth and post-shame politics leave artists and critics on the left? How to demystify a hegemonic order that dismisses its own contradictions? How to belittle a political elite that cannot be embarrassed, or to mock party leaders who thrive on the absurd? How to out-dada President Ubu? And, in any event, why add outrage to a media economy that thrives on the same? What Comes After Farce? comments on shifts in art, criticism, and fiction in the face of the current regime of war, surveillance, extreme inequality, and media disruption. A first section focuses on the cultural politics of emergency since 9/1...
Fortune's Frolic
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A Day Well Spent
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Farce
Farce elicits an immediate, elemental response from all age levels, cutting across national and intellectual boundaries. It dates back to people’s first attempts to scoff in public at whatever their neighbors cherished in private: social prestige, eccentricities, virtues that are vices, friendships, and enmities. Albert Bermel, teacher, writer, and translator of farce, takes readers on an instructive and hilarious voyage from the classical Greek stage through English Restoration and French farce, to the young Hollywood of Mack Sennett, Chaplin, Keaton, and Lloyd, the other silent farceurs of the Jazz Age, and on to W. C. Fields, Mae West, Sid Caesar, Mel Brooks, Woody Allen, and Monty Python—including other greats along the way like Hope and Crosby, Laurel and Hardy, and the Marx Brothers.
First as Tragedy, Then as Farce
Billions of dollars were hastily poured into the global banking system in a frantic attempt at financial stabilisation. So why has it not been possible to bring the same forces to bear in addressing world poverty and environmental crisis? In this take-no-prisoners analysis, Slavoj Zizek frames the moral failures of the modern world in terms of the epoch-making events of the first decade of this century. What he finds is the old one-two punch of history: the jab of tragedy, the right hook of farce. In the attacks of 9/11 and the global credit crunch, liberalism dies twice: as a political doctrine and as an economic theory. The election of Donald Trump only confirms the bankruptcy of a liberal order on its last legs. First as Tragedy, Then as Farce is a call for the left to reinvent itself in the light of our desperate historical situation. The time for liberal, moralistic blackmail is over.
May the Farce Be With You
It seems a long way from Moliere to Ray Cooney. There are immense distances between the worlds of Aristophanes, Plautus, Georges Feydeau, Ben Travers, Joe Orton and Basil Fawlty. But as one of the oldest genres in the history of the theatre, farce bridges the gaps by generating gales of helpless belly laughter across the generations. Inspired by John Mortimer’s observation that farce is 'tragedy played at a thousand revolutions a minute', theatre critic Roger Foss embarks on a lightning tour of the rib-tickling world of confused characters, absurd situations, ruined reputations, sexual innuendo and bravura comic acting and finds out if farce really is a force to be reckoned with in the 21st century. The latest addition to the Oberon Masters series, May The Farce Be With You celebrates the great creators and performers of farce, notably master farceur Ray Cooney, who celebrates his 80th birthday in 2012, in essays that will inform and entertain both the aficionado and anyone with a sense of humour.
Welcome to the Farce
A completely new and light-hearted look at the current state of today’s Police Service. Real, interesting stories are shared from a detective’s perspective and first-hand experiences.Inspired by PC David Copperfield’s bestselling Wasting Police Time. Welcome to the Farce is written by a real police officer serving in a real police force. Although names and places have been changed, this is in many ways a true account. The book takes an up to date and humorous look at the state of today’s Police Service. Despite ongoing budget cuts affecting the world of policing, the author’s own constabulary and others waste money and resources they have on anything apart from the pursuit of law a...
