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May the Farce Be With You
It seems a long way from Moliere to Ray Cooney. There are immense distances between the worlds of Aristophanes, Plautus, Georges Feydeau, Ben Travers, Joe Orton and Basil Fawlty. But as one of the oldest genres in the history of the theatre, farce bridges the gaps by generating gales of helpless belly laughter across the generations. Inspired by John Mortimer’s observation that farce is 'tragedy played at a thousand revolutions a minute', theatre critic Roger Foss embarks on a lightning tour of the rib-tickling world of confused characters, absurd situations, ruined reputations, sexual innuendo and bravura comic acting and finds out if farce really is a force to be reckoned with in the 21st century. The latest addition to the Oberon Masters series, May The Farce Be With You celebrates the great creators and performers of farce, notably master farceur Ray Cooney, who celebrates his 80th birthday in 2012, in essays that will inform and entertain both the aficionado and anyone with a sense of humour.
Till the Boys Come Home
Ever since the signing of the Armistice in 1918, theatre has played an important part in reflecting the experience of the 'war to end all wars'. But on the Home Front, what role did those involved with British theatre play during those tumultuous four years and three months? Till the Boys Come Home salutes British theatre in wartime, when theatres became powerful generators for escapism, for stirring patriotism, for sharing experiences of loss and joy – and for raising vast amounts of charity money. It brings to life a Britain where theatre-going peaked in popularity, yet became full of the curious contradictions bred by war. Richly illustrated with original programmes, posters and ephemera, author and critic Roger Foss reveals a theatrical powerhouse, where all sections of the profession – from grand Shakespearian knights to lowly concert party artistes – were doing their bit, both at home and on the front line.
War Games
Written twenty years before it was first published in 1972, War Games features both black and charcoal-gray humor, whose characters and events are as unpredictable as they are absorbing--a book, in the author's words, "where the extremity of the bizarre is seen as the ultimate effort to change oneself, if not the world." At the center of the novel is the developing relationship between the protagonist, a fifty-three-year-old army colonel, and a Viennese immigrant whom he first knows as Mrs. Tabori and whose story he has learned through a dying amputee, Human Kopfman. Themes and characters that first appear in War Games reappear in The Field of Vision and Ceremony in Lone Tree. In the preface...
Beyond Knowing
Working as a medical examiner, Dr. Janis Amatuzio has found that by listening and talking to loved ones of the deceased, she can offer them a sense of closure. In doing so, she has heard — and here retells — extraordinary stories of spiritual and otherworldly events surrounding the transition between life and death. As in her first book, Forever Ours, Dr. Amatuzio presents the amazing, heartfelt accounts told to her by grieving family members, patients, doctors, nurses, clergy, and police officers. Along with these stories, she shares her own story — reflecting on the course of her career, the bonds she has formed over the years, the lessons she has learned, and her conclusion that “Everything truly is all right.” This powerful book honors the mystery of life and death, exploring the realms of visions, synchronicities, and communications on death’s threshold. Told in the voice of a compassionate scientist who sees death every day, these stories eloquently convey the patterns of truth Dr. Amatuzio has found in what she sees and hears. Beyond Knowing explores the wisdom the living might find in these accounts and shows how that wisdom changes lives.
